Edward Lear, Sheik Abadeh

Edward Lear, Sheik Abadeh on the Nile.
Signed  with  the  monogram  lower  right;  inscribed  on  a  label  on  the  stretcher: Edward  Lear/San  Remo/London  Agents/Ford  and  Dickinson/90  Wardour  Street/£25/£20.
Oil  on  canvas, 24  by  46.5cm.,  9½  by  18¼in.

On his first trip up the Nile in 1854, Lear was moved to write to his sister Ann: ‘So far, it is a magnificent river, with endless villages – hundreds & hundreds on its banks, all fringed with palms, & reflected in the water; – the usual accompaniments of buffaloes, camels etc. abound, but the multitude of birds it is utterly impossible to describe, – geese, pelicans, plovers, eagles, hawks, cranes, herons, hoopoes, doves, pigeons, king fishers & many others. The most beautiful feature is the number of boats, which look like giant moths, – & sometimes there is a fleet of 20 or 30 in sight at once’ (4 January 1854; quoted in Vivien Noakes, Edward Lear: The Life of a Wanderer, London, 1968, p. 122).
Although Lear was fascinated by the beauty of the scenery and wildlife he saw whilst travelling up the Nile, it was the colours which astonished him most. When he made his second trip up the Nile thirteen years later, in January and February 1867, he realised that his watercolours seemed drained of colour and he wrote ‘In no place – it seems to me, can the variety & simplicity of colours be so well studied as in Egypt; in no place are the various beauties of shadow more observable, or more interminably numerous’ (Diary, 25th February 1857; quoted in Vivien Noakes, Edward Lear 1812-1888, London, 1985, p. 114). This time he travelled up the Nile as far south as the second cataract just beyond Wadi Halfa and after he returned home he used his sketches and colour notes as preparatory studies for a number of oils including the present work. Here, the glazes of pure paint capture the brilliance of the light which Lear had so carefully studied.

This painting was executed after 1871, when Lear settled in San Remo.

Provenance:
Frances Braham, Lady Waldegrave and her husband Chichester Fortescue, Lord Carlingford
Constance Braham, Lady Strachey (by descent from the above)
Lord O’Hagan M.E.P. (by descent from the above; sale: Sotheby’s, London, 3 November 1993, lot 22)
John, Lord D’Ayton (purchased at the above sale); thence by descent to the present owners.

Sotheby’s.

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Edward Lear, Waiee, India

Edward Lear, Waiee, Bombay Presidency, India.
Pencil and grey wash on paper with watermark ‘J WHATMAN/1881’
15¼ x 22¼in. (39 x 56.5cm.).

Lear travelled in India between 1873 and 1875. He docked at Bombay on 22 November 1873 from where he travelled north to Lucknow to join the Vice-regal party of Lord Northbrook.
This is a preliminary sketch for one of the Tennyson drawings subtitled as above to illustrate the lines from the poem Mariana, ‘…. the day, was sloping towards his western bower.’
Probably dated from late 1884 or early 1885, this work is based on an earlier drawing Lear executed in India – hence the absence of annotations.

Christie’s.

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ARG!’s Edward Lear Cartoons

Producer-Director Artie Romero, of ARG! Cartoon Animation, has announced on the bicentenary Facebook page that

“Edward Lear’s Nonsense Stories,” our series of short cartoon webisodes for YouTube will premiere on Sunday, April 1st, 2012. Yes, April Fools Day. On that date there will be a very prominent link to this show’s new channel on our animation studio’s website, Artie.com. We are now putting the finishing touches on the first season’s 33 shows. In honor of Mr. Lear’s 200th birthday, there will also be an anthology of the first six shows shown on the fourth season of “Sprockets and Splices,” a showcase of independent film shorts. It’s a nationwide syndicated television program in the U.S. Each “Edward Lear’s Nonsense Stories” will feature one Lear limerick from A Book of Nonsense (1846).

Previews of the cartoons are already available on YouTube, and you can view them from this page.

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More and More Bicentenary Events

Yesterday afternoon Michael Rosen’s Word of Mouth programme on BBC 4 was devoted to Edward Lear and Nonsense literature in general:

Michael Rosen and guests celebrate nonsense at an event recorded at Radio 4’s More The Words festival in Bristol. Michael’s guests include the children’s writer Philip Ardagh, the actor Paul Nicholson, and nonsense experts Anna Barton and James Williams. With help from an audience of adults and children at Bristol Central Library, Michael will be filling a cauldron with nonsense poems, prose, limericks and tongue twisters, with a few nonsense sounds thrown in to bring out the flavour. And the programme will mark the 200th anniversary of Edward Lear’s birth with discussion of the writer’s life and work.

The programme will be broadcast again on Monday, 26 March, at 23:00, but you can listen to it right now.

William Holman Hunt’s portrait of Edward Lear, 1857.

More exhibitions of Edward Lear’s works have been announced:

  • National Museums Liverpool hold a number of Edward Lear Watercolours. They are all extremely beautiful and they will be on display starting on the 28th of April at The Walker Art Gallery to celebrate his bicentenary. An extended web feature will also be available.
  • “How Pleasant to Know Mr Lear” written and presented by Nicholas Parsons.
    Nicholas presents a portrait of the nonsensical genius, Edward Lear conveying a rounded picture of the man’s amazing life and unusual personality. A varied selection of his comic and serous verse is performed including The Owl & The Pussycat, The Jumblies, The Pobble, The Quangle Wangle, The Yonghy-Honghy-Bo, Uncle Arly and The Dong with the Luminous Nose.
    Knowsley Hall, Liverpool. Cost £75 includes canapés and champagne on arrival 3 course meal and half bottle of wine per person. Places are limited so book early to avoid disappointment. Call our events team on 0151 489 4827 to book your place today.
    Nicholas Parsons nominated Edward Lear for BBC Radio 4’s series, “Great Lives.” Here you can still listen to the programme.
  • The Ashmolean Museum in Oxford are going to put on a display of their Edward Lear Collection to coincide with the date of the conference (21-22 September, Jesus College, Oxford). It will run from 20 September 2012 to 6 January 2013.
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Some New Bicentenary Events

Having been away from home for some time, I am late to announce this concert, but there will be another on on 23 March:

However, Benjamin Charvner has kindly sent me this version of Cold Are the Crabs for your listening pleasure.

I have also added several events to the list of bicentenary celebrations:

  • ‘How Pleasant to Know Mr Lear!’  Edward Lear, Tennyson Family Friend, Lincoln Central Library. Until 29 May. Free admission. List of works on display.
  • ‘Too vainy and bumptious’?  The story of Edward Lear’s Illustrations of Tennyson’s Poetry. The Collection, Lincoln. 14 April ― 30 September.
  • A celebration of Edward Lear with Roger McGough, Michael Rosen and others at the British Library. 13 May.
  • To celebrate the Bi-centenary of the birth of Edward Lear, a small selection of his drawings and watercolours from the British Museum collection will be on display in the Prints and Drawings Gallery, Room 90, from 14 May.
  • Celebration of Edward Lear in Islington, the borough he was born in, with Michael Rosen. 29 May.

I may be forgetting something, go check.

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Vers nonsensiques (8)

George Du Maurier, in Punch, 19 May 1877, p. 218.

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Vers nonsensiques (7)

George Du Maurier, in Punch, 12 May 1877, p. 215.

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Vers nonsensiques (6)

George Du Maurier, in Punch, 5 May 1877, p. 202.

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Vers nonsensiques (5)

George Du Maurier, in Punch, 28 April 1877, p. 191.

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Vers nonsensiques (4)

George Du Maurier, in Punch, 31 March 1877, p. 142.

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