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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear, Distant View of the Citadel, Corfu
Edward Lear, A Distant View of the Citadel, Corfu. Watercolour over pencil, heightened with touches of bodycolour and gum arabic; signed lower right with the artist’s monogram and inscribed: Corfu. 285 by 450 mm. Lear was first introduced to Corfu, then … Continue reading
Edward Lear, Gebel Serbal (1849)
Edward Lear, Gebel Serbal from above Wadi Useit, Egypt. Pen and brown ink and watercolour over traces of pencil; inscribed lower right: Gebal [sic] Serbal / from above Wady [sic] Useit / 20. January. 1849. 2. P.M.., and further inscribed … Continue reading
Edward Lear, View of Tivoli
Edward Lear, View of Tivoli. Indistinctly inscribed and dated ‘Tivoli May 7 …183.'(lower left). Pencil and grey wash heightened with white on light grey paper. 7 1/8 x 10 in. (18.2 x 25.4 cm.). With financial backing from Lord Derby, … Continue reading
Edward Lear, Jerusalem, A View from the South
Edward Lear, Jerusalem; a view from the South looking towards the Dome of the Rock. Signed with monogram (lower right). Pencil and watercolour and bodycolour heightened with white. 6 3/8 x 10¼ in. (16.2 x 26 cm.). Lear first … Continue reading
Edward Lear, Monaco (1865)
Edward Lear, Monaco. Signed with monogram (lower left). Pencil and watercolour heightened with touches of bodycolour. 4 1/8 x 8 in. (10.5 x 23 cm.). The present work is drawn from Cap D’Ail, in 1865 and looks towards the … Continue reading
Edward Lear, Thermopylae, 30 June 1848
Edward Lear, Thermopylae, 30 June 1848. Pen and brown and blue ink with watercolour over pencil, heightened with white on grey paper; inscribed lower right: 102 / Thermopylae / 30 June 1848; further inscribed with artist’s notes. 175 by 28 mm. … Continue reading
Edward Lear, Perugia, 7 September 1883
Edward Lear, Perugia, Italy. Pen and brown ink and watercolour over pencil; inscribed lower right: near / Perugia / 7. September 1883 / 7.AM.; further inscribed with artist’s notes. 325 by 505 mm. Lear drew this large pen and ink study during … Continue reading
More on Edward Lear’s Aeneid Project
In the letter to Angelo Maria Ricci I posted a few days ago Edward Lear refers to problems with his eyesight. Stephen Duckworth kindly e-mailed me about this: I’ve just checked my list of (some of) his drawings by year … Continue reading
Edward Lear, An Album of Indian Watercolours
Indian Trees, Palms and Bamboos. An album of original watercolour drawings. Sold at Sotheby’s, London, 14 May 2013: Folio (484 x 300mm.), 19 original watercolour drawings, one of a Jay dated 1864, the others of various species of Indian … Continue reading
Edward Lear, Corfu, 10 May 1862
A landscape in Corfu with two figures sitting on a hillside. Numbered, inscribed in Greek and dated ’10. May. 1862 (76)’ (lower right) and further inscribed in Greek and with colour notes. Pencil, pen and brown ink and watercolour heightened … Continue reading