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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
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- A Chronology of Lear’s Life
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Italy
Edward Lear, View Near Monte Rotondo (1840)
Edward Lear, View Near Monte Rotondo, Italy. Pencil, heightened with stump and white on blue paper; signed lower right: Edward Lear del. and inscribed lower left: near Monte Rotondo. May 26.1840. 150 by 350 mm. This fine drawing was once owned … Continue reading
Edward Lear, The Amphitheatre, Taormina (1842)
Edward Lear, The Amphitheatre, Taormina, Sicily. Pencil and grey wash, heightened with white, on grey paper; inscribed lower left: Taormina; signed lower right: Edward Lear del.1842. 165 by 250 mm. Lear spent ten weeks exploring Sicily in the spring of 1842. … Continue reading
Edward Lear, Santa Maria della Salute, Venice
Edward Lear, Santa Maria della Salute from across the Bacino, Venice. Watercolour over pencil heightened with touches of bodycolour; signed with monogram lower left. 115 by 175 mm. The present watercolour dates from Lear’s second trip to Venice in November 1865. … Continue reading
Edward Lear, Figures on Road, Tivoli Beyond (1839)
Edward Lear, Figures on the Road, Tivoli Beyond. Pencil, heightened with white and touches of brown wash, on grey paper; signed lower right: Edward Lear / 1839; and inscribed lower left: Tivoli. 240 by 340 mm. In a letter to his … Continue reading
Edward Lear, View of Tivoli
Edward Lear, View of Tivoli. Indistinctly inscribed and dated ‘Tivoli May 7 …183.'(lower left). Pencil and grey wash heightened with white on light grey paper. 7 1/8 x 10 in. (18.2 x 25.4 cm.). With financial backing from Lord Derby, … Continue reading
Edward Lear, Perugia, 7 September 1883
Edward Lear, Perugia, Italy. Pen and brown ink and watercolour over pencil; inscribed lower right: near / Perugia / 7. September 1883 / 7.AM.; further inscribed with artist’s notes. 325 by 505 mm. Lear drew this large pen and ink study during … Continue reading
Edward Lear’s Letters in Italian 2: 22 March 1845 to A.M. Ricci
This is the second surviving letter Edward Lear wrote to Angelo Maria Ricci, again mentioning a mysterious project to illustrate the seventh book of the Aeneid, which was never completed, and which ― from the tone of the letter ― Lear himself seems … Continue reading
Edward Lear’s Letters in Italian 1: 18 December 1844 to A.M. Ricci
Edward Lear wrote at least two letters to Angelo Maria Ricci, discussing a project of his I had never read about. They are both at Biblioteca comunale di Rieti, Fondo Ricci, F=1=16/212 (many thanks to Ms Carla Moroni for supplying … Continue reading
Edward Lear, View of Modica
View of Modica, Sicily. Inscribed and dated ‘Modica/8 June 1867’ (centre right) and with colour notes throughout. Pencil and pen and brown ink. 12 x 18 in. (30.4 x 45.7 cm.) Christie’s.
Edward Lear, Taormina
Edward Lear, Taormina, Sicily. Nnumbered ‘158 [crossed out] 165’ (lower left, overmounted) and ‘(165)’ (lower right, overmounted) and further inscribed with colour notes pencil, pen and brown ink and blue and ochre wash on paper. 13 7/8 x 19¾ in. … Continue reading