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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
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- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: watercolours
Edward Lear, Dead Camel
Edward Lear, Dead Camel Getting Eaten by Buzzards. Signed with the monogram, watercolour and bodycolour 18cm x 37cm (7in x 14.5in) The Saleroom.
Edward Lear, Ajaccio Sunrise, Corsica
Edward Lear, Ajaccio Sunrise, Corsica. Signed with the monogram, pencil heightened with bodycolour 12.5cm x 19cm (5in x 7.5in) The Saleroom.
Edward Lear, Wady Halfa, Egypt (1867)
Edward Lear, Wady Halfa, Egypt. Signed with the monogram and dated 1884, further inscribed and dated ‘Feb. 3, 1867, watercolour and bodycolour 9cm x 17cm (3.5in x 6.75in) Walker Galleries, London;Christie’s, London, 26 January 1984, lot 178. The present work … Continue reading
Edward Lear, Wall in Samos (1848)
Edward Lear, Wall in Samos. Inscribed with the title and dated 3rd May 1848, further annotated with extensive colour notes, pen and ink, watercolour and bodycolourNote: It has been suggested that this is a view from the North of Cephalonia. … Continue reading
Edward Lear, Desenzano
Edward Lear, Desenzano. Pen, ink and wash. 4 x 12.2cm. MutualArt.
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance (1849)
Edward Lear, View of Cairo, with the Pyramids of Giza and the Sphinx in the distance, 1849. Pencil, pen and brown ink and watercolour, heightened. 6 ¾ x 20 in. (17.2 x 50.9 cm.) MutualArt.
Edward Lear, Mont Blanc (1863)
Edward Lear, Mont Blanc. Pencil, watercolour and bodycolour on blue paper. 6 ½ x 10 1⁄8 in. (16.5 x 25.9 cm.) MutualArt.
Edward Lear, River landscape, Naqadeh (1854)
Edward Lear, River landscape, Naqadeh (Iran) Inscribed ‘Naqadeh 11AM 21 Jans 1854’ and numbered 108, watercolour, 6 x 15.5cm. Provenance with Ryman & Co Ltd, Oxford Invaluable.
Edward Lear, View on the Nile, Dishne (1867)
Edward Lear, View on the Nile, Dishne. Inscribed ‘Near Dishne, 5.10PM Feby 27.1867’, and numbered 558, watercolour, 6 x 17cm. Provenance with Ryman & Co Ltd, Oxford. Invaluable.
Edward Lear, Jerusalem from near the Mount of Olives (1858)
Edward Lear, Jerusalem from near the Mount of Olives, 1858. Pen and brown ink and watercolour. Works on Paper. 214 by 320 mm MutualArt.
Posted in Edward Lear
Tagged Edward Lear, landscape, Palestine, travel, watercolours
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