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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: landscape
Edward Lear, A Street Scene in Vevey, Switzerland (1837)
Edward Lear, A Street Scene in Vevey, Switzerland. Watercolour, inscribed and dated 1837, 28cm x 18cm, within a stained wood frame. Provenance Christie’s 8th July 1997, lot no.76.
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Tagged Edward Lear, landscape, Switzerland, travel, watercolours
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Edward Lear, A view of Villa Barberini, Albano, near Rome (1846)
Edward Lear, A view of Villa Barberini, Albano, near Rome. Signed and dated ‘Edward Lear. del. 1846.’ (lower centre) and inscribed ‘Villa Barberini. / Albano.’ (lower left). pen and brown ink, brown wash on buff paper. 5 7⁄8 x 18 … Continue reading
Edward Lear, A view of Eremo di Camaldoli, Frascati, near Rome (1846)
Edward Lear, A view of Eremo di Camaldoli, Frascati, near Rome. Signed and dated ‘Edward Lear del. 1846.’ (lower right) and inscribed ‘Camaldoli. / Frascati.’ (lower left). Pen and brown ink, brown wash, heightened with touches of white on buff … Continue reading
Edward Lear, Philae
Edward Lear, Philae. monogrammed lower right. oil on paper laid on canvas. 34cm x 54cm. Provenance With Agnew’s, London, no. 32992; The Collection of Sir Thomas William Evans, Bt., of Allestree Hall, Derbyshire, and Dartmouth House, Queen Anne’s Gate, London; … Continue reading
Edward Lear, A view of the Temple of Karnak at sunset, Thebes, Egypt
Edward Lear, A view of the Temple of Karnak at sunset, Thebes, Egypt. Signed with monogram (lower right) and inscribed ‘Karnak. Thebes. Egypt’ (verso). Pencil, pen and brown ink and watercolour, heightened with white on paper. 4 ¼ x 8 … Continue reading
Edward Lear, Kom Ombos, Egypt (1856)
Edward Lear, Kom Ombos, Egypt. Signed with monogram (lower right) and indistinctly inscribed and dated ‘Ombos 1856’ (lower left). Oil on canvas laid down on board. 10 x 15 ½ in. (25.4 x 39.3 cm.) See watercolour. Provenance Thomas Baring, … Continue reading
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Tagged Edward Lear, Egypt, landscape, oil paintings, travel, watercolours
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Edward Lear, Samos, 6pm, 2 May 1863
Edward Lear, Samos, 6pm, 2 May 1863. Inscribed lower right. Pen, ink and watercolour. 31 x 52cm. The Saleroom.
Edward Lear, Kangchenjunga from Darjeeling, India (1874)
Edward Lear, Kangchenjunga from Darjeeling, India. Signed with monogram (lower left). Pencil and watercolour heightened with bodycolour on paper. 10 1⁄8 x 15 ½ in. (25.7 x 39.4 cm.) Executed in 1874. Provenance The Collection of Chichester Samuel Parkinson-Fortescue, 2nd … Continue reading
Edward Lear, Mount Sinai (1849)
Edward Lear, Mount Sinai, 1849. Pencil, pen and brown ink on buff-coloured paper. Works on Paper. 11 ½ x 18 ½ in. (29.2 x 47 cm.) MutualArt.
Edward Lear Certosa del Pesio, San Bartolomeo (1870)
Edward Lear, Certosa del Pesio (San Bartolomeo). Inscribed with title and dated ‘Augt.1870’ l.r., pencil, pen and brown ink. 31 x 48.5cm; framed 57 x 73cm. Provenance With The Fine Art Society. The Saleroom.