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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear, Nile Study (1858)
Edward Lear, Nile study. Dated and inscribed ‘Kmm.4 March 1854/9.A M’ (lower right) and further annotations throughout. Pen and ink, heightened with white and wash, unframed. 15.5 x 25cm (6 1/8 x 9 13/16in). Bonhams.
Edward Lear, Girgente (1847)
Edward Lear, Girgente, Sicily. Inscribed and dated ‘Girgente June 1. 1847’ (lower left) and numbered ‘(82)’ (lower right) and further inscribed with notes. Pencil, pen and brown ink, blue and ochre wash, on buff paper, 24 7/8 x 19¾ in. (32.2 x … Continue reading
Edward Lear and Queen Victoria
In 1980, Marina Warner published an article on Queen Victoria’s art, which included a short examination of what Edward Lear taught her. Here is the relevant section: Under Albert’s bracing influence, Victoria wanted to improve, and as soon as the … Continue reading
Edward Lear, Wadi Tayibeh (1849)
Edward Lear, Wadi Tayibeh. Pen and brown ink and watercolour over traces of pencil; inscribed lower left: Wady [sic] Tayibeh / 1 – past 4 P.M.., dated three times lower right: January 20. 1849.., and further inscribed with artist’s notes. 140 … Continue reading
Edward Lear, View Near Monte Rotondo (1840)
Edward Lear, View Near Monte Rotondo, Italy. Pencil, heightened with stump and white on blue paper; signed lower right: Edward Lear del. and inscribed lower left: near Monte Rotondo. May 26.1840. 150 by 350 mm. This fine drawing was once owned … Continue reading
Edward Lear, The Dead Sea, Jordan
Edward Lear, The Dead Sea, Jordan. Watercolour and bodycolour, heightened with white; signed with the artist’s monogram lower right. 177 by 375 mm. Lear arrived in Jerusalem in March 1858, travelling on to Petra and then the Dead Sea, which he … Continue reading
Edward Lear, The Amphitheatre, Taormina (1842)
Edward Lear, The Amphitheatre, Taormina, Sicily. Pencil and grey wash, heightened with white, on grey paper; inscribed lower left: Taormina; signed lower right: Edward Lear del.1842. 165 by 250 mm. Lear spent ten weeks exploring Sicily in the spring of 1842. … Continue reading
Edward Lear, Santa Maria della Salute, Venice
Edward Lear, Santa Maria della Salute from across the Bacino, Venice. Watercolour over pencil heightened with touches of bodycolour; signed with monogram lower left. 115 by 175 mm. The present watercolour dates from Lear’s second trip to Venice in November 1865. … Continue reading
Edward Lear, Porto Tre Scoglie (1862)
Edward Lear, Porto Tre Scoglie, Albania. Watercolour over pencil heightened with bodycolour; signed with the artist’s monogram and dated lower left: 1862. 170 by 360 mm. Few foreigners visited Albania in the mid nineteenth century and Lear, who ventured there in 1848 … Continue reading
Edward Lear, Junction of Wadis (1849)
Edward Lear, Junction of Wadis, Egypt. Pen and brown ink and watercolour over traces of pencil, on wove paper watermarked: Wick / 18; inscribed lower right: 20. “January”. 1849. 1849 [sic] / Junction of Wadys. [sic], and further inscribed with artists … Continue reading