Author Archives: Marco Graziosi

Edward Lear’s Topography of Greece

Posted on February 9, 2023 by Marco Graziosi

Rowena Fowler has recently updated her website with an important addition to the Edward Lear section about his “Topography of Greece,” a project Lear never completed, which joins the several pages devoted to his travels and works, as well as … Continue reading →

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Aubrey Beardsley’s Limerick on Illustrating Le Morte Darthur

Posted on January 24, 2023 by Marco Graziosi

This manuscript records memories of Aubrey Beardsley’s mother about amateur theatricals put on at home by the adolescent Aubrey and his sister, Mabel, and her  son’s reluctance to fulfil his commission to illustrate an edition of Le Morte Darthur (1893–1894). … Continue reading →

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Edward Lear, Two Views of Venice from the Bacino (1865)

Posted on January 17, 2023 by Marco Graziosi

Edward Lear, Two views of Venice from the Bacinot. The first signed with monogram (lower right); the second inscribed and dated ‘Venice. 27. Novr 1865’ (lower left) and further inscribed and numbered ‘27.Novr. (66)’ (lower right) and further inscribed with … Continue reading →

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Edward Lear: Moment to Moment review in the Burlington Magazine

Posted on January 15, 2023 by Marco Graziosi

The Burlington Magazine, volume 164, number 1436, November 2022, pp. 1130-1132 contains a review of the Ikon exhibition by Richard Green I think I messid before. Unfortunately it is not one of the free ones.

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Edward Lear, Jerusalem (1858)

Posted on January 12, 2023 by Marco Graziosi

Edward Lear, Jerusalem. Signed with monogram (lower left) and inscribed and dated ‘Jerusalem./ 1858’ (lower right). Pencil, pen and ink and watercolor. 7 1/8 x 14 7/8 in. (18.1 x 37.8 cm). Provenance With Davis Galleries, New York, where purchased … Continue reading →

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Another Lear Rebus (?)

Posted on December 12, 2022 by Marco Graziosi

The following was recently sold at an auction by Fonsie Mealy’s. It contains Lear’s only colour self-portrait I have seen. The sale also included some correspondence between a Mrs Elinor Wiltshire, the owner of the sheet at the time (1985), … Continue reading →

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Edward Lear: Moment to Moment (reviews)

Posted on December 8, 2022 by Marco Graziosi

The Ikon exhibition has now closed but here is a page collecting the reviews devoted to it.

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Edward Lear, Coloured Views in the Seven Ionian Islands

Posted on November 18, 2022 by Marco Graziosi

From a coloured copy of Views in the Seven Ionian Islands (1863). folio (497 x 333 mm). (λίγα στίγματα οξείδωσης στον τίτλο). Λιθόγραφος τίτλος με βινιέτα και 20 λιθογραφίες χαραγμένες από τον Lear με βάση σχέδιά του, ΟΛΕΣ ΕΠΙΧΡΩΜΑΤΙΣΜΕΝΕΣ ΜΕ … Continue reading →

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Edward Lear, A Group of Owls

Posted on November 7, 2022 by Marco Graziosi

Edward Lear, A Group of Owls, from Birds of Europe, c. 1835. A group of 5 lithographs with hand-coloring on wove paper, printed by C. Hullmandel, London. Barn Owl – Strix flammea; Barred Owl – Strix neblosa; Great Cinereous Owl – … Continue reading →

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Edward Lear, S. Gregorio & Tivoli

Posted on November 5, 2022 by Marco Graziosi

Edward Lear, Tivoli and San Gregorio, a pair, the first inscribed ‘Tivoli’ (lower left); the other inscribed and dated ‘S.Grigorio [sic]/23rd April’ (lower left). Pen and ink and wash, heightened with white. The first 7 x 17.2cm (2 3/4 x … Continue reading →

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