Author Archives: Marco Graziosi

Vers nonsensiques (4)

George Du Maurier, in Punch, 31 March 1877, p. 142.

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Vers nonsensiques (3)

George Du Maurier, in Punch, 24 March 1877, p. 130.

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Vers nonsensiques (2)

George Du Maurier, in Punch, 17 March 1877, p. 110.

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Vers nonsensiques (1)

I have already discussed a “comic strip” by George Du Maurier, The Egg Poacher: A Tale of Country Life, which appeared in Punch in 1869. A few years later Du Maurier was to prove his literary talent by producing a … Continue reading →

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A Reminder & an Announcement

No post today, but you’ll be able to read several special limericks starting tomorrow and for a whole week, while I’ll  be having a good time in England. Meanwhile, don’t forget to check the Bicentenary Events page, which has now … Continue reading →

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Awful Protection against Midges

John Everett Millais, Awful Protection against Midges, 1853. Pen and sepia ink on paper. Signed with monogram, inscribed and dated 1853. This drawing comes from a series of about twenty-five amusing records that Millais made as a visual diary of … Continue reading →

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On the Shores of Lake Lugano

Edward Lear, Lago di Lugano, 1878. Signed with monogram (lower right) and inscribed ‘Lago di Lugano’ (lower left). Watercolour heightened with touches of bodycolour. 6 1/8 x 10 in. (15.5 x 25.4 cm.). Preparatory sketch of Lugano, dated 3 July … Continue reading →

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Edward Lear, Cefalu, Sicily

Edward Lear, Cefalu, Sicily. Inscribed, dated and numbered ‘Cefalu. 8 July. 1847. 230A’ (lower right), and further inscribed and dated ‘8. July/1847./Cefalu’ (lower left) and further inscribed with colour notes. Pencil, pen and brown ink and watercolour. 9½ x 18 … Continue reading →

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Edward Lear, An Arab Encampment

Edward Lear, An Arab Encampment in the Sinai, near Gebal Serbal, Egypt. Signed with monogram (lower right). Pencil, pen and brown ink and watercolour with gum arabic heightened with touches of bodycolour, on paper. 4 5/8 x 7¼ in. (11.7 … Continue reading →

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Humphrey Jennings’s Edward Lear

Humphrey Jennings (1907-1950), Sketch for Portrait of Edward Lear. Signed with initials, inscribed and dated ‘H.J. 1948 Sketch for portrait of/Edward Lear’ (on the canvas overlap) and with studio stamp (on the canvas overlap). Oil on canvas 14 x 12 … Continue reading →

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