A Blog of Bosh

Edward Lear, Pentedatilo, Calabria, Italy.
Pen and brown ink and watercolour; signed with the artist’s monogram lower left. 164 by 257 mm.

Lear travelled through Calabria in southern Italy in 1847, and he recorded in his journal upon his arrival in late July at an elevated plateau whence the whole ‘Toe of Italy’ is finely discernible, a sea of undulating lines of varied forms down to the Mediterranean; a few towns glittered here and there, and towering over the southern extremity of land, a high cluster of rocks, the wild crags of Pentedátilo, particularly arrested our attention.
The present watercolour relates to Lear’s long running project of illustrating the poems of his friend Alfred, Lord Tennyson. Lear painted a number of watercolours of this subject as well as an oil, which he gave to Tennyson’s son Hallam, on the occasion of his marriage to Audrey Boyle in 1884.
1. Ed. P. Quennell, Edward Lear in Southern Italy: Journals of a Landscape Painter in Southern Calbria and the Kingdom of Naples, London, 1964, p. 41

Sotheby’s.

Edward Lear, Lago d’Iseo.
Signed and dated May 21, 1867, and extensively inscribed, mixed media, 10.5cm by 20cm.

Tennants.

See also.

Edward Lear, Ponte Rotto, Rome.
Indistinctly inscribed (lower left) and further inscribed ‘The sketch/ on the other side/ taken from below the Ponte Rotto – a bit/ of which is on the left corner.’ (verso) pencil, pen and brown ink and watercolour, heightened with bodycolour on pale blue paper 5 7/8 x 9 ¼ in. (14.7 x 23.5 cm.).

Edward Lear, Tor San Eusebio.
Inscribed and dated ‘Tor Sant’Eusebio./ 13th. February 1845.’ (lower left) and further inscribed with colour notes.