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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Gustave Verbeek (27)
- James Thurber (3)
- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
- Peter Newell (87)
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- Punch (2)
- Uncategorized (17)
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Tag Archives: travel
Edward Lear, Nave of Arundel Church
“Nave of Arundel Church,” from M.A. Tierney, The History and Antiquities of the Castle and Town of Arundel: Including the Biography of Its Earls, from the Conquest to the Present Time. London: G. And W. Nicol, 1834. Volume 2, facing p. … Continue reading
Edward Lear, Stylida (1848)
Edward Lear, Stylida, Greece. Inscribed and dated twice ‘Stylida/26.June.1848’ (lower left and in pencil lower right), also inscribed ‘(84)’ (lower right) with further annotations throughout. Pen and ink and watercolour. 14 x 23.2cm (5 1/2 x 9 1/8in). Provenance Lieutenant Colonel … Continue reading
Edward Lear, Cannes and the Esterel Mountains (1865)
Edward Lear, Cannes and the Esterel Mountains, France. Watercolor with pen and brown ink over traces of pencil; inscribed lower left: Cannes. 8 April 8am 1865, extensively inscribed with color notes. 355 by 555 mm; 13 7/8 by 21 7/8 in. Lear drew … Continue reading
Edward Lear, The Plains of Bethany
Edward Lear, The Plains of Bethany. Signed with monogram (lower left). Oil on canvas. 9 ½ x 18 3/8 in. (24.1 x 47.6 cm.) Jerusalem, with its powerful biblical associations, was the goal of many artist-travellers to the Near East in the … Continue reading
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Tagged Edward Lear, landscape, oil paintings, Palestine, travel
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Edward Lear, Tower at Boppard on the Rhine (1838)
Edward Lear, Tower at Boppard on the Rhine. Black chalk, heightened with white, on light blue-grey paper. Signed and dated 1838 lower right. Inscribed March lower left. 25.5 x 17 cm. (10 x 6 3/4 in). Provenance: with The Fine Art Society, London (gallery … Continue reading
Edward Lear, L’Aquila (1845)
Edward Lear, L’Aquila, 1845. Black chalk, touches of pencil, wash, heightened with white, on light grey paper. Signed and dated 1845 lower left, inscribed Aquila lower left. 14 x 28 cm. (5 1/2 x 11 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
Edward Lear, Lago di Fucino (1844)
Edward Lear, Lago di Fucino, 1844. Black chalk, pencil, touches of wash, heightened with white, on light grey coloured laid paper. Signed and dated 1844 lower right, inscribed Lago di Fucino lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), … Continue reading
Edward Lear, Lago di Scanno (1844)
Edward Lear, Lago di Scanno, 1844. Black chalk, grey wash, heightened with white, on light blue grey paper. Signed and dated 1844 lower right, inscribed Lago di Scanno lower left. 15 x 24 cm. (6 x 9 1/2 in). Provenance: John Scandrett Harford … Continue reading
Edward Lear, L’Abbazia di Santo Spirito (1844)
Edward Lear, L’Abbazia di Santo Spirito, 1844. Black chalk, pencil, wash, heightened with white, on light grey paper. Signed and dated 1844 lower right, inscribed [sic] Abaddia di S. Spirito lower left. 8.5 x 15.5 cm. (3 1/4 x 6 1/4 in), corners … Continue reading
Edward Lear, Trasacco (1844)
Edward Lear, Trasacco, 1844. Black chalk, pencil, heightened with white, on light buff paper. Signed and dated 1844 lower left, inscribed Trasacco lower right. 13.5 x 22 cm. (5 1/4 x 8 3/4 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading