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Edward Lear
- Biographical Essays
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Egypt
Edward Lear, A view of the Temple of Karnak at sunset, Thebes, Egypt
Edward Lear, A view of the Temple of Karnak at sunset, Thebes, Egypt. Signed with monogram (lower right) and inscribed ‘Karnak. Thebes. Egypt’ (verso). Pencil, pen and brown ink and watercolour, heightened with white on paper. 4 ¼ x 8 … Continue reading
Edward Lear, Kom Ombos, Egypt (1856)
Edward Lear, Kom Ombos, Egypt. Signed with monogram (lower right) and indistinctly inscribed and dated ‘Ombos 1856’ (lower left). Oil on canvas laid down on board. 10 x 15 ½ in. (25.4 x 39.3 cm.) See watercolour. Provenance Thomas Baring, … Continue reading
Posted in Edward Lear
Tagged Edward Lear, Egypt, landscape, oil paintings, travel, watercolours
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Edward Lear, Philae from Biggeh Sunset (1854)
Edward Lear, Philae from Biggeh Sunset. Extensively inscribed with artist pallet references throughout, further titled and dated ‘Philae from Biggeh, sunset, Feb.3.1854, p. 18’ (lower right). Watercolour. 32 x 50 cm. (12 5/8 x 19 3/4 in.) Provenance With Appleby … Continue reading
Edward Lear, Mount Sinai (1849)
Edward Lear, Mount Sinai. Inscribed with location and colour notes, dated 26 Jan, 1849, pen and ink and watercolour. 18cm x 28.5cm (7in x 11.25in). Provenance Fine Art Society Limited, London, July 1979 The Collection of Gordon & Ursula Bowyer … Continue reading
Edward Lear, Jafa (1884)
Edward Lear, Jafa. Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 17. 1867’, watercolour and bodycolour 9cm x 17cm (3.5in x 6.75in) Travelling by ‘the grumpy roary groanery of camels’ across the desert, Lear arrived in … Continue reading
Edward Lear, Dead Camel
Edward Lear, Dead Camel Getting Eaten by Buzzards. Signed with the monogram, watercolour and bodycolour 18cm x 37cm (7in x 14.5in) The Saleroom.
Edward Lear, Wady Halfa, Egypt (1867)
Edward Lear, Wady Halfa, Egypt. Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 3, 1867, watercolour and bodycolour 9cm x 17cm (3.5in x 6.75in) Walker Galleries, London;Christie’s, London, 26 January 1984, lot 178. The present work … Continue reading
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance (1849)
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance, 1849. Pencil, pen and brown ink and watercolour, heightened. 6 ¾ x 20 in. (17.2 x 50.9 cm.) MutualArt.
Edward Lear, View on the Nile, Dishne (1867)
Edward Lear, View on the Nile, Dishne. Inscribed ‘Near Dishne, 5.10PM Feby 27.1867’, and numbered 558, watercolour, 6 x 17cm. Provenance with Ryman & Co Ltd, Oxford. Invaluable.
Edward Lear, View of Cairo (1849)
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance. Inscribed and dated ‘Cairo / 9. Jany . 1849.’ (lower left), further inscribed, dated and numbered ‘Cairo. Jany 9. 1849. 2’ (lower right), and … Continue reading