Edward Lear, the Chaworth Musters, and Lord Byron

Lear never lost an opportunity to explore the places made famous by Lord Byron’s passage, or to hear anecdotes about him. In June 1859, while visiting the Empsons at Wellow, near Southampton, he had the luck to meet one Mr. Long, “to whom at Harrow he, Lord B., always gave 5 guineas when he came down. Mr. L. says Trelawny’s account is infamous ― & false: that B. had only one club foot: that he had seen him frequently ― continually naked in bathing, & that he never wore drawers” (13 June 1859).

Lear must have been very happy to receive a visit from John Chaworth Musters, “of Jerusalem & Annesley fame,” on 9 May 1859, just as he was getting ready to leave Rome. Apparently he had met the young man in Palestine the previous year and now found he had got married in the meantime.

Annesley, Musters’s home, was famous as the residence of the Chaworth family, strictly connected to the Byrons, who lived a few miles away in Newstead. William, fifth Lord Byron, “was, by the vote of one hundred and eighteen of his peers, convicted of the crime of manslaughter in causing the death of William Chaworth, Esquire, of Annesley, in a room of the ‘Star and Garter’ Tavern, Pall Mall, but on the charge of murder he was acquitted” (Tristram, Outram. “An Old Mystery in a New Light. The Byron-Chaworth Affair.” The English Illustrated Magazine, 34, November 1905, 122-37. GB.)

Mary Ann Chaworth at 19

Forty years later, George Gordon, sixth Baron Byron, William’s great nephew, who was to become a star Romantic poet, fell in love with Mary Chaworth, grand niece of the Mr. Chaworth the fifth Baron had killed, and full of disappointment composed a “Fragment. Written shortly after the marriage of Miss Chaworth:”

Hills of Annesley, bleak and barren,
Where my thoughtless childhood stray’d,
How the northern tempests, warring,
Howl above thy tufted shade!

Now no more, the hours beguiling,
Former favourite haunts I see;
Now no more my Mary smiling
Makes ye seem a heaven to me.

Not the kind of poetry that would make him great.

“The young lady herself combined with the many worldly advantages that encircled her, much personal beauty, and a disposition the most amiable and attaching. Though already fully alive to her charms, it was at this period (1804) that the young poet seems to have drunk deepest of that fascination whose effects were to be so lasting; six short weeks which he passed in her company being sufficient to lay the foundation of a feeling for all life. With the summer holidays ended this dream of his youth. He saw Miss Chaworth once more in the succeeding year, and took his last farewell of her on that hill near Annesley, which, in his poem of ‘The Dream,’ he describes so happily as ‘crowned with a peculiar diadem.'” In August, 1805, she was married to John Musters, Esq.; and died at Wiverton Hall, in February, 1832, in consequence, it is believed, of the alarm and danger to which she had been exposed during the sack of Colwick Hall by a party of rioters from Nottingham. The unfortunate lady had been in a feeble state of health for several years, and she and her daughter were obliged to take shelter from the violence of the mob in a shrubbery, where, partly from cold, partly from terror, her constitution sustained a shock which it wanted vigour to resist. (The Works of Lord Byron: with his Letters and Journals, and His Life, by Thomas Moore, vol. 7, 43 and note 2. GB.)

A much less romantic account of the affair, and perhaps one that is easier to believe, is the one in Ethel Colburn Mayne’s Byron (New York: Charles Scribner’s Sons, 1912, 53-68. GB) where however we find (p. 59):

The days were spent in riding with Mary and her cousin, in sitting lost in dreams beside her, and in shooting at a door which opened on the terrace of the Hall, and which, when Moore wrote, “still bore the marks of his shots.”

During his first visit to Annesley in November 1859, the young Mrs. Chaworth Musters told him everything about the family’s tragic history from the time of Mary, and showed him around the house; Lear was amazed to see that “the door, with pistol shots of Lord B. still  stands” (19 November 1859). So interested was he in Mary Chaworth’s family that the following day he drew a family tree of her descendants (20 November 1859).

The highlight of his visit to the Chaworth Musters in 1860 was a ride to Byron’s residence in Newstead and a tour of the house, now owned by one Colonel Wildman:

We walked half round the water ― & I drew. Then the house ―: the lower monked rooms: the Cloisters, the gardens, so beautiful! The terraces! the close alleys & ponds: the balustrades & the Abbey arches ― the Dogs tomb. ― Inside, the tapestry & rooms, & endless care of Col. Wildman: the room of Byron  ― just as it was: the great drawing room ― & the dining room: the skull ― &c. &c. All so sad & wild & strange, remembering too as I did all my early thought & reading ― & that I had thought also at Janina & Greece ― & Spezzia. ― A strange dream. (3 November 1860)

Lear realized that the Chaworth Musters were a little annoyed at his interest “for indeed they consider … that Lord B.’s verses & admiration of their grandmother was a liberty,” but he seems to have been unable to check his enthusiasm.

