The Owl and the Pussy-Cat Come To Auckland

Join the Owl and the Pussy-Cat on their wonderful and magical journey to the Land where the Bong Tree grows. With music, songs and some very funny characters, Tim Bray Productions brings this quirky poem of Edward Lear to life.
‘The Owl & the Pussy-Cat’ opens at The PumpHouse Theatre in Takapuna, Auckland on July 5 for a weeklong season during the school holidays.

Presented by veteran children’s theatre writer and actor Tim Bray, The Owl & The Pussy-Cat heralds the long-awaited return of professional children’s theatre in Auckland.
A highlight of the season will be a Gala Opening Performance on Sunday 4 July at 5.30pm. “As adults we enjoy dressing up for opening nights,” Tim says. “We want to give the children a chance to dress up and experience their own opening ‘night’ at the theatre.”
Another highlight is a special performance where New Zealand Sign Language interpreters will be part of the show, so that deaf and hearing impaired children and their families can also enjoy the magic of live theatre. The interpreters are from Kelston Deaf Education Centre and have been kindly sponsored by the Takapuna North Rotary Club.
The PumpHouse Theatre is located in a beautiful historic building next to Lake Pupuke, Takapuna and is an ideal spot for a picnic lunch, or grab something to eat at the café. Plus there’s free parking.
Performance times vary with some early evening shows to cater for working parents and caregivers.
“We want everyone to have the opportunity to enjoy the fun of live children’s theatre,” Tim says. The Owl & the Pussy-Cat’ is the first of four professional shows that Tim Bray Productions is presenting in 2004. Also at The PumpHouse is ‘Mahy Magic’ in the September school holidays and ‘The Santa Claus Show’ for the Christmas season. ‘Foibles’, a solo show for the grown-ups at the Herald Theatre, Aotea Centre, THE EDGE® will be staged in September.
‘The Owl & the Pussy-Cat’ is a remake of the original 1992 production staged by Tim Bray at The Central Theatre, Auckland where The SiLo Theatre now stands.
Tim Bray is a 40-year-old actor/playwright who has been creating his own style of theatre productions in Auckland for more than 13 years.
He was the founder of The Central Theatre which produced such classic and diverse shows such as ‘The Nice Show’, a lovely and very nice cabaret starring Lisa Chappell and the late Kevin Smith, a musical adaptation of Roald Dahl’s ‘The Twits’ at The Herald Theatre, and the funny and fabulous ‘Ponsonby Road’.
He has written and performed two solo shows, ‘Me and My Vice’, which toured to the Gilded Balloon at the Edinburgh Fringe Festival in 1998, and ‘The Last Laugh’. He co-wrote and starred in the comedy play, ‘Ponsonby Road’.
As well as his adult shows, he has a passion for creating theatre for children and has written seven plays for children (three original and four adaptations) and co-written four children’s plays. Tim was also for many years performed as Basil Fawlty with his ‘Fawlty Towers’ team, which has performed throughout New Zealand and, incredibly, had five tours to Dubai, Abu Dhabi and Bahrain.
Tim’s screen and TV credits include Lofty in ‘Chunuk Bair’, and roles in ‘Her Majesty’, ‘Gloss’, ‘Shortland Street’, ‘Cleopatra 2525’, ‘Mother Tongue’ and ‘Marlin Bay’. The Owl & The Pussy-Cat is at The PumpHouse Theatre, Killarney Park, Takapuna, Auckland from 5-10 July. To book, phone (09) 489-8360 or online at http://www.pumphouse.co.nz. Family concessions available.

Scoop. Also see the press release (31 May, 2004).

Posted in Edward Lear | Leave a comment

A Hoe is a Hoe, or is it?

Politicians have got themselves into a flap about The Cat in the Hat.

