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Edward Lear
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: Edward Lear
Edward Lear, Voidomatis river, Zagori region, Epirus (1857)
Edward Lear, Voidomatis river, Zagori region, Epirus. 14 April 1857. Watercolour and ink on paper. MutualArt.
Edward Lear, Two Geese (1846)
Edward Lear, Two Geese. Pen and ink. 3 ¾ x 5 ¾ inches. Provenance Fanny and George Coombe of Peppering House, Burpham, Sussex, and by descent; Luke Gertler Collection Edward Lear made the present drawing for the family of his … Continue reading
Edward Lear, Amalfi: Still Life (1838)
Edward Lear, Rustic Still Life. Inscribed ‘Amalfi’ and dated ‘July.11.1838’. Watercolour with oil and pencil. 5 ¼ x 7 ½ inches. Exhibited ‘Chris Beetles Summer Show’, 2021, No 25. Early in 1837, a group of subscribers, led by the Earl … Continue reading
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Tagged Edward Lear, Italy, landscape, oil paintings, travel, watercolours
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Edward Lear, A Rest on the Way to Pisa (1861-1863)
Edward Lear, A rest on the way to Pisa. Signed with monogram and dated 1861 and 1863. Watercolour with bodycolour. 6 ¼ x 10 ¼ inches. Literature Vivien Noakes, Edward Lear 1812-1888, London: Royal Academy of Arts, 1985, pages 126-127, … Continue reading
Edward Lear, Tivoli (1838)
Edward Lear, Tivoli. Pencil and monochrome wash. Inscribed and dated ‘Tivoli May 7th 1838’. Provenance The Acland family. Exhibited: Fry Gallery. 7×9.75 inches. Abbott and Holder.
Edward Lear, Parnassus (1849)
Edward Lear, Parnassus. Pen, ink, pencil and wash – “Parnassus, 12 April 1849, 11 A.M.” Mount Parnassus from Near Thebes – a study of an extensive landscape, with figures, some on horseback, inscribed, dated and numbered 159, 11.25ins x 19ins, … Continue reading
Edward Lear, Falla, near Strongili, Corfu (1862)
Edward Lear, Falla, near Strongili, Corfu. Inscribed lower left with the title in Greek and dated 4th May 1862 and numbered lower right: 49+2. Pen and brown ink over pencil on blue paper 21.5 by 44.5 cm., 8 ½ by … Continue reading
Edward Lear, Cheddar Cliffs, Somerset (1849)
Edward Lear, Cheddar Cliffs, Somerset. Signed, inscribed and dated ‘Tcheddacliphs [sic] / Edward Lear. del. Aug. 25.1849.’ (lower right). Pencil, pen and brown ink and watercolour heightened with white on buff paper 6 7/8 x 11 3/8 in. (17.5 x … Continue reading
Edward Lear, Ancient Gate of Alatri
Edward Lear’s lithograph of the Ancient Gate of Alatri from Views in Rome and Its Environs. In a coloured version, under Lear’s supervision? I’m finding more and more of these lithographs in colour, so perhaps the book was sold in different … Continue reading
A Batch of Irish Learics
In a previous post, like this one inspired by Doug Harris, I showed a page of “Irish Literary Learics” from Idyls of Killowen: A Soggarth’s Secular Verses (London: James Bowden, 1899), by Matthew Russell, S.J. The same limericks, however had already … Continue reading