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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: watercolours
Edward Lear, Gebel Serbal (1849)
Edward Lear, Gebel Serbal, Egypt. Pen and brown ink and watercolour over pencil; inscribed, lower right: Gebel Serbal / 30 Jany.1849 / 1 P.M., numbered, lower left: 179., and further inscribed with colour notes. 130 by 225 mm. Provenance Sale, London, Sotheby’s, 16 July 1987, … Continue reading
Edward Lear, Nubians at the First Cataract on the Nile at Philae (1867)
Edward Lear, Nubians at the First Cataract on the Nile at Philae, Egypt. Pen and grey ink and watercolour over pencil; inscribed in ink and pencil, lower left: Cataract 1st / 11. A.M. / Jany 30. 1867, further inscribed, lower centre: Nubians mostly white, some … Continue reading
Edward Lear, The Grand Canal looking towards the Rialto Bridge, Venice (1865)
Edward Lear, The Grand Canal looking towards the Rialto Bridge, Venice. Pen and brown ink and watercolor over pencil; dated lower right: 13 November 1865 (2.pm), extensively inscribed with the artist’s color notes. 352 by 504 mm; 13 7/8 by 19 7/8 … Continue reading
Edward Lear, Pentedatilo
Edward Lear, Pentedatilo, Calabria, Italy. Pen and brown ink and watercolour; signed with the artist’s monogram lower left. 164 by 257 mm. Lear travelled through Calabria in southern Italy in 1847, and he recorded in his journal upon his arrival in late … Continue reading
Edward Lear, Assiut on the Nile
Edward Lear, Assiut on the Nile, Egypt. Pen and brown ink and watercolour; inscribed with artist’s colour notes, unframed. 138 by 312 mm. Provenance Sale, London, Bonham’s, 8 June 2004, lot 58; with James Mackinnon. Having initially travelled to Egypt in 1849, … Continue reading
Edward Lear, Lago d’Iseo (1867)
Edward Lear, Lago d’Iseo. Signed and dated May 21, 1867, and extensively inscribed, mixed media, 10.5cm by 20cm. Tennants. See also.
Edward Lear, La Piana, Corsica (1868)
Edward Lear, La Piana, Corsica. Ink and watercolour. Titled and dated 11 May 1868 5am-6am lower left, numbered 185 lower right and variously annotated. 35 x 53cm (13¾ x 20¾ in.) Provenance Pawsey and Payne Ltd., London Edward Lear travelled to Corsica in … Continue reading
Edward Lear, Grosseto, Corsica (1868)
Edward Lear, Grosseto, Corsica. Ink and watercolour. Titled and dated 3 May 1868 5:30am lower left, numbered 165 lower right and variously annotated. 33.5 x 51cm (13 x 20 in.) Provenance Pawsey & Payne Ltd., London Edward Lear travelled to Corsica … Continue reading
Posted in Edward Lear
Tagged Corsica, Edward Lear, France, landscape, travel, watercolours
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Edward Lear, Ponte Rotto
Edward Lear, Ponte Rotto, Rome. Indistinctly inscribed (lower left) and further inscribed ‘The sketch/ on the other side/ taken from below the Ponte Rotto – a bit/ of which is on the left corner.’ (verso) pencil, pen and brown ink … Continue reading
Edward Lear, Tor San Eusebio (1845)
Edward Lear, Tor San Eusebio. Inscribed and dated ‘Tor Sant’Eusebio./ 13th. February 1845.’ (lower left) and further inscribed with colour notes.