Category Archives: Edward Lear

A Call for Papers

Jasmine Jagger,co-editor with Matthew Bevis of the Knowing Edward Lear Project, and curator of the Learical Tennyson online exhibition, informs me that there will be a special issue of Victorian Poetry devoted to Edward Lear in 2020. Here is the … Continue reading

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Edward Lear, Mt. Etna from near Carlentini (1852)

Edward Lear, Mt. Etna from near Carlentini. Pen and ink, signed, titled and dated 1852, 23cm x 28.5cm. The Saleroom.

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Edward Lear, The Plains of Marathon

Edward Lear, The Plains of Marathon, Greece. Signed lower left with monogram “EL” watercolour 10 x 20cm (4 x 8in). Provenance Ennismore Gardens, Knightsbridge, London SW7. The Saleroom.

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Edward Lear, Bissone (1878)

Edward Lear, View of Bissone, Lake Lugano, Switzerland. Inscribed with title, colour notes and dated “10.15 to 11 a.m. / 17 August 1878” lower left pen, brown ink and blue wash 31 x 51cm (12 x 20in). Provenance Michael Spratt, English … Continue reading

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“Nonsense!” – Words from Edward Lear, music by Mel Orriss

Festive Flutes and Mel Orriss perform six of Lear’s limericks set to music. Also, form the same event (I suppose): Festive Flutes and Mel Orriss perform “The House That Jack Built” at Cedars Hall, Wells, 4th February 2018.

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A Lecture and an Auction

If you have $15,000-20,000 you do not know how to spend, you might want to buy the FIRST VOLUME only of Edward lear’s original 1846 Book of Nonsense: If you can’t afford it, at least watch this extremely interesting lecture by … Continue reading

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Thomas Uwins, A Hop Picker at Farnham

Thomas Uwins (NOT Unwins) was James Uwins’s uncle: the latter, probably on the recommendation of his relative, travelled with Edward Lear to Naples, Amalfi and finally to La Cava. In addition to the introduction on Lear, I wrote a short … Continue reading

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Edward Lear, Monte Generoso (1879)

Edward Lear, Monte Generoso. Pen and brown ink, inscribed and dated 1879, 25cm x 52cm. Illustrated. The Saleroom. With thanks to Stephen Duckworth.

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Edward Lear, Portrait of a Lady in Traditional Italian Dress (1838)

An unusual portrait by Edward Lear. Edward Lear, Portrait of a lady in traditional Italian dress, seated with lake beyond [recto]; Head study and inscription [verso]. Watercolour, over graphite, dated ‘Jan 17th/ 1838′ lower left, 227 x 140 mm. (8 … Continue reading

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Two More Worth Reading on Edward Lear

A few weeks ago, Cabinet: A Quarterly of Art and Culture published a long article by D. Graham Burnett on Edward Lear’s “The Dong with a Luminous Nose” in its “The Nose” Issue 64, pp. 84-91: “The Luminosity of the … Continue reading

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