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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- James Thurber (3)
- Lewis Carroll (69)
- Limerick (66)
- Nonsense Lyrics (30)
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Category Archives: Edward Lear
Edward Lear, Tower at Boppard on the Rhine (1838)
Edward Lear, Tower at Boppard on the Rhine. Black chalk, heightened with white, on light blue-grey paper. Signed and dated 1838 lower right. Inscribed March lower left. 25.5 x 17 cm. (10 x 6 3/4 in). Provenance: with The Fine Art Society, London (gallery … Continue reading
Edward Lear, L’Aquila (1845)
Edward Lear, L’Aquila, 1845. Black chalk, touches of pencil, wash, heightened with white, on light grey paper. Signed and dated 1845 lower left, inscribed Aquila lower left. 14 x 28 cm. (5 1/2 x 11 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
Edward Lear, Lago di Fucino (1844)
Edward Lear, Lago di Fucino, 1844. Black chalk, pencil, touches of wash, heightened with white, on light grey coloured laid paper. Signed and dated 1844 lower right, inscribed Lago di Fucino lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), … Continue reading
Edward Lear, Lago di Scanno (1844)
Edward Lear, Lago di Scanno, 1844. Black chalk, grey wash, heightened with white, on light blue grey paper. Signed and dated 1844 lower right, inscribed Lago di Scanno lower left. 15 x 24 cm. (6 x 9 1/2 in). Provenance: John Scandrett Harford … Continue reading
Edward Lear, L’Abbazia di Santo Spirito (1844)
Edward Lear, L’Abbazia di Santo Spirito, 1844. Black chalk, pencil, wash, heightened with white, on light grey paper. Signed and dated 1844 lower right, inscribed [sic] Abaddia di S. Spirito lower left. 8.5 x 15.5 cm. (3 1/4 x 6 1/4 in), corners … Continue reading
Edward Lear, Trasacco (1844)
Edward Lear, Trasacco, 1844. Black chalk, pencil, heightened with white, on light buff paper. Signed and dated 1844 lower left, inscribed Trasacco lower right. 13.5 x 22 cm. (5 1/4 x 8 3/4 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
Edward Lear, Pizzoferrato (1844)
Edward Lear, Pizzoferrato, 1844. Black chalk, pencil, heightened with white, on light buff paper. Signed and dated 1844 lower right, inscribed Pizzoferrato lower left. 14 x 26.5 cm. (5 1/2 x 10 1/2 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); thence by … Continue reading
Edward Lear, Stretti di San Luigi (1844)
Edward Lear, Stretti di San Luigi, 1844. Black chalk, pencil, wash, heightened with white, on light buff paper. Signed and dated 1844 lower left, inscribed Stretti di San Luigi lower right. 16.5 x 10 cm. (6 1/2 x 4 in), corners trimmed. Provenance: … Continue reading
Edward Lear, Civita d’Antino (1844)
Edward Lear, Civita d’Antino, 1844. Black chalk, pencil, heightened with white, on light blue paper. Signed and dated 1844 lower right, inscribed Civita d’Antino lower left. 16.5 x 28.5 cm. (6 1/2 x 11 1/4 in). Provenance: John Scandrett Harford (1787-1866); thence by … Continue reading
The Natural History of Edward Lear
Robert Peck’s book on Edward Lear’s career as a zoological illustrator is out; I thought it would be in large part a reprint of his essay in the Harvard Library Bulletin enhanced with reproduction, but it is actually a different, … Continue reading
Posted in Edward Lear
Tagged biography, Edward Lear, nonsense rhymes, zoological illustration
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