Censors were forced to defend the film’s classification after a Tasmanian politician tried to give it a bad rap.

smh.com.au | 24 May, 2004

Posted in Dr. Seuss | Leave a comment

Gilbert and Sullivan

A performance of Gilbert and Sullivan’s The Mikado in Sydney prompts a long article on their importance in The Age, 29 May 2004).
Peter Craven writes:

Gilbert and Sullivan were the high watermark of the music of the English-speaking people in that long optimistic stretch of time, the 40 or so years before the First World War.
There’s the parallel with Kipling, but Gilbert and Sullivan, with their dazzling Savoy presentations under D’Oyly Carte’s banner, are the mass dissemination of that spirit of nonsense that runs through Lewis Carroll and Edward Lear and insinuates its way into the comedy of Oscar Wilde (“Mr Worthing, to be born or at any rate bred in a handbag”) and whispers through the stories of Saki, which are a kind of Wildean aftermath.

Posted in General | Leave a comment

Edward Lear Art on Sale

The Fine Art Society, London, will be exhibiting and selling Lear art from 3 to 22 July. There are four watercolours online.

Posted in Edward Lear | Leave a comment

The Other Sides of Seuss

The New York Times reviews the new Dr. Seuss exhibition at the Animazing Gallery.

SoHo has recently become the habitat for some extraordinarily rare species, including the Tufted Gustard, the Two-Horned Drouberhannis, the Blue Green Abelard and the Andulovian Grackler. These odd animals, some liberated from a chicken coop in upstate New York, have hardly ever been glimpsed in Manhattan or, for that matter, anywhere else. And to think that I saw them on Broome Street.

Such wild creatures originated not in some far-flung continent but in the imagination of Theodor Seuss Geisel, better known as Dr. Seuss. Carved in wood, these 1930’s sculptures are in “The Art of Dr. Seuss,” a show at the Animazing Gallery.

Dr. Seuss the sculptor? This display also features Dr. Seuss the advertising genius, Dr. Seuss the magazine illustrator, Dr. Seuss the political cartoonist and Dr. Seuss the Surrealist, as well as sketches from his beloved children’s books. (The Cat in the Hat will greet children at the show tomorrow through Monday, from 11 a.m. to 6 p.m.) Much of the art has never been exhibited before.

“He was a private person and not a very confident man,” said Heidi Leigh, the gallery’s director. “He knew that with his children’s books and in the advertising arena he was successful. I think he didn’t dare to expose himself as a fine artist.”

An example of his self-effacement is “Man Who Made an Unwise Purchase,” a colorful painting of a Chaplinesque fellow carrying on his shoulder a huge, yellow, unmistakably Seussian bird. “What the painting is about is the 18th publisher, who bought his first book,” Ms. Leigh said. That tale, “And to Think That I Saw It on Mulberry Street,” had been rejected by 17 others.

But Dr. Seuss was self-assured in his political views. Complementing his ad campaign for bug repellent is a 1942 illustration of Uncle Sam administering “mental insecticide” to a startled man, blasting a “racial prejudice bug” out of the man’s ear.

The show even includes a bit of bawdy doggerel and a few nudes. But don’t worry: Dr. Seuss’s illustrations for his book “The Seven Lady Godivas” are no more anatomically correct than Barbie dolls. But they are much more Rubenesque and have something Mattel’s creations don’t: a sense of humor.

“The Art of Dr. Seuss,” through June at Animazing Gallery, 461 Broome Street, near Greene Street, SoHo, (212) 226-7374. Free.

Posted in Dr. Seuss | Leave a comment

Starting Anew

After the launch of the new nonsenselit.org site I am moving the news section away from Blogger. I did not have any complaints, actually, but the new software, WordPress, will allow a better control of the posts and an improved support for RSS. Support for Atom will be provided through FeedBurner as soon as I can solve a few problems.

