Nonsense Drolleries

Some time ago I placed William Foster’s illustrations from Nonsense Drolleries. The Owl & the Pussy-cat. The Duck & the Kangaroo. London: Frederick Warne, 1889 in the nonsenselit.org’s picture gallery: their most striking feature, in my opinion, is the fact that the illustrator is unique in choosing to represent the Owl as the bride and the Pussy-cat as the the bridegroom.

The Owl as bride

The British Library has a page on William Foster which gives some information about this heretic.

The book has since been placed online by the Internet Archive in the usual formats.

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Lewis Carroll on Edward Lear

I mentioned in a previous post that Edward Lear’s copy of Alice in Wonderland is now in the USA, that he discussed the book with Fortescue (though we do not know what he thought of it), and that his circle considered Carroll’s tales as belonging to the same genre of literary Nonsense which Lear had created, or recreated, for the Victorian age.

It now seems that evidence that Carroll knew and appreciated Lear’s books has been around for a long time, at least since Florence Becker Lennon’s The Life of Lewis Carroll. New York: Collier Books, 1962, pp. 171-2:

The strangest hiatus between Carroll and his contemporraries reaches to Edward Lear, in whose biography Angus Davidson says: “There occurred during the autumn of that year [1865], in the world which, until now, Lear had been indisputed king — the world of Nonsense — an event of the utmost importance, the publication of Lewis Carroll’s Alice in Wonderland. From Lear’s complete silenceon the matter it might be thought that he never heard either of the book or of … its author; yet this is hardly possible. He was in London when it came out.” Lear and Dodgson both knew most of the pre-Raphaelites and moved in overlapping circles; if they never met, they could hardly have escaped hearing each other’s bon mots. But Carroll never mentions Lear either, and Mr. Madan [in a letter to Lennon] said there seemed to be “no trace” of Lear in his library. Nevertheless it is unthinkable that Carroll had not read the Book of Nonsense, which came out when he was fourteen. Carroll at least eventually appreciated Lear, for Miss [Menella] Dodgson writes in a letter that he gave her and her sisters one of the Lear books. Perhaps the two lions were mutually carnivorous, like Eugene Field’s fierce toy animals, and circled round at a respectful distance to keep from eating each other up.

In this case, too, we do not know what Carroll thought of Lear’s Nonsense, but his opinion must have been positive if he gave a copy of one of his books to his nieces.

More recently, while reviewing Charlie Lovett’s Lewis Carroll Among His Books (Jefferson, NC and London, McFarland & Company, 2005) in the latest Lewis Carroll Review (Issue 35, May 2007, p. 3), August A. Imholtz Jr. writes:

There is [in Lovett’s catalogue, purporting to include books that Carroll read even if there is no trace in the existing lists] … no work by Edward Lear, and yet the late Iona Opie more than twenty years ago told me she had acquired Carroll’s own, unfortunately unannotated, copy of Lear’s Book of Nonsense, which is now in the Opie collection of Children’s Literature at the Bodleian.

Lennon’s idea that Carroll could hardly have ignored Lear’s 1846 Book of Nonsense might be confirmed by the fact that the young Dodgson actually wrote a few limericks, all of them composed in that same year.

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More UPA: Christopher Crumpet

There are a lot of UPA cartoons on YouTube; I had never seen Christopher Crumpet (1953), another story drawn in a pseudo-simple style reminiscent of Edward Lear with a largely nonsensical tale by T. Hee and Robert Cannon. The cartoon also reminds me of the earliest animation sequences, which very often started with a hand drawing the characters (in this case the hand is also animated, though in a very different style).

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The Unicorn in the Garden

James Thurber‘s drawings, once extremely popular, place him firmly in the tradition of Edward Lear’s apparently childish illustration, while his stories tend to be mildly satiric or parodistic.

One of the most famous of these, The Unicorn in the Garden, was adapted for one of UPA‘s most acclaimed cartoons. After watching the short, don’t miss Michael Sporn’s post, which also includes the text and illustration of the story, and the ensuing discussion.

Directed by Bill Hurtz
Story by James Thurber
Animation by Phil Monroe, Rudy Larriva, Tom McDonald
Design & Color by Robert Dranko
Music by David Raksin
Production Manager Herb Klynn
Produced by Stephen Bosustow

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An Edward Lear Self-Caricature

Here is a typical Edward Lear caricature self-portrait I saved from an eBay auction a few months ago (starting price was GBP750.00 with an estimate of 1,500-2,000):

Lear caricature self-portrait

The speech bubble contains a message to Evelyn Baring, first Earl of Cromer (1841-1917): “9 A.M. will do beautifully but I would have made 6-7-or 8 do if H.E wished it.”

