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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear, Civitella di Subiaco
Another picture from Edward Lear’s projected set of Tennyson illustrations which was also realized as a watercolour: “Morn broaden’d on the borders of the dark,” from Tennyson’s A Dream of Fair Women (from Ruth Pitman’s Edwawrd lear’s Tennyson, p. 101). A colour … Continue reading
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Tagged Edward Lear, illustration, Italy, landscape, travel, watercolours
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Edward Lear, Pentedatelo
LEAR Edward,‘Pentedatelo’ (sic. Pentedattilo), Calabria. Ink and watercolour. Signed and inscribed. Lear’s Diary (30th July 1847) ‘ … the wild crags of Pentedatelo particularly arrested our attention…’ A sketch for the ill.opp.p.190, ‘Pentedatilo’, ‘Journals of a landscape painter in Southern … Continue reading
Posted in Edward Lear
Tagged Edward Lear, illustration, Italy, landscape, Tennyson, travel, watercolours
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Edward Lear, Akhridha (1848)
Edward Lear, Akhridha. Inscribed and dated ‘Akhridha/Sept.23./1848’ (lower left); numbered ‘(53)’ (lower right); variously annotated throughout. Pen and brown ink and watercolour heightened with white. 27.3 x 43.8cm (10 3/4 x 17 1/4in). Provenance Gilbert Davis Collection. Private collection, UK. Exhibited London, The Fine Art Society, Edward … Continue reading
Edward Lear, Premedi (1857)
Edward Lear, Premedi. Pen, ink and watercolour. Inscribed and dated 17. April. 1857, in glazed gilt frame, 29cm x 49cm. The Saleroom.
Edward Lear, Albenga from the Railway (1880)
Edward Lear, Albenga from the Railway. Pen, pencil and brown ink with watercolour on paper, 13×7.5cm, framed and glazed. Provenance Christies May 1972 The Saleroom. “day was was sloping toward his western bower” is from the last stanza of Tennyson’s “Mariana” … Continue reading
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Tagged Edward Lear, Italy, landscape, Tennyson, travel, watercolours
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Edward Lear, Roman Catholic Cemetery at Palaiopolis (1863)
Edward Lear, Roman Catholic Cemetery at Palaiopolis, Kaligoni, Santa Maura. Inscribed l.l.: R.C. cemetery Kaligoni; further inscribed, dated and numbered l.r.: Santa Maria 23 April 1863 5.30 pm / (68). Pen and brown ink and watercolour. 18 by 35cm., 7 by 13¾in. Provenance Martyn Geeff, London; … Continue reading
Edward Lear, The Bay of Naples (1840)
Edward Lear, The Bay of Naples, Italy. Inscribed, signed and dated l.r.: Napoli,/ Edward Lear/ 7.07.1840.- pencil heightened with white on blue paper. 17 by 24cm., 6¾ by 9½in. Sotheby’s.
Edward Lear, Reapers at their Sultry Toil, Monte Gennaro, Italy
Edward Lear, Reapers at their Sultry Toil, Monte Gennaro, Italy. Inscribed ’40/and one, the reapers at their sultry toil’ (margin upper left); ‘Monte Gennaro.(Italy.)’ (margin upper right); indistinctly inscribed (margin lower left). Pencil, ink and wash. 35.6 x 54cm (14 x 21 … Continue reading
Edward Lear, Pentedattilo
Edward Lear, Pentedattilo, Calabria. Signed with monogram (lower right); inscribed ‘Pentedatilo’ (lower left). Watercolour . 9.8 x 19.7cm (3 7/8 x 7 3/4in). Provenance Private collection UK. Bonhams.
Edward Lear, Zitza (1857)
Edward Lear, Zitza, Albania. Titled and dated ‘Zitza/7.April.1857’ (lower right); variously and indistinctly annotated elsewehere. Watercolour, pencil and ink. 29.8 x 48.9cm (11 3/4 x 19 1/4in). Provenance Probably, anon. sale, Christie’s, London, 22 March 1988, lot. 142. Private collection UK. … Continue reading