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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
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- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: travel
Edward Lear, Albenga from the Railway (1880)
Edward Lear, Albenga from the Railway. Pen, pencil and brown ink with watercolour on paper, 13×7.5cm, framed and glazed. Provenance Christies May 1972 The Saleroom. “day was was sloping toward his western bower” is from the last stanza of Tennyson’s “Mariana” … Continue reading
Posted in Edward Lear
Tagged Edward Lear, Italy, landscape, Tennyson, travel, watercolours
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Edward Lear, Roman Catholic Cemetery at Palaiopolis (1863)
Edward Lear, Roman Catholic Cemetery at Palaiopolis, Kaligoni, Santa Maura. Inscribed l.l.: R.C. cemetery Kaligoni; further inscribed, dated and numbered l.r.: Santa Maria 23 April 1863 5.30 pm / (68). Pen and brown ink and watercolour. 18 by 35cm., 7 by 13¾in. Provenance Martyn Geeff, London; … Continue reading
Edward Lear, The Bay of Naples (1840)
Edward Lear, The Bay of Naples, Italy. Inscribed, signed and dated l.r.: Napoli,/ Edward Lear/ 7.07.1840.- pencil heightened with white on blue paper. 17 by 24cm., 6¾ by 9½in. Sotheby’s.
Edward Lear, Reapers at their Sultry Toil, Monte Gennaro, Italy
Edward Lear, Reapers at their Sultry Toil, Monte Gennaro, Italy. Inscribed ’40/and one, the reapers at their sultry toil’ (margin upper left); ‘Monte Gennaro.(Italy.)’ (margin upper right); indistinctly inscribed (margin lower left). Pencil, ink and wash. 35.6 x 54cm (14 x 21 … Continue reading
Edward Lear, Pentedattilo
Edward Lear, Pentedattilo, Calabria. Signed with monogram (lower right); inscribed ‘Pentedatilo’ (lower left). Watercolour . 9.8 x 19.7cm (3 7/8 x 7 3/4in). Provenance Private collection UK. Bonhams.
Edward Lear, Zitza (1857)
Edward Lear, Zitza, Albania. Titled and dated ‘Zitza/7.April.1857’ (lower right); variously and indistinctly annotated elsewehere. Watercolour, pencil and ink. 29.8 x 48.9cm (11 3/4 x 19 1/4in). Provenance Probably, anon. sale, Christie’s, London, 22 March 1988, lot. 142. Private collection UK. … Continue reading
Edward Lear, Convent near Soracte (1843)
Edward Lear, Convent near Soracte. Signed, inscribed with title and dated 1843 l.l., pencil heightened with white on grey paper 9 x 17cm Provenance: With Abbott & Holder, London. The Saleroom.
Ye Great Meyerbeer
“Ye great Meyerbeer — as seen at Spa in ye summer of 1856.” The label on the back of the picture attributes this to Edward Lear, and actually the drawing style — while a little too “finished” — is not … Continue reading
Edward Lear, Mt. Etna from near Carlentini (1852)
Edward Lear, Mt. Etna from near Carlentini. Pen and ink, signed, titled and dated 1852, 23cm x 28.5cm. The Saleroom.
Edward Lear, The Plains of Marathon
Edward Lear, The Plains of Marathon, Greece. Signed lower left with monogram “EL” watercolour 10 x 20cm (4 x 8in). Provenance Ennismore Gardens, Knightsbridge, London SW7. The Saleroom.