Edward Lear, Near Thebes.
Pencil and watercolour. Later signed with monogram and dated 1884 (lower right) and inscribed and dated ’19 Jany 1867′ (lower left). 8.5 x 17.5cm (3¼ x 6¾ in.)
Provenance
Guy Peppiatt Fine Art Ltd, London
Edward Lear, Near Thebes.
Pencil and watercolour. Later signed with monogram and dated 1884 (lower right) and inscribed and dated ’19 Jany 1867′ (lower left). 8.5 x 17.5cm (3¼ x 6¾ in.)
Provenance
Guy Peppiatt Fine Art Ltd, London
Edward Lear, Temple Ruins in Athens (Zeus Olympic).
Pencil and watercolour. Inscribed and dated ‘8th of June 1848 Athens’ (lower left) and numbered ‘(20)’ (lower right). 9.5 x 34cm (3½ x 13¼ in.)
Provenance
The collection of Mrs M C Evelyn
Her sale, Sotheby’s, London, 23 November 1966, lot 277
Possibly Drouot, lot 185
Edward Lear, Esneh on the Nile, near Luxor.
Pencil, pen and red ink and watercolour on buff paper. Inscribed and indistinctly dated ‘Esneh.5/2 P.M. Jany24.1856(?)’ (lower left) and numbered ‘(126)’ (lower right). 10 x 15.5cm (3¾ x 6 in.)
Provenance
The Fine Arts Society, 1992
Sale, Christie’s, London, British Art on Paper incl. The Blue Rigi by J.M.W Turner, 5 June 2006, lot 64, where purchased by Robert Kime
Edward Lear, Manfalut on the Nile.
Pen, ink and wash. Inscribed and dated ‘Manfalut,10 March 1854, 9-10AM’ (lower left) and further inscribed ‘Too cold to hold a pencil’ (lower right). 10.5 x 22cm (4 x 8½ in.)
Edward Lear, Near Kalich.
Watercolour and ink heightened with white. Inscribed and dated ‘Jany 9 1867’ (lower left), later monogram and date 1884 (lower right). 8.5 x 17cm (3¼ x 6½ in.)
Edward Lear, Edfu Sunset.
Watercolour. Inscribed ‘Edfoo [sic] Sunset, 6.30pm, Feby 11. 1854’ (lower left). 15 x 23cm (5¾ x 9 in.)
Provenance
Christie’s, London, 15 November 1988, lot 44
Christie’s, London, 1 August 2002, lot 70, where purchased by Robert Kime
Exhibited
Lausanne, Fondation de L’Hermitage, L’Age d’or de l’Aquarelle Anglaise 1770-1900, 22 January-24 May 1999, no. 116
Literature
G. Bauer, Le Siecle d’or de l’Aquarelle Anglaise, Anthèse, 1998, p. 145. pl. 201
W. Hauptman, L’Age d’or de l’Aquarelle Anglaise 1770-1900, Lausanne, 1999, p. 176, no. 116, illustrated in colour
Edward Lear, The Temple of Amada.
Pen and watercolour with white heightening. Inscribed and dated ‘Amada, 9AM, Feby 12. 1867’ (lower left), numbered 426 (lower right). 21.5 x 52cm (8¼ x 20¼ in.)
Provenance
Christie’s, London, Victorian & British Impressionist Pictures including Drawings and Watercolours, 15 December 2010, lot 73, where purchased by Robert Kime
Edward Lear, Kasr es Saiad.
Watercolour, pencil, and wash. Inscribed (lower left, beneath the mount) and numbered ‘147’ (lower right). 8 x 30.5cm (3 x 12 in.)
Provenance
Martin Wood, London
Edward Lear, Girgeh.
Watercolour and pencil. Inscribed with title, dated ’16 Jany 1854 – 2/2 P.M’ (lower left), numbered ’82’ (lower right), colour notes inscribed throught. 7 x 23cm (2¾ x 9 in.)
Edward Lear, Kasr ed Saad.
Watercolour heightened with white. Signed with monogram (lower left). 16 x 37cm (6¼ x 14½ in.)
Provenance
Agnews & Sons, London
Sotheby’s, London, 29 November 2001, lot 334, where purchased by Robert Kime