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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear: Moment to Moment
The exhibition, Edward Lear: Moment to Moment, opening on 9 September, now has a web page where you can find more information. Co-curated by Matt Bevis and Jonathan Watkins at Ikon in Birmingham.
Edward Lear, Mount Delphi (1849)
Edward Lear, Mount Delphi. Signed and dated with multiple inscriptions: (bottom left) “Sunset 5. / 20. am. Mount Delphi from Livadia – & Copias (an important former lake, drained in the late 19th century; it features in other Lear drawings, not ACOFUIS) April … Continue reading
Edward Lear, Hephaistion (1848)
Edward Lear, Hephaistion (incorrectly described as “The Acropolis” in the Auction web page). With seated figures in the foreground. On paper. Signed and dated. Inscribed: “Athens / June 10th 1848”. (reverse) Thomas Agnew & Sons label: “no 36717”; “no 75 … Continue reading
Edward Lear, View of the Acropolis and the temple of Hephaistos, Athens (1848)
Edward Lear, View of the Acropolis and the temple of Hephaistos, Athens. Pen and brown ink and watercolor over pencil, heightened with white; inscribed lower right: Athens – from the West / June 5-6-7- 1848 / 5; further inscribed with extensive … Continue reading
Edward Lear, Fort of Ile Sainte Marguerite, Cannes (1865)
Edward Lear, Fort of Ile Sainte Marguerite, Cannes. Pen and brown ink and watercolor, heightened with white; inscribed and dated lower right: Fort of Isle Sante Marguerite / Cannes. 1.30 P.M. 10 april. 1865 / (131), and elsewhere with extensive color … Continue reading
Edward Lear, Khan of Valaré (1857)
Edward Lear, A landscape study with figures wearing fez hats, from a sketchbook, depicting the site of the former khan of Valaré (Albanian Valarë). Inscribed and dated ‘Ruins of Han [sic] Valarè / April (1?) 1857’ (lower right) and with … Continue reading
Edward Lear, Landscape near Tivoli (1840)
Edward Lear, Landscape near Tivoli (Lunghezza). Pencil, inscribed and dated 8th of May 1840, 8.5″ x 16″, Provenance: Agnew’s Exhibition and Abbot and Holder. The Saleroom.
Edward Lear, The Gorge at Suk Wady Barada, Lebanon (1858)
Edward Lear, The Gorge at Suk Wady Barada, Lebanon. Pen and brown ink and watercolour over pencil, on grey paper; inscribed, lower right: Suk Wady Barada / 25 May 1858 / (215), and further inscribed with colour notes. 365 by 525 … Continue reading
Edward Lear, Wastwater, Lake District, England (1837)
Edward Lear, Wastwater, Lake District, England. Watercolour over pencil; signed and dated lower right: E Lear del 1837, inscribed lower left: Wastwater. 172 by 253 mm. Provenance With Manning Galleries, London, by 1970. Sotheby’s.
Edward Lear, Valdoniello, Corsica
Edward Lear, Valdoniello, corsica. Signed with monogram (lower left). Pencil and watercolour heightened with white on paper. 4 ¾ x 7 ¼ in. (12 x 18.5 cm.) Provenance with The Fine Art Society, London, April 1963. with Abbott & Holder, … Continue reading