Edward Lear, A Letter to Spencer Vincent and his Dog

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Edward Lear: Two autograph letters signed (“Edward Lear”), to Spencer Vincent (“Dear Vincent”) and his dog (“Dear Fan”), the letter to the human containing a full-page picture of food for the dog to contemplate, with each morsel captioned (“…A. a noblong Biscuit/ B. a phlatt Biscuit/ C. a Lamtchopp./ D. a Chikkiboan./ E. a Nottper Taito./ F. a Dissho Orta…”); that to the dog, hoping that she has recovered from her rheumatism “arising from being with your Master at the Isles of Skye & Mull & Misty & such like wet places” and asking her to tell her master that he has now returned to England (“…I cannot offer you a biscuit, because I have not got any, but there is a pleasant prospic from my window up a mews, and a cab stand close by, from which you might make an excursion in a Hansom…”) and that he is publishing his book on Corsica (“…Say to your Master that I have been drawing on wood… & have done 30 vignettes & 34 plates with my own hand & that they are all for illustration of my book on Corsica, which I am about to publish by subscription at One pound. Do not, my dear Fay, confuse this pound with a pound of meat…”), after a series of doggie-cum-papal jokes, Lear concludes: “Adieu! my beloved little doggie! May you always have millions of bones to pick, & may you never grow older, & may you pass your later days happily in sneezing at the sun” and subscribes himself “Your sincere 2 legged friend”, 7 pages, some dust-staining (especially to blank page of first letter and last of the second), some pencil doodles to blank page, 8vo, Stratford Place and Duchess Street, London, 28 July 1868 and 29 July [1869].

Bonhams.

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Edward Lear, Tughlaqaqbad Fort, Delhi (1874)

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Edward Lear, Tughlaqabad Fort, Delhi.
Signed ‘E.Le’ (lower right) and inscribed and dated ‘Tuglukubad.Delhi/March 12 1874’ (lower left). Watercolour over traces of pencil. 11 x 22cm (4 5/16 x 8 11/16in).

Lear went on a sketching trip to India in 1873-74 at the invitation of his friend, Lord Northbrook, then Viceroy. Lear stayed for 10 days in Delhi and described how he passed his time ‘..making Delhineations of the Dehlicate architecture as is all impressed on my mind as inDehlibly as the Dehliterious quality of the water of that city’ (The Later Letters of Edward Lear, ed. Lady Strachey, London, 1911, p. 171).

Bonhams.

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Edward Lear: The New Zealand Exhibition

As announced a few days ago in The Dominion Post, an exhibition of the Edward Lear material in New Zealand has opened at the Expressions Arts and Entertainment Centre in Upper Hutt.

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A long interview with Edward Lear’s descendant, Dr. Peter Gillies, from Radio New Zealand’s website, reveals that most of the material in the exhibition has appeared on this blog: Lear family portraits and Edward’s personal possession. However, Dr. Gillies also mentions “original limericks” and “15 letters to Holman Hunt” containing self-caricatures.

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Nicholas Parsons on Edward Lear in Corfu

The Reading Society of Corfu will be hosting an event, “An Evening with Edward Lear,” with Nicholas Parsons on 9 October next, at 7.30 pm:

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Gustave Verbeek’s Twinklies

It seems I missed this important post on Gustave Verbeek (or Verbeck as the preferred spelling now seems to be) from the Stripper’s Guide in the series of Ink-Slinger Profiles by Alex Jay: Gustave Verbeck.

Here are three strips from Verbeek’s second series, The Twinklies, with rhymes by Paul West, which ran from 4 January to 15 February 1903:

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New York World, 4 January 1903.

New York World, 11 January 1903.

New York World, 11 January 1903.

New York World, 18 January 1903.

New York World, 18 January 1903.

All samples from Peter Maresca’s Origins of Sunday Comics.

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Peter Newell, A Matter of Direction

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Harper’s Round Table, vol. 18, 5 November 1896, p. 24.

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Peter Newell, The Policeman & the Match

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Harper’s Round Table, vol. 18, 15 June 1897, p. 888.

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Gustave Verbeek, The Hunter’s Strategy

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Harper’s Round Table, vol. 18, 15 December 1896, p. 164.

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Gustave Verbeek before the Comics

Neuvième Art 2.0, the online magazine of the Cité internationale de la bande dessinée e de l’image has a long, interesting article on Gustave Verbeek (or Verbeck as the author, prefers to call him):

Also of interest from Töpfferiana:littératures graphiques du XIXe et début XXe siècles:

On this blog, my “Gustave Verbeek’s Cruel Tales and the Nonsense Tradition,” from The Upside-Down World of Gustave Verbeek: The Complete Sunday Comics 1903-1905, edited by Peter Maresca, foreword by Martin Gardner. Palo Alto, CA: Sunday Press Books, 2009.

Below are the strips Verbeek contributed to the comic magazine Le Rire in 1894-1895:

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Le Rire, 17 November 1894.

Le Rire, 19 January 1895.

Le Rire, 19 January 1895.

Le Rire, 6 July 1895.

Le Rire, 6 July 1895.

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Le Rire, 26 October 1895.

Le Rire, 16 November 1895.

Le Rire, 16 November 1895.

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This one, from Andy Konkykru’s Early Comics Archive, is in the same style, but perhaps not from “Le Rire”:

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Edward Lear, A Mountain Valley

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Edward Lear, A Mountain Valley.
Inscribed with various artist’s notes. Pencil and ink, unframed . 33.6 x 53.9cm (13 1/4 x 21 1/4in).

Bonhams.

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