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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Edward Lear
Edward Lear’s Views in Rome and Its Environs in colour
[17. Via Porta Pinciana, Rome looking to the Quirinal Palace.] Edward Lear, Views in Rome and its Environs; Drawn from Nature and on Stone, lithographed title vignette of Ostia and 25 lithographed views of Rome and the Campagna by Lear, … Continue reading
Edward Lear, Jerusalem (1858)
Edward Lear, Jerusalem. Inscribed and dated ‘Jerusalem/april.28.1858./(too cold to finish it)’ (lower right) and variously annotated in pencil pen and brown ink, pencil and sepia wash. 20.6 x 31.1cm (8 1/8 x 12 1/4in). Provenance Private collection, UK. Edward Lear … Continue reading
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Tagged Edward Lear, landscape, Palestine, travel, watercolours
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Edward Lear Gezhir Eddomarieh (1854)
Edward Lear, A view on the Nile. Indistinctly inscribed and dated G*zkir Eddomarie* [Gezhir Eddomarih] 25 Jan 1854 . ½PM (lower left) and numbered 129 (lower right). Watercolour. 6.5 x 14.9cm; 2½ x 5¾in Provenance Private Collection, Wiltshire The Saleroom.
Edward Lear, Villa Adriana (1842)
Edward Lear, Villa Adriana. Signed and dated ‘Edward Lear del 1842’ (lower right), titled (lower left). Pencil and black chalk heightened with white. 24.1 x 36.9cm (9 1/2 x 14 1/2in). Provenance Anon. sale, Phillips, London, 11 November 1997, lot … Continue reading
Edward Lear, Sigæum (1856)
Edward Lear, Sigæum (30 September 1856, sunrise). Pencil and watercolour. Signed and inscribed (lower left). 16 x 52cm (6¼ x 20¼ in.) Sigeion or Sigæum (Latin) was an important site in the Troas (North-West Asia Minor, modern Turkey) at the … Continue reading
Edward Lear, Two Views of Venice from the Bacino (1865)
Edward Lear, Two views of Venice from the Bacinot. The first signed with monogram (lower right); the second inscribed and dated ‘Venice. 27. Novr 1865’ (lower left) and further inscribed and numbered ‘27.Novr. (66)’ (lower right) and further inscribed with … Continue reading
Edward Lear: Moment to Moment review in the Burlington Magazine
The Burlington Magazine, volume 164, number 1436, November 2022, pp. 1130-1132 contains a review of the Ikon exhibition by Richard Green I think I messid before. Unfortunately it is not one of the free ones.
Edward Lear, Jerusalem (1858)
Edward Lear, Jerusalem. Signed with monogram (lower left) and inscribed and dated ‘Jerusalem./ 1858’ (lower right). Pencil, pen and ink and watercolor. 7 1/8 x 14 7/8 in. (18.1 x 37.8 cm). Provenance With Davis Galleries, New York, where purchased … Continue reading
Another Lear Rebus (?)
The following was recently sold at an auction by Fonsie Mealy’s. It contains Lear’s only colour self-portrait I have seen. The sale also included some correspondence between a Mrs Elinor Wiltshire, the owner of the sheet at the time (1985), … Continue reading
Edward Lear: Moment to Moment (reviews)
The Ikon exhibition has now closed but here is a page collecting the reviews devoted to it.