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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- James Thurber (3)
- Lewis Carroll (68)
- Limerick (62)
- Nonsense Lyrics (28)
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Tag Archives: landscape
Edward Lear’s Studio Practice
Stephen Duckworth is at it again: he has created a new, very nice site, about Edward Lear and His Studio Practice, which covers all aspects of Lear’s painting activity: sketches, studio work. A very useful resource for anyone interested in … Continue reading
Edward Lear, Abetone (1883)
Edward Lear, Abetone. Ink, pencil and watercolour – Passo di Abetone, Italy, annotated and dated ‘7.30. pm, August 28, 1883’, titled verso on gallery label, 9.5 x 17cms. Provenance With Colnaghi & Co. Ltd., no. 146, English Exhibition, 1973; private … Continue reading
Edward Lear, Ponte Rotto, Rome
Edward Lear, Ponte Rotto, Rome. Watercolour, Indistinctly inscribed, and inscribed verso (now framed) 5.5″ x 9″ (14 x 22.8cm). I already posted this image, but it looks better here. The Saleroom.
Edward Lear’s 9000 Landscape Drawings
Stephen Duckworth has posted a new website with lots of information on Edward Lear’s tours and drawings / watercolours. It presents a lor of previously-unavailable information, so don’t miss it! Previous posts by Stephen: Edward Lear’s travels in the Peloponnese … Continue reading
The Abbey of Santo Spirito at Sulmona (1844)
Edward Lear, The Abbey of Santo Spirito at Sulmona. Signed lower right ‘E. Lear del. 1844’ and inscribed lower left ‘Abbadia di S. Spirito.’ Black chalk, pencil and stump heightened with white on buff paper 8.5 x 15cm Provenance John … Continue reading
Edward Lear, Paxo (1863)
Edward Lear, Paxo. Inscribed and dated 5 April 1863 and numbered 5, pen and sepia ink with colour washes, 12.5 x 18.5cm. The Saleroom.
Edward Lear, Lacca in Paxo (1863)
Edward Lear, Lacca in Paxo. Inscribed and dated 9 April 1867 [actually 1863, 2 P.M.], pen and sepia ink with colour washes and white, 35 x 52cm. The Saleroom.
Edward Lear, View of Cogoleto (1864)
Edward Lear, View of Cogoleto, Italy. Inscribed and dated High wind & cold/Cogoletto [sic]/3.30pm/24 Dec 1864 (lower left), numbered (82) (lower right), and further inscribed elsewhere with colour notes. Pen and brown ink, and watercolour. 36.7 x 54.6cm; 14½ x 21½in … Continue reading
Edward Lear, View of Porto Maurizio (1864)
Edward Lear, View of Porto Maurizio, Italy. Dated and inscribed Porto Maurizio/9 AM/29 December 1864 (lower left), numbered (114) (lower right) and further inscribed throughout with colour notes. Pen and ink, and watercolour, heightened with white. 32.9 x 49cm; 13 x … Continue reading
Edward Lear, Ravenna (1867)
Edward Lear, Ravenna. Watercolour sketch, ‘Ravenna 10.30 AM May 5 1867’, marked in pencil verso. 16.4cm x 24.9cm. Lear is known to have done another, almost from the same spot (different light), which was sold at Bonhams lot 71 on … Continue reading