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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- James Thurber (3)
- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
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Category Archives: Edward Lear
Edward Lear, Fort of Ile Sainte Marguerite, Cannes (1865)
Edward Lear, Fort of Ile Sainte Marguerite, Cannes. Pen and brown ink and watercolor, heightened with white; inscribed and dated lower right: Fort of Isle Sante Marguerite / Cannes. 1.30 P.M. 10 april. 1865 / (131), and elsewhere with extensive color … Continue reading
The Edinburgh Companion to Nonsense Literature
Barton, Anna, and James Williams, eds. The Edinburgh Companion to Nonsense. Edinburgh: Edinburgh University Press, 2022. Introduction: Companionable Nonsense – Anna Barton and James Williams Part I: Notes towards a History of English Nonsense 1. Buba, Blictrix, Bufbaf: Medieval Theory … Continue reading
Posted in Edward Lear, General, Lewis Carroll, Nonsense Lyrics
Tagged Edward Lear, history of nonsense, Lewis Carroll, nonsense rhymes
1 Comment
“Nonsense!” – Words from Edward Lear, music by Mel Orriss
Festive Flutes and Mel Orriss perform six of Lear’s limericks set to music.
Southampton University’s Christmas Concert (with Lear-related Music & Lecture)
Southampton University Chamber Choir gives its Christmas Concert on Friday December 10th in Turner Sims at 8pm, conducted by Simon Pettite. Beautiful Christmas choral music by Josquin (who died 500 years ago) and Sweelinck, plus the first performance of David Owen … Continue reading
Edward Lear, Khan of Valaré (1857)
Edward Lear, A landscape study with figures wearing fez hats, from a sketchbook, depicting the site of the former khan of Valaré (Albanian Valarë). Inscribed and dated ‘Ruins of Han [sic] Valarè / April (1?) 1857’ (lower right) and with … Continue reading
Edward Lear, Landscape near Tivoli (1840)
Edward Lear, Landscape near Tivoli (Lunghezza). Pencil, inscribed and dated 8th of May 1840, 8.5″ x 16″, Provenance: Agnew’s Exhibition and Abbot and Holder. The Saleroom.
Edward Lear, Bab el Kalabshe on the Nile (1871)
Edward Lear, Bab el Kalabshe on the Nile. Signed with initials lower left; inscribed Bab el Kalabshe on the Nile on the overlap; inscribed, signed and dated Bab el Kalabshe. on the Nile / Edward Lear / 1871 on a … Continue reading
Edward Lear, The Gorge at Suk Wady Barada, Lebanon (1858)
Edward Lear, The Gorge at Suk Wady Barada, Lebanon. Pen and brown ink and watercolour over pencil, on grey paper; inscribed, lower right: Suk Wady Barada / 25 May 1858 / (215), and further inscribed with colour notes. 365 by 525 … Continue reading
Legend of the Large Mouth
Food is one of the recurrent themes of Victorian Nonsense and Edward Lear certainly used it quite a lot; some of his limericks present gluttony as rather scary, for instance ther “Old Man of Calcutta”: The “Old man of the … Continue reading
Edward Lear, Wastwater, Lake District, England (1837)
Edward Lear, Wastwater, Lake District, England. Watercolour over pencil; signed and dated lower right: E Lear del 1837, inscribed lower left: Wastwater. 172 by 253 mm. Provenance With Manning Galleries, London, by 1970. Sotheby’s.