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Edward Lear
- Biographical Essays
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: Italy
Presentazione del libro Edward Lear: Visioni inedite della Costa di Amalfi
A post in Italian, once in a while. Se siete dalle parti di Amalfi non prdetevi la presentazione del libro sui dipinti di Edward Lear realizzati nella zona: organizzato dal Centro di Cultura e Storia Amalfintana, saranno presenti il prof. … Continue reading
Edward Lear, Tor Sant’Eusebio (1845)
Edward Lear, Tor Saint Eusebio. Titled and dated 13th February 1845. Pen, ink and watercolour on buff paper. 11.5 x 39.5cm; 4½ x 15½in. The Saleroom. There are two more pictures of the same subject with the same date at Houghton: 1, 2.
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Edward Lear, Landscape with Ruin (1846)
Desert landscape with ruin. Signed and dated 1846. Pencil heightened with white on buff paper. 12.5 x 23cm; 5 x 9in. The Saleroom.
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Edward Lear, Lake Nemi
Edward Lear, Lake Nemi. Inscribed with artist’s colour notes in pencil. Pencil on buff paper. 23.5 x 40.5 cm (9 1/4 x 16 inches). Provenance With Thomas Agnew & Sons Ltd, Old Bond Street; Christopher Fry and thence by descent. The Saleroom. Lear … Continue reading
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Tagged auctions, Edward Lear, Italy, landscape, travel, watercolours
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Edward Lear, Via Nomentana (1848)
Edward Lear, Via Nomentana. Landscape with solitary tower. Inscribed ‘pale blue’ (upper right), indistinctly inscribed and dated ‘—/—.24.1848’ (lower right). Pencil. 15.5 x 35.5cm (6 1/8 x 14in). [Date is March.24.1848. I read “Via Nomentana” in the Roman Campagna. Francesco De Luca confirms that … Continue reading
Edward Lear, An Ancient Tomb in the Roman campagna (1839)
Edward Lear, An ancient tomb in the Roman campagna. Signed ‘Edward Lear. del.’ (lower left) and dated ‘1839’ (lower right). Graphite heightened with touches of white, on buff paper. 5 ½ x 9 ¼ in. (13.8 x 23.3 cm). Christie’s.
Edward Lear, Cefalù from Bagheria
Edward Lear, Cefalu from Bagheria, Sicily. Pencil, open and ink. Annotated by the artist. Lear was in Sicily in May 1847. 12×18 inches. Framed: 25.5×20.5 inches. Abbott and Holder.
Edward Lear, View of the Roman Campagna (1867)
Edward Lear, A Veiw of the Roman Campagna. Dated ’24 March 1867′ l.l., pencil and pen and ink. 9 x 33cm. Provenance: The Priory, Walsham-le-Willows. The Saleroom.
Edward Lear, Terranova, Sicily (1847)
Edward Lear, Terranova, Sicily. Inscribed and and dated ‘June 5 1847’ twice and numbered 105, with further annotations, pen and brown ink over pencil. 21.5 x 34cm Provenance: The Tim Wonnacott Collection. The Saleroom.
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