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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: landscape
Edward Lear, San Sabbas (1859)
Edward Lear, San Sabbas. Signed with initials, inscribed and dated ‘San Sabbas/1859’ (lower right). Pen, ink and sepia wash. 20.5 x 30.5cm (8 x 12in). Bonhams.
Edward Lear, Cefalu, Sicily
Edward Lear, Cefalu, Sicily. Signed with monogram (lower left). Watercolour. 11.5 x 18cm (4 1/2 x 7 1/16in). Lear visited Sicily on two occasions: in the Spring of 1842 and in the early summer of 1847; in the later visit he … Continue reading
Edward Lear, Plain of Argos from Mycene (1879)
Edward Lear, Plain of Argos from Mycenae. Signed with monogram and dated 1879 (lower left), inscribed ‘Argos from Mycenae/1849 (lower right), also titled beneath mount. Watercolour. 29 x 52.5cm (11 7/16 x 20 11/16in). The present lot is one of a number … Continue reading
Edward Lear, Mount Athos (1857)
Edward Lear, Mount Athos. Black chalk, bodycolour, watercolour on paper. 298mm x 466mm. Lower left; Mt. Athos. Signature; lower left, below the above; Edward Lead del. Date; lower left, below the above; 1857 Verso, mount; MT. ATHO. Rev: W.G.C. Clark … Continue reading
Edward Lear, Study of figures and foliage at Frascati (1839)
Edward Lear, Study of figures and foliage at Frascati. Inscribed and dated ‘Frascati./June 8.1839’ (centre right) and inscribed with colour notes (variously throughout). Pencil. 12.4 x 17.2cm (4 7/8 x 6 3/4in). Bonhams.
Edward Lear, Hubert and Arnold Congreve (1871)
This one is a very unusual picture for Edward Lear, and I think it shows clearly why he avoided placing large human figures in the foreground of his paintings. Here the two boys are drawn in a stiff pose and appear completely separated from … Continue reading
Edward Lear, A Mountain Valley
Edward Lear, A Mountain Valley. Inscribed with various artist’s notes. Pencil and ink, unframed . 33.6 x 53.9cm (13 1/4 x 21 1/4in). Bonhams.
Edward Lear, Nice (1865)
Edward Lear, Nice, France. Pen and brown ink and watercolour over pencil heightened with white; inscribed in ink lower right: Nice. / 2.= 3. P.M. / 8 January 1865 / (18) the 4ground olive section / brown dark – off … Continue reading
Edward Lear, Ravenna
Edward Lear, Ravenna. Inscribed ‘Ravenna.’ (lower left). Wwatercolour and gum arabic. 16.5 x 26.3cm (6 1/2 x 10 3/8in). Bonhams.
Edward Lear, View of Abu Simbel (1867)
Edward Lear, View of Abu Simbel. Signed with monogram and dated 1884 (lower right), inscribed ‘The Temples of Ipsambl. Feby 8. 1867′ (lower left), further inscribed ’14. Temples of Ipsambl.’ on the reverse. Watercolour. 9 x 17.5cm (3 9/16 x 6 7/8in). … Continue reading