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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Gustave Verbeek (27)
- James Thurber (3)
- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
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- Punch (2)
- Uncategorized (17)
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Tag Archives: landscape
Edward Lear, View Near Monte Rotondo (1840)
Edward Lear, View Near Monte Rotondo, Italy. Pencil, heightened with stump and white on blue paper; signed lower right: Edward Lear del. and inscribed lower left: near Monte Rotondo. May 26.1840. 150 by 350 mm. This fine drawing was once owned … Continue reading
Edward Lear, The Dead Sea, Jordan
Edward Lear, The Dead Sea, Jordan. Watercolour and bodycolour, heightened with white; signed with the artist’s monogram lower right. 177 by 375 mm. Lear arrived in Jerusalem in March 1858, travelling on to Petra and then the Dead Sea, which he … Continue reading
Edward Lear, The Amphitheatre, Taormina (1842)
Edward Lear, The Amphitheatre, Taormina, Sicily. Pencil and grey wash, heightened with white, on grey paper; inscribed lower left: Taormina; signed lower right: Edward Lear del.1842. 165 by 250 mm. Lear spent ten weeks exploring Sicily in the spring of 1842. … Continue reading
Edward Lear, Santa Maria della Salute, Venice
Edward Lear, Santa Maria della Salute from across the Bacino, Venice. Watercolour over pencil heightened with touches of bodycolour; signed with monogram lower left. 115 by 175 mm. The present watercolour dates from Lear’s second trip to Venice in November 1865. … Continue reading
Edward Lear, Porto Tre Scoglie (1862)
Edward Lear, Porto Tre Scoglie, Albania. Watercolour over pencil heightened with bodycolour; signed with the artist’s monogram and dated lower left: 1862. 170 by 360 mm. Few foreigners visited Albania in the mid nineteenth century and Lear, who ventured there in 1848 … Continue reading
Edward Lear, Junction of Wadis (1849)
Edward Lear, Junction of Wadis, Egypt. Pen and brown ink and watercolour over traces of pencil, on wove paper watermarked: Wick / 18; inscribed lower right: 20. “January”. 1849. 1849 [sic] / Junction of Wadys. [sic], and further inscribed with artists … Continue reading
Edward Lear, Ioannina (1856-1857)
Edward Lear, Ioannina, Greece. Pen and brown ink with watercolour over traces of pencil; inscribed lower right in pen: Ἰωάννινα / Aug.. 1856 April 1857; and again in pencil: Aug 1856. Apr. 1857. 145 by 228 mm. Edward Lear travelled extensively … Continue reading
Edward Lear, Figures on Road, Tivoli Beyond (1839)
Edward Lear, Figures on the Road, Tivoli Beyond. Pencil, heightened with white and touches of brown wash, on grey paper; signed lower right: Edward Lear / 1839; and inscribed lower left: Tivoli. 240 by 340 mm. In a letter to his … Continue reading
Edward Lear, Falla near Strongoli, Corfu (1862)
Edward Lear, Falla near Strongoli, Corfu. Pen and brown ink over pencil on blue paper; inscribed lower left with the title in Greek and dated: 4 May. 1862, numbered lower right: 49 + 2, and further inscribed with artist’s notes. 215 … Continue reading
Edward Lear, Distant View of the Citadel, Corfu
Edward Lear, A Distant View of the Citadel, Corfu. Watercolour over pencil, heightened with touches of bodycolour and gum arabic; signed lower right with the artist’s monogram and inscribed: Corfu. 285 by 450 mm. Lear was first introduced to Corfu, then … Continue reading