Posted in General | Leave a comment

Carroll's Headaches

Migraine aura symptoms gave rise to “Adventures in Wonderland”
Migraine aura may have been the inspiration for Lewis Carroll’s descriptions of ‘Alice’s Adventures in Wonderland,’ physicians suggest in a letter published in the April 17th issue of The Lancet.
Coining the term ‘Alice in Wonderland syndrome’ to refer to certain hallucinations specific to migraine, Lippman first suggested in the 1950s that Carroll may have used his own migraine experiences in writing ‘Alice’s Adventures in Wonderland’ (1865) and the sequel ‘Through the Looking Glass’ (1871).
In recent years, however, this theory has been refuted because no mention of migraine could be found in the writer’s journals before he wrote the Alice stories. Now, Drs. Klaus Podoll of the University of Technology in Aachen, Germany, and Derek Robinson of Berkshire, UK, report previously overlooked clues to support the relationship.
Migraine News, April 1999

Posted in Lewis Carroll | Leave a comment

nonsenselit.org is online!

On 12 May 2004, Edward Lear’s birthday, I am at last releasing the new portal for Nonsense literature. The Lear pages do not contain anything new, updating and renewing them is my next project, but you should find lots of interesting material:

  • A new Peter Newell site containing, among many other things, the first republication of a long run of his comic strip: The Naps of Polly Sleepyhead;
  • A web edition of the tallest book ever:The Flight of the Old Woman who was Tossed up in a Basket, London, 1844;
  • A comic book in which Santa Claus meets Alice;
  • An all new Pictures section containing full scans of two different colour editions of the Book of Nonsense;
  • A Sounds section, which at the moment only contains a BBC Radio 4 programme about The Owl and the Pussy-cat;
  • A Reading Shelf with Nonsense short stories and essays;
  • Well, much more…

I’ve been working on this for a very long time, so be kind: visit and share your thoughts and suggestions!

Posted in General | Leave a comment

Sukumar Ray

Literary nonsense of Sukumar Ray once again!
Dungaroo, Flipfloposaurus, Billy-Hawk Calf among other animals paid a peppy visit to a book store here and regaled book lovers!
They are, after all, characters from the nonsensical world created by legendary Bengali writer Sukumar Ray.
The occasion was the launch of ‘Abol Tabol: The Nonsense World of Sukumar Ray’ by Sampurna Chattarji, an English translation of the Bengali original, at the Oxford Bookstore here in association with Penguin Books India.
This was followed by a dramatic rendition from the book by Ravi Khote, a multiple-medium performance artiste.
This selection offers the best of Ray’s world — pun-riddled, fun-fiddled poetry from ‘Abol Tabol’ and ‘Khai-Khai’, stories of schoolboy pranks from ‘Pagla Dashu’ and madcap explorers ‘Heshoram Hushiyarer Diary’, and the unforgettable harum-scarum classic of ‘Haw-Jaw-Baw-Raw-Law’.
All the stories and poems are accompanied by Ray’s inimitable illustrations.
India News Channel | 29 April 2004

Posted in General | Leave a comment

The Canon According to Harold Bloom

O Poetry! Let us celebrate month with anthologies of the bad, good
Bloom has assembled an anthology of representative poems by English and American writers. Seen in such a light, this is a fine compendium, particularly valuable for Bloom’s important and insightful introductions to the poets and comments on individual poems.
But many of those poems are far from “best.” Bloom’s tastes are catholic and so magnanimous that he includes work by such agreeable but minor poets (among the Americans) as Jones Very and Trumbull Stickney, Elinor Wylie and John Brooks Wheelwright. It’s a gathering, in part, of Bloom’s favorite forgotten poets, and his mantras in the book are “Now little regarded . . .” and “Now neglected . . .” He seems unable or unwilling to distinguish between “best” and “charming,” a category that would require a different book.
“Poe,” Bloom writes, “is a bad poet,” but since Poe “is also inescapable,” the anthologist “glumly” includes two poems, “Israfel” and “The City in the Sea.”
Bloom is fond of English odd balls like Thomas Love Beddoes and William Savage Landor – what, no George Crabbe?; of the sentimentalists of the flaming 1890s, a terrible decade for poetry, like Lionel Johnson and Ernest Dowson (“I have forgot much, Cynara! gone with the wind”); and of the great purveyors of pungent nonsense Lewis Carroll and Edward Lear, who, one admits, deserve a place in some pantheon.
commercialappeal.com | 4 April 2004

Posted in General | Leave a comment