Peter Newell, Polly and Her Papa

Peter Newell’s strip “The Naps of Polly Sleepyhead” for 22 April 1906.

Posted in Peter Newell | Tagged , | 1 Comment

Peter Newell, A General Pricking Sensation

Posted in Peter Newell | Tagged | Leave a comment

Peter Newell, A Vicious Goat

Posted in Peter Newell | Tagged | Leave a comment

Peter Newell, Timid Hortense

Posted in Peter Newell | Tagged | Leave a comment

Peter Newell, The Gardener’s Naughty Son

Posted in Peter Newell | Tagged | Leave a comment

Peter Newell, An Interesting Situation

Posted in Peter Newell | Tagged | Leave a comment

Peter Newell, An Unsaintly Dog

Posted in Peter Newell | Tagged | Leave a comment

Edward Lear, Agia Paraskevi, Epirus, Greece

Edward Lear, Agia Paraskevi, Epirus, Greece
Inscribed in Greek and dated ‘Ayia… 13.April.1857.’ (lower right) and variously inscribed with colour notes ‘Nightingales/dim roar below’ and further numbered and inscribed ‘137./Longwise.alone’ (on the verso). Pencil, pen and brown ink and watercolour on paper. 12 7/8 x 20 1/8 in. (32.8 x 51.1 cm.).

Lear had first visited Epirus and Albania in 1848-9. On 2 April 1857 he left Corfu for another tour, returning on 23 April. As the artist’s notes on the drawing indicate, the area was dominated by the continuous ‘dim roar’ of the water in the gorge below. This region was difficult to penetrate, but, as Lear found, the drama of its landscape amply repaid the effort. A drawing of a nearby section of the gorge made on 12 April (the day before this one) was in Agnew’s 127th Annual Exhibition of Watercolours and Drawings in 2000, no. 82. The artist’s fingerprints are clearly visible in the washes near the top left and top right corners of this drawing.

Christie’s.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, The Plain of Damascus

Edward Lear, The Plain of Damascus
Inscribed with colour notes and further inscribed ’21. night’ (on the reverse). Pencil, pen and brown ink and watercolour on paper
13¾ x 18 1/8 in. (35 x 46.1 cm.).

Edward Lear travelled in Palestine, then Lebanon and Syria for three months in the spring of 1858. The sculptor Thomas Woolner (1825-1892) considered his Holy Land drawings ‘the most beautiful things he has ever done not only for the mystery and history attached to the places themselves but also for the excessive fineness, tenderness and beauty of the art displayed in them’ (letter of 22 October 1858, quoted in V. Noakes, Edward Lear 1812-1888, 1985, p. 112). Towards the end of May 1858 he was at Damascus, executing drawings for a panoramic oil that was painted in England in 1860-61.

Christie’s.

Posted in Edward Lear | Tagged , , , | Leave a comment

Gustave Verbeek, Pelicanned Tomatoes

Boston Sunday Post, 31 August 1913.

Posted in Gustave Verbeek | Tagged , , | Leave a comment