Lear and Penrhyn Stanley at Glendalough

Part of Stanley’s first Long Vacation (1835) was spent in a visit to Dublin, where he joined his father at a meeting of the British Association. Though unable, as he confesses, ‘to enter into the scientific business from my ignorance of the subject,’ he was keenly interested in seeing the eminent men who were assembled at the meeting, and in hearing the debates on social questions.His stay in Dublin was diversified by a visit to Glendalough and the Seven Churches, in company with his uncle Penrhyn and Mr. Lear.

‘Luggelaugh had been very beautiful, but Glendalough was perfect. You come down between woody hills on a narrow valley, with two lakes glittering in the sunset, closed at the end by the cliffs of Lugduff, and with finely-shaped hills and woody rocks jutting into it. At the entrance of the valley is the Round Tower, and three of the Seven Churches, small and in ruins, but the most interesting ruins I ever saw. The greatest trace of this former fame is preserved in the title of the Archbishop of Dublin, which is Dublin and Glendalough, as the latter was once the Episcopal See. The guide was, however, sufficient to drive away all sentiment. He began by shouting Moore’s poem on Glendalough at the top of his voice, and then went on with a profusion of legends, in one of which Fin McCoul, the Irish giant, cuts a hole in the rock with a sword forged by Vulcan and taken from the anvil by the great huntsman Ramrod (Nimrod), McCoul having previously been at school with the Prophet Jeremiah. He nearly broke my legs by trying to make them meet round a stone cross, which is necessary to secure a beautiful wife and a good fortune.’

He adds a string of similar stories, ending with a description of his
‘ascending shoeless with Mr. Lear along a narrow ledge — a mauvais pas on a small scale — and helped round the corner by an old woman surnamed Kathleen, who popped us into the hole (St. Kevin’s bed) just like a bathing-woman, saying all the time, “Don’t be fearful, my dear.” We drove on to sleep at Belleview, Mrs. Latouche’s place, but owing to the horse being knocked up, and the gradual expansion of miles from six to twelve, did not reach it till 9.30. We met with no sign in our nightly journey that we were travelling through a land of fire and blood, except that, at all houses where the driver knocked to ask the way, he had to say A friend “before the door was opened, and that we were repeatedly told “that there was no danger in the way.”‘

Prothero, Rowland E. The Life and Correspondence of Arthur Penrhyn Stanley: Late Dean of Westminster. New York: Charles Scribner’s Sons, 1884, vol. I, pp. 146-7.

St Kiven, plate 3

The trip probably resulted in Lear’s illustrations for Moore’s “By That Lake, Whose Gloomy Shore,” from vol. 4 of his Irish Melodies.

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Carolyn Wells on the Limerick

Oliver Herford for a limerick by Carolyn Wells

A new article is available on the nonsenselit.org bookshelf: Carolyn Wells, “Limericks.” Frank Leslie’s Popular Monthly, vol. 55, no. 5, March 1903, pp. 532-5.

It mostly consists of limericks by authors well-know at the turn of the twentieth century. Worth of a mention is the above carp, drawn by Oliver Herford for a limerick by Carolyn Wells herself, which turns upside down the situation of a famous one by Edward Lear:

Edward Lear, Lady of Welling
There was a Young Lady of Welling,
Whose praise all the world was a-telling;
She played on a harp,
And caught several carp,
That accomplished Young Lady of Welling.

More articles on Nonsense literature.

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Animation Backgrounds for Alice in Wonderland

Rob Richards at Animation Backgrounds has reconstructed the environment in which Disney’s 1951 animated Alice in Wonderland is set.

I’m late

Thanks to Michael Sporn.

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Mungojerrie and Rumpelteazer

LeCain’s Mungojerrie and Rumpelteazer

Michael Sporn has published the second part of Errol LeCain’s illustrations for Mr. Mistoffelees with Mungojerrie and Rumpeltealzer, go see them! Also see previous post.

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The Poems in Alice in Wonderland

I have added Florence Milner’s old essay on “The Poems in Alice in Wonderland (The Bookman, XVIII, September 1903, pp. 13-6) to the nonsenselit.org bookshelf.

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Gustave Verbeek's Monotypes

I have added an article on Gustave Verbeek‘s monotypes, to which he devoted his efforts after abandoning comics in the 1910s: Hawthorne, Hildegarde. “A New Achievement in an Old Medium: Gustave Verbeek’s Monotypes.” The Century Magazine 92.2, June 1916, 96-102.

Verbeek, “The Shepherdess,” monotype

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The Illustrated Old Possum

Michael Sporn, of Splog, has a number of posts about illustrator Errol Le Cain, and among them two devoted to his illustrations to poems from T.S. Eliot’s Old Possum’s Book of Practical Cats:

Growltiger’s Last Stand and Other Poems

Growltiger’s Last Stand

Mr. Mistoffelees with Mungojerrie and Rumpelteazer

Mr. Mistoffelees

The posts also mention a projected, but never realized, animated version of Andrew Lloyd Webber’s musical Cats, based on Eliot’s poems, scripted by Tom Stoppard. You can get some information and see preliminary pictures for this Steven Spielberg production at Hans Bacher’s blog its-a-wrap: post 1 and post 2.

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The 1888 Roberts Bros Edition

On Edward Lear’s Nonsense Books, published by the Robert Bros, in “The Literary World.” October 13, 1888:

Nonsense Books Nonsense Books By Edward Lear Roberts Bros Í2 OO Those who like Mr Ruskin are disposed to put Edward Lear at the head of their hundred authors for the sake of the June flies the mangle wangle the owl and the pussy cat and the rest of his entertaining creations will welcome the reappearance of the Konsense Books in a new edition with all the original illustrations a portrait and brief biographical account of the author and the still further addition of two supplementary books not heretofore published in this country called Mori Nonsense and Laughable Lyrics In these the lovers of the old books will recognize some well known characters and friends under novel conditions but to us their most delightful feature is the first the alliterative alphabet which beginning with The Absolutely Abstemious Ass Who resided in a Barrel and only lived on Soda Water and Pickled Cucumbers carries us along past The Judicious Jubilant Jay Who did up her back hair every morning with л Wreath of Roses Three feathers and a gold t in and The Perpendicular Purple Polly Who read the Newspaper and ate Parsnip Pie With his spectacles to Tlie Zinzap Zealous Zebra The way tu Jillebola Who carried five monkeys on his back all Children will delight in this alphabet we think

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The Gashlycrumb Tinies

On YouTube, a nice animation based on Edward Gorey’s The Gashlycrumb Tinies, by Matt Duplessie of Clandestiny:

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The Owl and the Pussy-Cat: A New Arrangement

Sumanguru Gyra Jones, from Somewhere West of the Everglades, proposes his own arrangement of Edward Lear’s poem:

Download

He also has an arrangement of Lewis Carroll’s “The Jabberwocky”:

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