Tag Archives: oil paintings

Edward Lear, Temple of Agrigento

Posted on April 14, 2021 by Marco Graziosi

Edward Lear, Temple of Agrigento. Signed and indistinctly dated ‘Edwd Lear. May 28, 184…’ (lower center); inscribed ‘Agrigento’ (lower right). Oil over pencil on paper, laid on canvas. 131⁄8 x 20 in. (33.3 x 50.8 cm.) Provenance with Thomas Agnew … Continue reading →

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Edward Lear, Mount Sinai (1853)

Posted on March 13, 2021 by Marco Graziosi

Edward Lear, Mount Sinai. Inscribed, signed and dated MT. SINAI E. Lear 1853 lower right. Oil on canvas, circular. Unframed: 58.5cm., 23in. diameter. Framed: 69 by 69cm., 27¼ by 27¼in. Provenance Bought from the artist by Thomas Gambier Parry. Leger Galleries, London, … Continue reading →

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Edward Lear, The Pyramids Road (or, have you got a million?)

Posted on March 7, 2021 by Marco Graziosi

Edward Lear, The Pyramids Road, Gizeh. Signed with monogram and dated EL.1873 lower left. Oil on canvas. Unframed: 53 by 104cm., 21 by 41in. Provenance Commissioned by Thomas George Baring, 1st Earl Northbrook before 1872 The Fine Art Society, by whom sold to … Continue reading →

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Edward Lear, Ruins in the Campagna

Posted on October 23, 2020 by Marco Graziosi

Edward Lear, Ruins in the Campagna. Oil on canvas, 23.2 x 32.6 cm, framed, slightly damaged. Provenance: Directly from the artist by inheritance to the great-great-grandfather of the present owner; Private Collection United States of America. Catalogued and illustrated in: … Continue reading →

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Edward Lear, Two Paintings of the Roman Campagna, 1842

Posted on August 28, 2020 by Marco Graziosi

Edward Lear, The Tomb of Cecilia Metella on the Via Appia, Rome. Edward Lear, The Tor di Schiavi on the Via Labicana, Rome. The former signed l.l.: 1842 / Ed Lear the latter signed l.r.:E.Lear.1842. A pair, both oil on canvas. Each … Continue reading →

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Edward Lear, A View of the Roman Campagna with Travellers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841)

Posted on August 15, 2020 by Marco Graziosi

Edward Lear, A View of the Roman Campagna with Travellers Passing a Ruined Brick Tomb, an Aqueduct in the Distance. Signed and dated lower left: E. Lear/ 1841. Oil on canvas. 9 by 39.7 cm.; 7 1/2  by 15 5/8  in. … Continue reading →

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Edward Lear, Rome, A View of the Forum with the Temple of Venus (1841)

Posted on August 14, 2020 by Marco Graziosi

Edward Lear, Rome, A View of the Forum with the Temple of Venus. Signed and dated lower left: 13 / E. Lear f. 1841. Oil on canvas. 27.3 by 37.5 cm.; 10 3/4  by 14 3/4  in. Provenance Robert Crewe-Milnes, 1st Marquess of Crewe … Continue reading →

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Edward Lear, A View of the Roman Campagna, a Villa and Aqueduct in the Distance

Posted on August 13, 2020 by Marco Graziosi

Edward Lear, A View of the Roman Campagna, a Villa and Aqueduct in the Distance. Signed lower left: E. Lear. Inscribed with inventory number lower right: 184 . Oil on canvas. 19 by 39.7 cm.; 7 1/2  by 15 5/8  … Continue reading →

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Edward Lear, Rome, A View of the Forum from a Terrace (1841)

Posted on August 12, 2020 by Marco Graziosi

Edward Lear, Rome, A View of the Forum from a Terrace. Signed and dated lower right: 14 / E. Lear f. 1841. Oil on canvas. 27.3 by 37.4 cm.; 10 3/4  by 14 3/4  in. Provenance Robert Crewe-Milnes, 1st Marquess of Crewe … Continue reading →

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Edward Lear and Frederic Church

Posted on June 22, 2019 by Marco Graziosi

Commenting on Edward Lear’s impressive painting of Beachy Head, in her recent Inventing Edward Lear, Sara Lodge writes, among much more: In Beachy Head, Lear directly recalls the dramatic composition of [Frederic] Church’s The Icebergs in a way that is … Continue reading →

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