Also see The Chaworth-Musters family: a brief history.

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Lear on Facebook

I did not know Edward Lear had a Facebook profile until Benjamin Charavner emailed me. On the other hand, who hasn’t one nowadays?

I find the music there stangely meloobious.

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The French Princedom

It is well known that Edward Lear gave painting lessons to Queen Victoria and was never forgotten by the royal family. The Prince of Wales, for instance, visited his studio while in Rome in 1859 and Lear sounds relieved after having recorded in his diary a number of the Prince’s visits to other artists in the previous month. He noted that “he staid 1 hour & 5 minutes” and found that “nobody could have nicer or better manners than the young Prince, nor be more generally intelligent & pleasing” (29.iii.59, see all diary entries).

But Lear was also more or less regularly in contact with former French royalty, or “French Princedom” as he writes on 29 October 1860, whom he met at Lady Waldegrave’s various residences.

The Duc and Duchesse d’Aumale were enthusiastic neighbours of the Countess and often visited or invited her and her guests. Despite disapproving the formality of such occasions (“they do not forego royal ways,” he writes on 27 October), Lear rather liked the members of this small aristocratic French colony.

Aumale, circa 1880.

Prince Henri, Duc d’Aumale (1822-1897) lived at Orleans House, near Lady Waldegrave’s Strawberry Hill. He was immensely rich, having inherited a fortune of 66 million livres (approximately £200 million today) as well as the lands and wealth of his godfather, Louis VI Henri de Bourbon-Condé, the last prince de Condé. In 1844 he had married Princess Maria Carolina Augusta of Bourbon-Two Sicilies, daughter of Leopold, Prince of Salerno and his wife Archduchess Maria Clementina of Austria, in Naples. They had two sons, the “young” Prince de Condé (Louis Philippe Marie Léopold of Orléans, Prince of Condé, 1845–1866) whom, being “genuinely pro-English,” both Lady Waldegrave and Lear especially liked, and the Duc de Guise (François Louis of Orléans, Duke of Guise, 1854–1872).

From the time of their introduction to Lady Waldegrave, she “was never free of the Orleans family… They monopolized her, they exhausted her, they bored her. They alienated her other friends by their everlasting presence, they infuriated her by their ingratitude to England where twice in exile they were welcomed” (Hewett, Fortescue 98).

After the death of the Duchesse d’Orléans, Aumale took charge of her two sons, the Comte de Paris and the Duc de Chartres.

Comte de Paris, 1862

Philippe d’Orléans, Comte de Paris (1838–1894) was the grandson of Louis Philippe I, last King of the French and became the Prince Royal, heir-apparent to the throne, when his father, Prince Ferdinand-Philippe, died in a carriage accident in 1842.

On 8 October 1860, Lear left Oatlands, where he was painting the Cedars of Lebanon, to show his drawings to Paris, Chartres and Joinville: “They were much pleased: as I was with them, especially with the C.te de Paris, who is peculiar for fun, amiability, & knowledge of what he has seen.”

This trio (François Ferdinand d’Orléans (1818-1900), prince de Joinville being the young men’s uncle and a brother of Aumale’s) would then  take part in the American Civil War on the side of the Northern forces, just when French and British sympathies were intensely pro-South, no doubt another embarassment for Lady Waldegrave.

On arriving at Strawberry Hill on 27 October 1860 Lear heard that they were “all to dine ― o! botheration ― at Orleans House ― so at 8 we went there. Dinner party ― the Duke & Duchess ― & young Prince de Condé: ― Lady of honour, Tutor, Marquis de Somebody & son. Dinner good, but an awful bore to me ― who can’t bear royalty life.”

Jean-Léon Gérôme, Duel after a Masquerade, painted for the duc d'Aumale in 1857

Not even the prints he can admire after dinner save the night for him: “Afterwards saw some very valuable miniatures, from Francis 1st  downwards. Louis 14 ― 15 &c. & Louis Philippe at 12: ― with the Prince of Salerno as a naked Cupid of 3! DelaRoche’s murder of the Duc de Guise ― & Gerome’s Duel ― & a Lumi are striking pictures, with Scheffer’s last work, The Queen of the French’s portrait. But I grew “very weary” ― & was too glad to talk to Sir H. Willoughby ― & came away at 10.30.”

