Monthly Archives: December 2010

Britain’s Audubon and Edward Lear

Booktryst: A Nest for Book Lovers has a beautifully illustrated post on Edward Lear’s difficult relationship with John Gould, “Britain’s Audubon.” The conclusion quotes Lear’s famous reaction when he heard of Gould’s death in 1881: John Gould’s desire to be … Continue reading

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Mr Lear Show-Case

In case you are in Paris for the holidays and want to see an Edward Lear show.

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Lear the Beggar

Another letter to Thomas Woolner containing a nice self caricature of Edward Lear begging sandwiched between two views of Palermo. Notice that Lear’s beard is a bit like Garibaldi’s who had conquered Palermo on 6 June. The Expedition of the … Continue reading

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Edward Lear, Thomas Woolner, and Edward Wilson

Edward Lear first met Edward Wilson in Rome in February 1860, when the latter brought him a letter from his friend and PRB fellow Thomas Woolner. That same night he wrote to Woolner, obviously in a very good mood, one … Continue reading

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The Sprout and the Cabbage

The Sprout and the Cabbage went to sea In a suitable egg shell boat. The waves were so high They thought they would die, But viscosity kept them afloat. The sprout cried out: “Oh, Cabbage, my dear! Wrap your green … Continue reading

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The Frog and the Heron: A Different Sort of Romance

The following poem by Peter Newell,  in Harper’s Young People, vol. XIV, 1893, p. 824,  shows that the theme of interspecies sexual-sentimental relationships would be used at least until the end of the century. Given his choice of a title, … Continue reading

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The Sanity of Nonsense. Round the World with Edward Lear

Bidding a farewell to fiction Of the fashionable type, Whether based on drug-addiction, “Triangles” or merely tripe, Healthier recreation choosing, Simpler fare and better cheer, I propose to go a-cruising Round the world with Edward Lear. Tell me not the … Continue reading

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The Frog and the Duck: A Romance

George du Maurier “took, in 1869-1870, a brief Darwinian respite from his usual labors of satirizing the Victorian drawing room” and, among other things, produced an “unusually extensive and charmingly anthropomorphic picture-story” (Kunzle 293), which appeared in three fortnightly instalments … Continue reading

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