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Tomfoolery

I have been looking for episodes from the Tomfoolery Show at least since 2002, when I heard of this show largely based on characters created by Edward Lear.

The Yonghy Bonghy Bo (?)

While no episode has turned up so far, Ron Kurer’s Toon Tracker at least provides a few pictures; according to the entry, Tomfoolery was

a series patterned after NBC’s then popular live-action Rowan and Martin’s Laugh-In, aired on NBC-TV from September 12, 1970 through September 4, 1971. It was a Rankin-Bass Production, produced in England by Halas & Batchelor Animation Ltd.

The series was based upon the nonsensical verse and whimsical characters of authors such as Edward Lear, Ogden Nash, Frank Gelett Burgess, and Lewis Carroll. It was billed as a mixture of “Riddles, Jokes and Silly Things”.

Some of the characters included The Yonghy Bonghy Bo (a creature whose head was larger than his body), The Scrooby Snake, The Umbrageous Umbrella Maker, The Purple Cow, Goops, The Fastidious Fish, and The Enthusiastic Elephant. The voices were provided by Peter Hawkins, Bernard Spear, and The Maury Laws Singers. The show was intended to entertain and educate the younger viewers on the elements of children’s literature, but most viewers were confused by the disjointed and difficult to follow segments and it left the air within a year.

The Scrooby Snake (?)

Halas & Batchelor (short biographies on screenonline), by the way, also produced a nice 3D cartoon from “The Owl and Pussycat” in 1952 which is available (in normal 2D) on the DVD The Cartoons of Halas & Batchelor (Hen’s Tooth Video, 2000).

The Owl and the Pussycat, Helas & Batchelor 1952.

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A TV Series on Edward Lear

Lear Productions, a division of RS Productions, is filming a three-part TV series on Edward Lear’s travels in Greece and Albania, writer and traveller Rob Horne will follow in the footsteps of Lear. The first programme is ready and the second should have been filmed in April-May. A gallery of images is available on the official web site.

The series, which is filmed in high definition, will be offered to the world television market in 2008.

Meteora, Barbara Rousanos Monastery

Thanks to Derek Smith, director of the series.

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Letters of Edward Lear

Archive.org has placed online the two early collections of Edward Lear’s letters:

Letters of Edward Lear to Chichester Fortescue, Lord Carlingford, and Frances Countess Waldegrave. Edited by Lady Strachey. London: T. Fisher Unwin, 1907 (1909 edition).

Later letters of Edward Lear to Chichester Fortescue (Lord Carlingford), Frances, Countess Waldegrave, and others. Edited by Lady Strachey. London: T. Fisher Unwin, 1911.

The books can be downloaded in several formats, the one I prefer is searchable PDF as you get the image of every single page and can still search the text (faster than scanning the book index).

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Sweet Owls – Sweeter Pussy-cats

Lesley of Birds Ahoy! has found these delicious biscuits:

Owl and Pussy-cat biscuits

The illustration of the package is also very beautiful:

Buiscuit package

The producer has a website, but at the moment no information is available.

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Peter Newell as a Successor to Edward Lear

Harper’s New Monthly Magazine, December 1899, vol. C, No. DXCV, “Literary Notes” by John Kendrick Bangs, review of Peter Newell’s Pictures and Rhymes:

… Equally individual in the character of his work is Mr. Peter Newell, who has just published a collection of his quaintly illustrated nonsense verses under the title of Peter Newell’s Pictures and Rhymes. The world has for a long time yearned for an acceptable successor to Edward Lear, whose “Book of Nonsense” has been for many years a household treasure, and Mr. Newell appears to be about the worthiest of all the candidates. There is a whimsical touch in all that he does, whether it be in picture or in text, that appeals to the soul of man, and it is his good fortune to be wholly original. There is never any mistaking Mr. Newell’s work for that of any other picture-maker past or present, and in his rhyming he seems to have hit upon a form and a manner which are as distinctively his own as were the rhymes of Lear characteristic of the older man. Mr. Newell is fortunate in having a double gift. We know of no other illustrator who could enter so thoroughly into the spirit of his rhymes, and he is to be congratulated upon his complete accord with himself, which was never more conspicuously shown than in this volume.

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