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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
Tag Archives: Italy
Edward Lear, The Grand Canal looking towards the Rialto Bridge, Venice. Pen and brown ink and watercolor over pencil; dated lower right: 13 November 1865 (2.pm), extensively inscribed with the artist’s color notes. 352 by 504 mm; 13 7/8 by 19 7/8 … Continue reading
Edward Lear, Pentedatilo, Calabria, Italy. Pen and brown ink and watercolour; signed with the artist’s monogram lower left. 164 by 257 mm. Lear travelled through Calabria in southern Italy in 1847, and he recorded in his journal upon his arrival in late … Continue reading
Edward Lear, Lago d’Iseo. Signed and dated May 21, 1867, and extensively inscribed, mixed media, 10.5cm by 20cm. Tennants. See also.
Edward Lear, Ruins in the Campagna. Oil on canvas, 23.2 x 32.6 cm, framed, slightly damaged. Provenance: Directly from the artist by inheritance to the great-great-grandfather of the present owner; Private Collection United States of America. Catalogued and illustrated in: … Continue reading
Edward Lear, Ponte Rotto, Rome. Indistinctly inscribed (lower left) and further inscribed ‘The sketch/ on the other side/ taken from below the Ponte Rotto – a bit/ of which is on the left corner.’ (verso) pencil, pen and brown ink … Continue reading
Edward Lear, Tor San Eusebio. Inscribed and dated ‘Tor Sant’Eusebio./ 13th. February 1845.’ (lower left) and further inscribed with colour notes.
Edward Lear, Figures Loading a Barge. Signed ‘Edward Lear del’ (lower left), dated ‘Oct. 1837’ (lower right) and numbered 53.W. (lower right).
Edward Lear, A Tower in the Campagna, Rome. Signed and dated ‘Edward Lear. del./ 1846.’ (lower right).
Edward Lear, Etna. Inscribed Etna 5 June 1864, watercolour with pen and ink 4 x 11cm. [Drawn while getting back from Crete.] The Saleroom.
Edward Lear, The Tomb of Cecilia Metella on the Via Appia, Rome. Edward Lear, The Tor di Schiavi on the Via Labicana, Rome. The former signed l.l.: 1842 / Ed Lear the latter signed l.r.:E.Lear.1842. A pair, both oil on canvas. Each … Continue reading