Category Archives: Edward Lear

Edward Lear, Valletta, Malta

Posted on June 20, 2019 by Marco Graziosi

Edward Lear, Valletta, Malta. Signed with monogram l.r. Watercolour over pencil heightened with bodycolour. 11.3 by 18.3cm.; 4½ by 7¼in. Lear’s first trip to Malta, which he described as ‘that much beloved place’ (see Lady Strachey, ed., The Letters of Edward Lear, … Continue reading →

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Edward Lear, Jerusalem from the Mount of Olives

Posted on June 18, 2019 by Marco Graziosi

Edward Lear, Jerusalem from the Mount of Olives. Signed with monogram l.l. Pencil and watercolour heightened with white. 17 by 37cm., 6¾ by 14½in. After leaving Corfu by the spring of 1858, Lear visited Jerusalem. He arrived during Holy Week and immediately began … Continue reading →

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New Bibliography

Posted on June 10, 2019 by Marco Graziosi

Dubois, Martin. “Edward Lear’s India and the Colonial Production of Nonsense.” Victorian Studies 61.1 (2018): 35-59. Williams, James. “The Whole Situation.” Cambridge Quarterly 47.4 (2018). 387-394. (A review of Uglow’s Mr Lear). Rizal, Sarif Syamsu. “Actantial Models in the owl … Continue reading →

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Meeting Edward Lear in Heaven

Posted on June 8, 2019 by Marco Graziosi

She wears a retro dress, the waist nipped small now that the tumors don’t bulge, a skirt that swirls, and dangling red earrings. Time’s different there and just this second she’s spotted the tall man excusing himself from Auden and … Continue reading →

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Northrop Frye on Edward Lear’s Last Lines

Posted on June 2, 2019 by Marco Graziosi

July 23, 1932 I read in a book on the limerick the other day by some supercilious ass who talked about Edward Lear as a pioneer but a childish and inane primitive because his first and last lines ended with … Continue reading →

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Edward Lear, Wadi Feiran (1849)

Posted on May 5, 2019 by Marco Graziosi

Edward Lear, Wady Feiran, Sinai Peninsula. Ink, watercolour and gouache on blue/grey paper. Inscribed and dated by the artist ‘ Wady Feiran / 24 January 1849 / 8 A.M.’ and with artist’s note ‘Palms (?cut) off’, ‘Torrent bed’, ‘all in … Continue reading →

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Edward Lear, Hey, Diddle, Diddle (a New Version)

Posted on May 2, 2019 by Marco Graziosi

Edward Lear, “The little dog laughed to see such sport.” Pen and brown ink on laid paper watermarked with Britannia. 16.2 by 20.3 cm., 6 1/4 by 8 in. Provenance With Gooden and Fox, London (pre-1973); Yehudi Menuhin (1916-1999) Lear … Continue reading →

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Edward Lear, Calvi, Corsica

Posted on April 29, 2019 by Marco Graziosi

Edward Lear, Calvi Corsica. 8. 9.5 x 13.25 ins., (24 x 34 cms.). Watercolour. Signed with monograph. The Saleroom.

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Edward Lear [?], Adjutant Bird

Posted on April 27, 2019 by Marco Graziosi

Edward Lear, Adjutant Bird . Watercolour. Partial signature. Inscription and date 17.8.86 17 x 12.5cm. [I think the date unlikely, and I’ve never seen a date written this way by Lear, and the handwriting is not Lear’s; maybe the date … Continue reading →

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Presentazione del libro Edward Lear: Visioni inedite della Costa di Amalfi

Posted on April 21, 2019 by Marco Graziosi

A post in Italian, once in a while. Se siete dalle parti di Amalfi non prdetevi la presentazione del libro sui dipinti di Edward Lear realizzati nella zona: organizzato dal Centro di Cultura e Storia Amalfintana, saranno presenti il prof. … Continue reading →

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