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Edward Lear
- Biographical Essays
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Two Edward Lear Parrakeets
Edward Lear, Brown’s Parrakeet (c. 1831). Watercolour and pencil on paper. 40 x 29 cm. Plate 20 of Lear’s Illustrations of the Family of Psittacidae. Edward Lear, New Holland Parrakeet (c. 1831). Watercolour and pencil on paper. 45.3 x 29 cm. … Continue reading
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Tagged Edward Lear, ornithology, watercolours, zoological illustration
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Edward Lear, Nice (1865)
Edward Lear, Nice, France. Pen and brown ink and watercolour over pencil heightened with white; inscribed in ink lower right: Nice. / 2.= 3. P.M. / 8 January 1865 / (18) the 4ground olive section / brown dark – off … Continue reading
Mrs Jayfer, Millais, Dicky Doyle and Wilkie Collins in an Edward Lear Letter
Among the many subjects touched in the letter to Henry Bruce, Lord Aberdare transcribed below from the scans available on the Florida State University website, is Edward Lear’s statement that the second part of “Mr and Mrs Discobbolos” was suggested … Continue reading
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Tagged correspondence, Edward Lear, letters, watercolours, Wilkie Collins
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Edward Lear, Ravenna
Edward Lear, Ravenna. Inscribed ‘Ravenna.’ (lower left). Wwatercolour and gum arabic. 16.5 x 26.3cm (6 1/2 x 10 3/8in). Bonhams.
Edward Lear, View of Abu Simbel (1867)
Edward Lear, View of Abu Simbel. Signed with monogram and dated 1884 (lower right), inscribed ‘The Temples of Ipsambl. Feby 8. 1867′ (lower left), further inscribed ’14. Temples of Ipsambl.’ on the reverse. Watercolour. 9 x 17.5cm (3 9/16 x 6 7/8in). … Continue reading
Edward Lear, Malacca Parakeet
Edward Lear, A Malacca Parakeet, Palaeornis Malaccensis, an illustration for Prideaux J. Selby’s Natural History of Parrots, Edinburgh,W. H. Lizars; 1836. Signed and inscribed ‘E. Lear fct.’ (vertically from branch), inscribed ‘Plate 3d’ (upper left), and ‘Palaeornis Malaccensis/Plate’ (lower centre), indistinctly inscribed … Continue reading
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Edward Lear, Ravenna (1867)
Edward Lear, ‘Ravenna.’ Inscribed and dated ‘Ravenna.May 5.1867.8AM.’ (lower left), numbered ‘(13)’ (lower right) and inscribed with various colour notes. Pen and watercolour. 15.4 x 25cm (6 1/16 x 9 13/16in). Bonhams.
Edward Lear, L’Aquila (1845)
Edward Lear, L’Aquila, 1845. Black chalk, touches of pencil, wash, heightened with white, on light grey paper. Signed and dated 1845 lower left, inscribed Aquila lower left. 14 x 28 cm. (5 1/2 x 11 in), corners trimmed. Provenance: John Scandrett Harford (1787-1866); … Continue reading
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Tagged Edward Lear, illustration, Italy, landscape, travel, watercolours
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Edward Lear, Lago di Fucino (1844)
Edward Lear, Lago di Fucino, 1844. Black chalk, pencil, touches of wash, heightened with white, on light grey coloured laid paper. Signed and dated 1844 lower right, inscribed Lago di Fucino lower left. 14 x 26 cm. (5 1/2 x 10 1/4 in), … Continue reading
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Edward Lear, Cannes (1882)
Edward Lear, A view of Cannes Signed with monogram and dated ‘1882’ (lower right) and inscribed ‘Cannes’ (lower left). Watercolour and gum arabic. 16.5 x 26cm (6 1/2 x 10 1/4in). Sold together with a letter from the artist. The present lot … Continue reading
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Tagged Edward Lear, France, landscape, letters, travel, watercolours
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