Edward Lear, Akroteri from Khanea, Crete (1864)

Edward Lear, Akroteri from Khanea, Crete.
Dated ’10 AM 17 April 1864′ (lower left), numbered ‘(14)’ and inscribed ‘from Khanea’  (lower right); extensively inscribed with colour notes throughout. Pen, ink and watercolour, heightened with touches of white, 16 x 37.5cm (6 1/4 x 14 3/4in).

Provenance
Private collection.
Professor R. M. Dawkins.
Sale, Sotheby’s, London, 30 November 1955, including ‘A Collection of Mediterranean Views by Edward Lear from the estate of Prof. R.M. Dawkins MA, DLitt, FBA, Bywater and Sotheby Professor of Byzantine and Modern Greek Language and Literature in the University of Oxford,’ lot 54, as Cape Tripiti from Chanea (one of 42 Cretan drawings from the estate of Professor Dawkins)
With Thomas Agnew & Sons, Ltd.
Colonel L. F. Smeathman, 1956.
Private collection, UK (acquired by the grandfather of the present owner).

Literature
Yale Centre for British Art, 2018, list of works by Lear, written in Lear’s hand and that of his executor, Franklin Lushington, no. 12.
Fani-Maria Tsigakou, 1977. M. Phil. thesis, p. 526, pl. 334.

Bonhams.

Posted in Edward Lear | Tagged , , , , | 1 Comment

Edward Lear, Coast of Malabar

Edward Lear, Coast of Malabar.
Signed with monogram (lower right). Oil on canvas, 23.5 x 46.5cm (9 1/4 x 18 5/16in).
Painted in 1880 (according to an inscription on the frame).

Provenance
The Honourable Eustace Henry Dawnay, 8 Belgrave Square, London.
Thence by family descent to the present owner.
Private collection, UK.

An inveterate traveller, Edward Lear was in his sixties when Lord Northbrook (at the time Viceroy of India), persuaded the artist to undertake an all-expenses paid trip to India and Ceylon. Initially reluctant to leave his new home in San Remo, Lear was flooded with so many requests for depictions of India that he was finally persuaded to undertake one last voyage.
After an initial attempt that got him only as far as Suez, Lear eventually reached Bombay in November 1873, noting his ‘violent and amazing delight at the wonderful variety of life and dress’ he encountered.[1] Lear travelled extensively throughout the country, visiting Lucknow, Benares, Agra, Gwalior, Delhi, Simla, Poonah, Hyderabad and the Himalayas. He visited Mahee on the Malabar coast in November 1874 (see for example View of Mahee, India, Christie’s, London, 10 December 2008, lot 51) noting ‘the view there is a stunner!!! As a river scene can any other equal it’.[2]
Lear produced a vast quantity of sketches while in India -at least 1500, many now in the collection of the Houghton Library at Harvard University- and worked some of these into oil paintings on commission (see for example View of Gwalior, India, 1880, Christie’s, New York, 25 January, 2012, lot 56; this work, like the present lot, has the date of 1880 on the frame, suggesting the date of execution).
The present work was in the collection of Eustace Henry Dawnay (1850 – 1928), who was a lieutenant in the Coldstream Guards and fought in The Egyptian Campaign of 1882. The work hung at West Heslerton Hall, which was the Dawnay home for over 150 years.

[1] Edward Lear, Indian Journal.
[2] Ibid.

Bonhams.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Campagna di Roma, via Nomentana

Edward Lear, Campagna di Roma, Via Nomentana.
Signed with monogram (lower left). Watercolour, 11 x 20.5cm (4 5/16 x 8 1/16in).

Provenance
With Thomas Agnew & Sons, Ltd.
Private collection, UK (acquired by the grandfather of the present owner).

Bonhams.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Licenza, near Rome

Edward Lear, Licenza, near Rome.
Signed with monogram (lower left). Watercolour, 12 x 18cm (4 11/16 x 7 1/16in).

Provenance
With The Fine Art Society, Ltd., April 1963.
Private collection, UK (acquired from the above by the grandfather of the present owner).

Bonhams.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Coast between Amalfi and Positano (1839)

Edward Lear, Coast between Amalfi and Positano.
Dated 1839. Pencil drawing. 27 x 42cm. Signed.

MutualArt.

Pencil drawing heightened in white, ‘Coast between Amalfi and Positano’, signed and dated 1839 and titled, with The Fine Art Society label verso dated April 1969, 27 x 42cm, framed and glazed.

The Saleroom.

A reproduction (apparently identical) of this is for sale in the British Museum shop!?

 

Posted in Edward Lear | Tagged , , , | Leave a comment

Edward Lear, Parnassus (1849)

Edward Lear, Parnassus.
Pen, ink, pencil and wash – “Parnassus, 12 April 1849, 11 A.M.” – Mount Parnassus from Near Thebes – a study of an extensive landscape, with figures, some on horseback, inscribed, dated and numbered 159, 11.25ins x 19ins, in modern gilt frame and glazed.

In 1849 Lear decided to return to Greece in order to produce a book. He and his companion Lushington arrived in Patras on 9th March 1849. From there they moved on to the Morea Coranth, Athens,Thebes, Parnassus and Delphi finishing their tour in Patras once again following six weeks of walking and sketching.

Provenance
Dover College, Dover, Kent.

With handwritten note, which reads: “List of old Argonauts and Hellenic travellers who have joined in this gift to Canon Compton, the “Father” of the “Schoolmaster Crusades”, and a two column list of fifty-three names.

Dover College was founded in 1871 by a group of local businessmen. In 1892, the Reverend William Cookworthy Compton succeeded Canon William Bell as Headmaster. Ahead of his time, Compton helped organise schoolmasters’ and student tours in Greece alongside Henry Lunn, later of Lunn Poly fame. It led to the establishment of ‘Hellenic Travellers’ Club’ which had an associated camera club calling themselves the Argonauts.

The Saleroom.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, (Italian Landscapes) (1838)

Edward Lear, Landscape scene with figures in the foreground.
Pen and ink, signed lower right ‘ E Leer’ and further inscribed ’15 March 1838′, 9 x 12cm  and another, landscape, pencil, pen and ink, unsigned, 9.5 x 12cm.

The Saleroom.

Posted in Edward Lear | Tagged , , , | Leave a comment

Edward Lear, From Monte St Angelo

Edward Lear, From Monte St Angelo.
Sepia ink and pencil with faint annotations, 8.5 x 15cm.

The Saleroom.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Sketch of Monte Cima and Lake Lugano (?)

Edward Lear, Sketch of Monte Cima and Lake Lugano.
Signed, inscribed and dated ’11:15am/ Lake Lugano/ 18 August.1898, Monte Cima’ (lower left), annotated throughout. Pencil, pen and ink. 16.5 x 26cm (6 1/2 x 10 1/4in).

Provenance
Anon. sale, Bonhams, London, 2 November 1995, lot 84.

[I cannot see the signature anywhere, and 1898 is obviously wrong as a date, it looks rather like 1878]

Bonhams.

Posted in Edward Lear | Tagged , , , , | Leave a comment

Edward Lear, Monte Generoso (1848)

Edward Lear, Monte Generoso, 1848.
Inscribed and dated ‘Monte Generoso/9.AM. August 2.1848’ (lower left), annotated  throughout. Watercolour over traces of pencil. 40.3 x 55.5cm (15 7/8 x 21 7/8in).

Provenance
Anon. sale, Bonhams, London, 2 November 1995, lot 82.

Bonhams.

Posted in Edward Lear | Tagged , , , , | Leave a comment