Another Edward Lear Letter to Mrs Hankey

Edward Lear:  Autograph letter addressed to Mrs. Hankey, from Rendcomb Park, Cirencester, dated Sept. 1, 1872, 3pp. 8vo., written at speed in his characteristic hand, linking many of the words, concerning commissions for drawings, his movements and an account of a recent mishap: “at Derby where I ran away from a bull and tried to get over a gate and caught my foot and fell and hurt my face badly and my face a beautiful purple and green and I’ll never go into any field again or over any gate or near any bull, no, not even a bullfinch” signed with a caricature drawing of him falling forward onto his face.

[Together with]: Incomplete autograph letter, no addressee, 2pp. 8vo., talking of his endless need to find places to stay, and his dread of going to local churches, signed “Edward” and with the usual pig drawing beside the signature.

[And]: A fine sheet of pen and ink drawings by Lear, inscribed Shipborne Grange 16 Sept.r, 1872, of the artist as a bird with large wings, an owl, and two ‘nonsense’ birds beneath, one sheet, 182 x 108mm.

Woolley & Wallis.

Also:

Lengthy autograph letter [to Mrs Hankey], signed Edward Lear, San Remo, August 4, 1873, closely written on 4pp., 8vo, discussing the zoological drawings he made for Bell, materialism and beliefs, and a great deal of detail about life in Italy, including olive-picking and the trees and plants: “The growth of vegetation here is really absurd Passion flowers are a positive pest. They sprout up in all places and at all seasons.”

Woolley & Wallis.

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Ann Mortimer’s Owl and Pussy-cat

Anne Mortimer R.M.S., S.B.A., (b.1958)
They dined on mince and slices of quince, which they ate with a runcible spoon
Signed. Watercolour, mounted, unframed. 18.5 x 38cm; 7¼ x 15in.

Illustration from The Owl and the Pussycat by Edward Lear, published by Harper Collins 2008.

Woolley & Wallis.

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An Edward Lear Letter to Mrs Thomson Hankey

Edward Lear: Autograph letter addressed to Mrs. Thomson Hankey, Brambridge Place, Winchester, dated 9 Sept. 1867, on blue paper, 2 pp. 4to, the first page nearly filled (c. 150 x 200mm) with a large drawing of Lear ensconced in a melon-bed – “if you have any doubt about having room for me – it has occurred to me that there must be Melon-beds in the garden, & I could sleep perfectly well in one of these- provided that I might use a Melon as a pillow I should prefer one without toads to sleep in ” signed Edward Lear, and with the small drawing of a pig beside.

Woolley & Wallis.

Mr. and Mrs. Thomson Hankey.

Hankey (1805-93) was a politician, political economist, and Whig MP between 1859 and 1878. Edward Lear made many acquaintances during his life as an itinerant and, often financially needy, artist. He seems to have built up a close friendship, however, with Mrs. Hankey.

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Edward Lear, Study of a Bramble

Edward Lear, Study of a Bramble.
Artist’s pencil note reads `items all deep red`, pen and sepia ink, on a shaped piece of paper (possibly from a sketchbook leaf). Paper 6.5 x 29cm approx.

Provenance: London, The Fine Art Society Ltd, The Travels of Edward Lear, October-November 1983 (ex catalogue)

A little pale; slight marks at leaf edges; mounted on a support sheet.

Lawrences.

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Edward Lear, Monte Generoso (1878)

Edward Lear, Monte Generoso.
Inscribed Mte Generoso/24 July. 1878/ 4.30.P.M. (in ink, over his own pencil inscription), pen and brown ink with blue wash, over traces of pencil. 15.5 x 25.5cm.

Lear spent six summers at Monte Generoso on the Swiss/Italian border from 1878 to 1883 and was captivated by the outstanding panoramas that greeted his ever attentive eye. This drawing dates from his first visit.

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Edward Lear, Goats in a North African Landscape

Edward Lear, Goats in a North African Landscape (Egypt?)
Signed with monogram, watercolour and pencil 11 x 17.5cm.

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Ronald Searle’s Edward Lear Medal

Ronald Searle‘s  medal of Edward Lear [Père du non-sens], modelled in 1975 and issued by the Monnaie de Paris.

More here.

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Edward Lear, Wady Halfeh (1867)

Edward Lear, Wady Halfeh.
Signed with monogram, dated 1867 and inscribed with title, watercolour 11 x 17.5cm.

Wadi Halfa is in the Northern State of Sudan on the shore of Lake Nubia (Lake Nasser). Lear visited Egypt in 1866 and travelled down the Nile as far as Wadi Halfa from December 1866 to March 1867. In a letter to Chichester Fortescue in March 1867, Lear remarked upon the “sad, stern, uncompromising landscape” of Nubia with its “piles of granite rocks.”

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Donna Howard’s Take on the Owl and the Pussy-cat

Here.

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Edward Lear, Dakkeh (1864)

Edward Lear, Dakkeh.
Inscribed and dated ‘Dakkeh./7.15 – 7.40 AM./Feb. 15. 1867./Pylon very sharp & well built/(a little too wide in drawing,)/or rather, not quite high enough’ (lower left); numbered ‘(477)’ (lower right); variously annotated throughout. Watercolour and ink heightened with white over traces of pencil. 28.9 x 54.4cm (11 3/8 x 21 7/16in).

Provenance
Thos Agnew & Sons Ltd., London.
Anon. sale, Christie’s, London, 11 July 1995, lot 105.
Private collection, UK (acquired from the above sale).

Edward Lear visited Egypt and the Nile in 1849, in late 1853 and in early 1867. He was delighted with Egypt’s intense colours and richness of scenery.

On the day the present lot was executed (rising at 5.40am, drawing at 7am) Lear wrote in his diary ‘…long flat lines of sandy distance, the few isolated lilac hills – the scant green of the Nile Garden, the silver river itself all form a beautiful Nubian scene ‘. (Edward Lear, Diary, 15 February 1867.)

Bonhams.

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