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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear, Zante, with a view over the town to Monte Scopo
Edward Lear, Zante, with a view over the town to Monte Scopo. Inscribed, dated and numbered ‘Zante. 28. May. 5. P.M./ 1863/ (210)’ (lower right). Pencil, pen and brown ink and watercolour. 13 x 20 in. (33 x 50.8 cm.). During April … Continue reading
Posted in Edward Lear
Tagged Edward Lear, Greece, Ionian Islands, landscape, travel, watercolours
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Edward Lear, The Monastery of Agios Pavlos, Mount Athos
Edward Lear, The Monastery of Agios Pavlos, Mount Athos. Inscribed in Greek ‘Saint Paul’, and dated ‘9.10. Sept./ 1856’ (lower right) and extensively inscribed with colour notes throughout. Pencil, pen and brown ink and watercolour, on buff paper. 21 ¼ x 14 … Continue reading
Edward Lear, View of Ithaca
Edward Lear, View of Ithaca. Inscribed, dated and numbered ‘Ithaca./ 27.April. 4.30.P.M. 1863. (83)’ (lower right) and further annotated in Greek with key of names of the other Ionian Islands. Pencil, pen and brown and grey ink and watercolour. 9 1/8 x … Continue reading
Posted in Edward Lear
Tagged Edward Lear, Greece, Ionian Islands, landscape, travel, watercolours
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Edward Lear, The Monastery of Konstatmonitou, Mount Athos
Edward Lear, The Monastery of Konstatmonitou, Mount Athos. inscribed in English and Greek and dated ’16.Sept.1856′ and further inscribed in Greek (lower left) and with colour notes throughout. Pencil, pen and brown ink and watercolour. 13 5/8 x 19 ¼ in. (34.6 … Continue reading
Edward Lear, The Monastery of Koutloumousiou, Mount Athos
Edward Lear, The Monastery of Koutloumousiou, Mount Athos. signed with monogram, indistinctly inscribed in Greek and dated ‘Sept.1.1856.’ (lower right) and dated again ‘1.Sept’ (lower left, in pencil). Pencil, pen and brown ink and watercolour. 9 1/8 x 12 ½ in. (23.1 … Continue reading
Edward Lear, Pentedattelo (1847)
Edward Lear, Pentedattelo, Calabria. Inscribed and dated ‘Pentidatelo/1 Sept 1847’ (lower left); annotated (throughout). Ink and wash heightened with white over traces of pencil. 20.3 x 29.2cm (8 x 11 1/2in). Bonhams.
Edward Lear, Amalfi (1844)
Edward Lear, Amalfi . Inscribed and dated ‘Amalfihi/8. June. 1844’ (lower right). Pen and ink over traces of pencil. 48 x 34.5cm (18 7/8 x 13 9/16in). Provenance Ex collection of art critic Nicolas Powell (1920-1986). Private collection, UK (thence by descent). … Continue reading
Edward Lear, Stylida (1848)
Edward Lear, Stylida, Greece. Inscribed and dated twice ‘Stylida/26.June.1848’ (lower left and in pencil lower right), also inscribed ‘(84)’ (lower right) with further annotations throughout. Pen and ink and watercolour. 14 x 23.2cm (5 1/2 x 9 1/8in). Provenance Lieutenant Colonel … Continue reading
Edward Lear, Cannes and the Esterel Mountains (1865)
Edward Lear, Cannes and the Esterel Mountains, France. Watercolor with pen and brown ink over traces of pencil; inscribed lower left: Cannes. 8 April 8am 1865, extensively inscribed with color notes. 355 by 555 mm; 13 7/8 by 21 7/8 in. Lear drew … Continue reading
Edward Lear, Tower at Boppard on the Rhine (1838)
Edward Lear, Tower at Boppard on the Rhine. Black chalk, heightened with white, on light blue-grey paper. Signed and dated 1838 lower right. Inscribed March lower left. 25.5 x 17 cm. (10 x 6 3/4 in). Provenance: with The Fine Art Society, London (gallery … Continue reading
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