Paul Delaroche, L'assassinat du duc de Guise

Also see Osbert Wyndham Hewett’s ‘… and Mr. Fortescue.’ A Selection from the Diaries from 1851 to 1862 of Chichester Fortescue, Lord Carlingford K.P. (1858) and Strawberry Fair. A Biography of Frances, Countess Waldegrave, 1821-79 (1956).

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A Game of Croquet without Rules

Published in Harper’s Young People June 30, 1885

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Edward Lear Letters at the Glamorgan Archives

A group of important documents from the Aberdare family, previously on loan, have been permanently acquired by the Glamorgan Archives. These include a number of letters from Edward Lear to Henry Bruce and his wife, Arabella Beadon. One of these features a self caricature showing Lear riding his cat Foss.

Henry Austin Bruce, whom Lear met in Rome about 1844 (Levi 108) was created first Baron Aberdare by Queen Victoria in 1873. The family’s large fortune was due to the coal mines they owned in Wales and Bruce was one of Lear’s most generous patrons.

For more information on the acquisition see BBC News, BristolWired, or walesonline.co.uk.

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Edward Lear and G.F. Bowen

Lear first met George Fergusson Bowen in Rome in 1847, accepted his invitation to visit Corfu, and even considered the possibility of taking a post at the University of Corfu. In a letter to Ann during his first visit to Corfu, he is “my very good friend Mr. Bowen.”

However, by 1858, when we can read his unmediated opinions in the diaries, Bowen has become a “brute” (11 September 1860) and a “beast” (22 August 1859). The reason for this change was no doubt Bowen’s scheming against Lear’s friend Franklin Lushington, a judge of the Supreme Court of Justice in the Ionian Islands at the time.

Becoming Chief Secretary to Sir John Young, Lord High Commissioner of the Ionian Islands, in 1854, he was then appointed first Governor of Queensland (1859, Lear heard of this on 10 May 1859), then in rapid succession of New Zealand (1867), Victoria (1873), Mauritius (1879), and Hong Kong (1883) until his retirement in 1887.

While in Corfu, Bowen married the Contessa Diamantina di Roma, who would be quite popular during their residence in Brisbane, according to “Diamantina Roma – First Governor of Queenslands’ wife. A biographical note” by the current appointed Governor of Queensland, Ms Quentin Bryce, AC. (More info.)

I found the links via Jim Potts’s Corfu Blues blog, where he posts the full poem quoted in the “Note:”

Diamantina Roma and the Postings of Governor Bowen

That selfish brute Bowen
Got Corfu, then Brisbane,
New Zealand and Melbourne !
Missed out on New South Wales !
Twenty years down under,
Sir Gorgeous Figginson Blowing+,
Too long for Diamantina,
A lady of  delicate health.
Ill on the day of the Ball.
Men of the toga, from Oxford
(Consolidate ! Assimilate!)
Cared little, if at all.
Diamantina of the isles of Greece,
Hosting endless boring dinners
And receptions great and small,
You always yearned for perfect peace
Amongst the Corfu olive groves.
I know when  it  began to pall.

Also of Learian interest is the announcement of an exhibition in 2012.

Jim Potts has recently published a book about The Ionian Islands and Epirus: A Cultural History which can be previewed on Google Books.

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Here we go!

Just a short post to see that the new blog and the RSS feeds are working properly. For information on this new (and hopefully improved) Blog of Bosh see the About page.

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Edward Lear by Ian Malcolm

You can now read Ian Malcolm’s 1908 overview of Lear’s career (mostly from the point of view of the Baring family) in the Nonsense section of the site bookshelf:

Ian Malcolm, “Edward Lear.” The Cornhill Magazine, vol. 24, January 1908, pp. 25-36, as reprinted in The Living Age, vol. 256, no. 3319, 15 February 1908, pp. 467-75.

I have also added, in the Comics section, a long article on Ally Sloper:

Elizabeth Robins Pennell. “The Modern Comic Newspaper. The Evolution of a Popular Type.” The Contemporary Review, vol. 50, October 1886, pp. 509-23.

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The Jumblies Comic

Hunt Emerson, whose comic book adaptation of Edward Lear’s “The Owl and the Pussy-cat” was mentioned in a previous post, has also posted a version of “The Jumblies,” executed as a private commission. Click on the images below to get larger ones.

Jumblies_1Jumblies_2

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An Exile in Paradise

Derek Smith of Lear Productions informs me that their documentary on Lear’s travels in Albania and Greece, which won the Arts Silver World Medal at the 2009 New York Festivals International Television Programming and Promotion Awards, will be shown again on Sky Arts in December on both high definition and standard definition channels (the links below are not working for me at the moment, but were last night):

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