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Edward Lear
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Edward Lear
Edward Lear, A View of Corte, Corsica (1868)
Edward Lear, A View of Corte, Corsica from the Road Leading to Bastia, May 19th-21st 1868. Pencil, pen and ink with grey and brown washes on paper; signed with monogram “EL” lower left. 4.875 x 7.75 in — 12.1 x 19.7 … Continue reading
Edward Lear, The Temple of Isis, Philae
Edward Lear, The Temple of Isis, Philae, viewed from the north. Signed with monogram (twice, lower left). Oil on canvas. 13 ½ x 21 ½ in. (34.4 x 54.6 cm.) Provenance with Thomas Agnew & Sons, Manchester. Anonymous sale; Sotheby’s, … Continue reading
Edward Lear, Cefalù from Bagheria
Edward Lear, Cefalu from Bagheria, Sicily. Pencil, open and ink. Annotated by the artist. Lear was in Sicily in May 1847. 12×18 inches. Framed: 25.5×20.5 inches. Abbott and Holder.
Edward Lear, Priest Cimara (1848)
Edward Lear, Priest Cimara (from the Village of Dragiates) 1848. Pencil on paper; titled lower left and dated “Oct 25, 1848” lower right. Sheet 8.25 x 6.5 in — 21 x 16.5 cm; 5.5 x 8.5 in — 14 x … Continue reading
Edward Lear’s Moving Lines
Jasmine Jagger’s “Moving Lines” on Lear’s relationship to the Tennysons is published in this month’s Apollo, you can download a pdf copy from the Knowing Edward Lear website.
James Williams’s Edward Lear (A Review)
Some things never change, the world is declining, and only a very few things seem to be getting better with the passing of time. This is certainly the case with the “Writers and their Work” series: when James Williams told … Continue reading
Edward Lear Concert at Knowsley
The Edward Lear Society is planning an event at Knowsley Hall on 7th March 2019 with Sara Lodge’s presence who, in addition to an illustrated talk on her latest book, Inventing Edward Lear, will present a performance of songs that Lear wrote, sang or re-worded, … Continue reading
New and Newer to Read on Edward Lear
James Williams, whose recent Edward Lear for the “Writers and Their Work” series is an invaluable guide to all aspects of the king of nonsense’s production, has written a long review of Jenny Uglow’s Mr Lear: A Life of Art and … Continue reading
Edward Lear, View of the Roman Campagna (1867)
Edward Lear, A Veiw of the Roman Campagna. Dated ’24 March 1867′ l.l., pencil and pen and ink. 9 x 33cm. Provenance: The Priory, Walsham-le-Willows. The Saleroom.
Edward Lear, Mount Generoso, Switzerland (1881-1882)
Edward Lear, Mount Generoso, Switzerland. Two, both signed and inscribed, one dated ‘5.30pm, 9 Sept. 1881’, the other ‘5pm, 15 July 1882’, pen and brown ink over pencil. 10 x 17cm (2) Provenance: The Tim Wonnacott Collection. The Saleroom.
Posted in Edward Lear
Tagged Edward Lear, landscape, Switzerland, travel, watercolours
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