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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: Edward Lear
Edward Lear, Pentedattilo
Edward Lear, Pentedattilo, Calabria. Signed with monogram (lower right); inscribed ‘Pentedatilo’ (lower left). Watercolour . 9.8 x 19.7cm (3 7/8 x 7 3/4in). Provenance Private collection UK. Bonhams.
Edward Lear, Zitza (1857)
Edward Lear, Zitza, Albania. Titled and dated ‘Zitza/7.April.1857’ (lower right); variously and indistinctly annotated elsewehere. Watercolour, pencil and ink. 29.8 x 48.9cm (11 3/4 x 19 1/4in). Provenance Probably, anon. sale, Christie’s, London, 22 March 1988, lot. 142. Private collection UK. … Continue reading
Edward Lear, Convent near Soracte (1843)
Edward Lear, Convent near Soracte. Signed, inscribed with title and dated 1843 l.l., pencil heightened with white on grey paper 9 x 17cm Provenance: With Abbott & Holder, London. The Saleroom.
Ye Great Meyerbeer
“Ye great Meyerbeer — as seen at Spa in ye summer of 1856.” The label on the back of the picture attributes this to Edward Lear, and actually the drawing style — while a little too “finished” — is not … Continue reading
A Call for Papers
Jasmine Jagger,co-editor with Matthew Bevis of the Knowing Edward Lear Project, and curator of the Learical Tennyson online exhibition, informs me that there will be a special issue of Victorian Poetry devoted to Edward Lear in 2020. Here is the … Continue reading
Edward Lear, Mt. Etna from near Carlentini (1852)
Edward Lear, Mt. Etna from near Carlentini. Pen and ink, signed, titled and dated 1852, 23cm x 28.5cm. The Saleroom.
Edward Lear, The Plains of Marathon
Edward Lear, The Plains of Marathon, Greece. Signed lower left with monogram “EL” watercolour 10 x 20cm (4 x 8in). Provenance Ennismore Gardens, Knightsbridge, London SW7. The Saleroom.
Edward Lear, Bissone (1878)
Edward Lear, View of Bissone, Lake Lugano, Switzerland. Inscribed with title, colour notes and dated “10.15 to 11 a.m. / 17 August 1878” lower left pen, brown ink and blue wash 31 x 51cm (12 x 20in). Provenance Michael Spratt, English … Continue reading
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Tagged Edward Lear, landscape, Switzerland, travel, watercolours
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“Nonsense!” – Words from Edward Lear, music by Mel Orriss
Festive Flutes and Mel Orriss perform six of Lear’s limericks set to music. Also, form the same event (I suppose): Festive Flutes and Mel Orriss perform “The House That Jack Built” at Cedars Hall, Wells, 4th February 2018.