Summer Reading, Watching and Listening

Here is a list of Edward Lear resources I found in the past months but never posted; please note I have also added several items to the bibliographies:

Hugh Haughton, “Edward Lear and ‘The Fiddlediddlety of Representation.'” The Oxford Handbook of Victorian Poetry. Edited by Matthew Bevis. Oxford: Oxford University Press, 2013. 351-369. Available from Google Books.

Children’s Literature Review, vol 169, Edward Lear
To coincide with this year’s Limerick day, the Gale Group have posted online a collection of previously-published essays on Lear (you can choose to print the whole collection if you want).

Seline Bullocke’s “Edward Lear and Ideals of Art Theory in the Development of English Landscape Painting” at The British Art Journal website.

I have created a small SoundCloud playlist with four short talks on Edward Lear from the Poet in the City Edward Lear event of 2012. SoundCloud, by the way, is full of sound bit about Lear.

Dr. Clemency Fisher on “The Zoological World of Edward Lear.” A History of science lecture filmed at The Royal Society, London on Fri 19 Oct 2012. On this page you can get the audio only version.

Louise Lee on “Re-reading the Scientist as Specimen: Edward Lear, the Fugitive Poets and the Politics of Whimsy” as part of the workshop Reading and Replicating Bodies: Mimicry in Medicine and Culture, 1790-1914 at the Oxford Research Centre in the Humanities, funded by the Wellcome Trust, 26th March 2015 (only part of her lecture is online).

 

Five songs based on poems by Edward Lear by Papa Crow.

The scores (in pdf format) of Albert Coates’s Three Songs from Edward Lear’s Nonsense Rhymes at the Stellenbosch University Library:

The presentation of a new book on Lear, in Italian, Edward Lear e la Bovesia, by Franco Tuscano:

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Peter Newell and Edward Lear

Equally individual [as Stockton’s article on A.B. Frost mentioned in the previous review] is Mr. Peter Newell, who has just published a collection of his quaintly illustrated nonsense verses, under the title of Peter Newell’s Pictures and Rhymes. The world has for a long time yearned for an acceptable successor to Edward Lear, whose “Book of Nonsense” has been for many years a household treasure, and Mr. Newell appears to be the worthiest of all the condidates. There is a whimsical touch in all that he does, whether it be in picture or in text, that appeals to the sould of man, and it is his good fortune to be wholly original. There is never any mistaking Mr. Newell’s work for that of any other picture-maker past or present, and in his rhyming he seems to have hit upon a form and a manner which are as distinctively his own as were the rhymes of Lear characteristic of the older man. Mr. Newell is fortunate in having a double gift. We know of no other illustrator who could enter so thoroughly into the spirit of his rhymes, and he is to be congratulated upon his complete accord with himself, which was never more conspicuously shown than in this volume.

John Kendrick Bangs, from “Literary Notes,” in Harper’s New Monthly Magazine, May 1900.

Such a favourable review is not surprising, since in the same volume (December 1899 – May 1900) of Harper’s New Monthly appear the “pictures and rhymes” below as well as Newell’s illustrations to Stephen Crane’s Whilomville Stories. Still less considering that John Kendrick Bangs also wrote the introductory note to the book: the insistence on Newell’s indebtedness to Edward Lear is a bit strange as in the introduction to the book Bangs had written: “He [Newell] had not read or even seen the famous Nonsense book of Edward Lear when I asked him the impertinent questions necessary for the production of this paper in June last.”

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Harper’s New Monthly Magazine, January 1900.

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Harper’s New Monthly Magazine, March 1900.

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Harper’s New Monthly Magazine, April 1900.

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Peter Newell, The Minstrel

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Harper’s New Monthly, August 1894, p. 486.

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Peter Newell, A Sentimental Poem

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If I should write a sentiment,
The best I could invent,
‘Twould not be worth a dime, I fear —
That is — a cent, I ment.
Peter Newell

Peter Newell, Autograph Poem Signed, “Peter Newell,” one page, March 15, 1902 (in recipient’s hand at bottom edge), plain paper, 6 x 4.75 inches.

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Heritage Auctions.

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Peter Newell’s Portrait Autograph

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Peter Newell, Autograph Note Signed and with Original Sketch within a Second Signature.
5.5 x 3.5 inches.

Newell used similar signatures on the back covers of his books too.

Heritage Auctions.

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A Peter Newell Sketch

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Peter Newell, Signed Original Pencil Sketch.
3.5 x 2 inches.

Heritage Auctions.

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Peter Newell, A Hearty Laugh

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Peter Newell, A Hearty Laugh.
Drawing on paper. 5 x 8 inches. Signed.

Heritage Auctions.

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Peter Newell’s Solomon Asks a Question

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Peter Newell’s original illustration for John Kendrick Bang’s The Pursuit of the House-Boat. New York and London: Harper & Brothers, 1896, opposite p. 10. Solomon (the Gandalf-looking old man witha crown) is asking: “What is all this got to do with the question?”

Mixed media on paper. 11.5 x 8.5 in. Signed lower left

Label on the back of the painting.

Label on the back of the painting.

 

Heritage Auctions.

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Peter Newell’s Fairyland

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Peter Newell, Fairyland.
Oil on panel. 12 x 16 in. Signed lower right

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Heritage Auctions.

 

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Mother Goose Dusts the Moon

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Peter Newell, cover for Harper’s Young People: An Illustrated Weekly, vol. VL No. 279, 3 March 1885.

For more moon dusting see Aliquis’s The Flight of the Old Woman Who was Tossed Up in a Basket.

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