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Edward Lear
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Edward Lear, Lago d’Iseo (1867) nonsenselit.com/2020/11/25/edw… 6 hours ago
- Edward Lear, La Piana, Corsica (1868) nonsenselit.com/2020/11/16/edw… 1 week ago
- Edward Lear, Grosseto, Corsica (1868) nonsenselit.com/2020/11/15/edw… 1 week ago
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Author Archives: Marco Graziosi
Edward Lear, Lago d’Iseo (1867)
Edward Lear, Lago d’Iseo. Signed and dated May 21, 1867, and extensively inscribed, mixed media, 10.5cm by 20cm. Tennants. See also.
Edward Lear, La Piana, Corsica (1868)
Edward Lear, La Piana, Corsica. Ink and watercolour. Titled and dated 11 May 1868 5am-6am lower left, numbered 185 lower right and variously annotated. 35 x 53cm (13¾ x 20¾ in.) Provenance Pawsey and Payne Ltd., London Edward Lear travelled to Corsica in … Continue reading
Edward Lear, Grosseto, Corsica (1868)
Edward Lear, Grosseto, Corsica. Ink and watercolour. Titled and dated 3 May 1868 5:30am lower left, numbered 165 lower right and variously annotated. 33.5 x 51cm (13 x 20 in.) Provenance Pawsey & Payne Ltd., London Edward Lear travelled to Corsica … Continue reading
Posted in Edward Lear
Tagged Corsica, Edward Lear, France, landscape, travel, watercolours
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Victorian Poetry Issue on Edward Lear
The summer 2020 issue of Victorian Poetry (Volume 58, Number 2), edited by Jasmine Jaegger and Benjamin Westwood, is entirely devoted to Edward Lear. Here is the table of contents: Introduction: New Work on Edward Lear, Jasmine Jagger, Benjamin Westwood, … Continue reading
Edward Lear in Ninfa
Last Friday (23 October) I was in Ninfa, where “the most romantic garden in the world” is situated, for a conference celebrating 100 years since its creation among the ruins of a Medieval town. The conference was organized by Fondazione … Continue reading
Edward Lear, Ruins in the Campagna
Edward Lear, Ruins in the Campagna. Oil on canvas, 23.2 x 32.6 cm, framed, slightly damaged. Provenance: Directly from the artist by inheritance to the great-great-grandfather of the present owner; Private Collection United States of America. Catalogued and illustrated in: … Continue reading
Edward Lear, Ponte Rotto
Edward Lear, Ponte Rotto, Rome. Indistinctly inscribed (lower left) and further inscribed ‘The sketch/ on the other side/ taken from below the Ponte Rotto – a bit/ of which is on the left corner.’ (verso) pencil, pen and brown ink … Continue reading
Edward Lear, Tor San Eusebio (1845)
Edward Lear, Tor San Eusebio. Inscribed and dated ‘Tor Sant’Eusebio./ 13th. February 1845.’ (lower left) and further inscribed with colour notes.
Edward Lear, Figures Loading a Barge (1837)
Edward Lear, Figures Loading a Barge. Signed ‘Edward Lear del’ (lower left), dated ‘Oct. 1837’ (lower right) and numbered 53.W. (lower right).
Edward Lear, A Tower in the Campagna, Rome (1846)
Edward Lear, A Tower in the Campagna, Rome. Signed and dated ‘Edward Lear. del./ 1846.’ (lower right).
