Author Archives: Marco Graziosi

Presentazione del libro Edward Lear: Visioni inedite della Costa di Amalfi

Posted on April 21, 2019 by Marco Graziosi

A post in Italian, once in a while. Se siete dalle parti di Amalfi non prdetevi la presentazione del libro sui dipinti di Edward Lear realizzati nella zona: organizzato dal Centro di Cultura e Storia Amalfintana, saranno presenti il prof. … Continue reading →

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Edward Lear and the Classics

Posted on April 19, 2019 by Marco Graziosi

It is well know that Edward Lear did not have a formal education, a fact that he apparently did not consider a limitation as he thought that it had left him with a curiosity to know new things that lacked … Continue reading →

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Edward Lear and Thomas Rowlandson

Posted on April 14, 2019 by Marco Graziosi

Edward Lear’s picture stories are apparently “hinnocent” throwaway pieces, produced on the spur of the moment to entertain his friends or their children. In previous posts I have shown the sources for some of the stories on Irish subjects (here, … Continue reading →

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Calendaria Botanica Ridiculoso

Posted on April 2, 2019 by Marco Graziosi

Among the many merits of Sara Lodge’s Inventing Edward Lear is the identification of Marie Duval as the author of a previously unattributed book, Calendaria Botanica Ridiculoso (first edition 1877). More on Duval. Lodge writes (p. 212): Lear’s ideas gave rise in … Continue reading →

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Derry-Down-Triangle

Posted on March 28, 2019 by Marco Graziosi

Robert Stewart, Viscount Castlereagh and 2nd Marquess of Londonderry (1769-1822). Better known as Viscount Castlereagh. As Chief Secretary for Ireland (1798-1801) was instrumental in the passage of the Act of Union in 1800, but his attempt to achieve subsequent political … Continue reading →

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Edward Lear, Plain below Mt Ithome (1849)

Posted on March 14, 2019 by Marco Graziosi

Edward Lear, Plain below Mt Ithome, 4p.m. 21 March 1849. Inscribed and dated in ink and pencil. 10.25 x 16.5in. The Saleroom.

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Edward Lear, Roman Catholic Cemetery at Palaiopolis, Kaligoni Greece (1863)

Posted on March 12, 2019 by Marco Graziosi

Edward Lear, Roman Catholic Cemetery at Palaiopolis, Kaligoni Greece. Watercolour over traces of ink, inscribed and dated 23 April 1863 5.30pm, 13.5×23.5cm. Provenance The British Council, Fine Arts Department, catalogue no. 42 Sotheby’s 14th December 2017, lot 29, according to … Continue reading →

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Edward Lear, Tor Sant’Eusebio (1845)

Posted on March 10, 2019 by Marco Graziosi

Edward Lear, Tor Saint Eusebio. Titled and dated 13th February 1845. Pen, ink and watercolour on buff paper. 11.5 x 39.5cm; 4½ x 15½in. The Saleroom. There are two more pictures of the same subject with the same date at Houghton: 1, 2.

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Unnatural History Lessons for Young People and Prize Fighters

Posted on March 6, 2019 by Marco Graziosi

Almost six years ago I posted the central part of an invented-animal alphabet published in the New York Journal in 1908. Allan Holtz of Stripper’s Guide (read his post, in which he identifies the author, Bob Addams, and links to more … Continue reading →

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Edward Lear and Mount Athos

Posted on March 3, 2019 by Marco Graziosi

Stephen Duckworth, who kindly keeps me informed of auction sales of Edward Lear paintings, and whose article on “Edward Lear’s Cretan Drawings” is now available for download, together with the full issue of The New Griffon 12 (2011, also see the … Continue reading →

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