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Edward Lear
- Biographical Essays
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear, Two Views of Venice from the Bacino (1865)
Edward Lear, Two views of Venice from the Bacinot. The first signed with monogram (lower right); the second inscribed and dated ‘Venice. 27. Novr 1865’ (lower left) and further inscribed and numbered ‘27.Novr. (66)’ (lower right) and further inscribed with … Continue reading
Edward Lear: Moment to Moment review in the Burlington Magazine
The Burlington Magazine, volume 164, number 1436, November 2022, pp. 1130-1132 contains a review of the Ikon exhibition by Richard Green I think I messid before. Unfortunately it is not one of the free ones.
Edward Lear, Jerusalem (1858)
Edward Lear, Jerusalem. Signed with monogram (lower left) and inscribed and dated ‘Jerusalem./ 1858’ (lower right). Pencil, pen and ink and watercolor. 7 1/8 x 14 7/8 in. (18.1 x 37.8 cm). Provenance With Davis Galleries, New York, where purchased … Continue reading
Edward Lear, S. Gregorio & Tivoli
Edward Lear, Tivoli and San Gregorio, a pair, the first inscribed ‘Tivoli’ (lower left); the other inscribed and dated ‘S.Grigorio [sic]/23rd April’ (lower left). Pen and ink and wash, heightened with white. The first 7 x 17.2cm (2 3/4 x … Continue reading
Edward Lear, Turbìa (1864)
Edward Lear, Turbìa (La Turbie in southeastern France, 31 December 1864. Watercolour and ink with traces of pencil. 36 x 53.5cm. Erroneously titled “Turkish Landscape, Dec. 1864” at MutualArt.
Edward Lear, the Caetani and Ninfa
My essay is now out and available either on Amazon and the publisher’s website. Marco Graziosi, “Prima di Gregorovius: Edward Lear, i Caetani e Ninfa.” In Ninfa: Percezioni nella scienza, letteratura e belle arti nel XIX e all’inizio del XX … Continue reading
Posted in Edward Lear
Tagged bibliography, Edward Lear, essays, publications, travel, watercolours
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Edward Lear, A Palm, Agrigento, Sicily (1847)
Edward Lear, A Palm, Agrigento, Sicily (1847). Ink on paper. 8 3/4 x 6 3/4 in. (sheet), 17 x 14 1/2 in. (frame). MutualArt.
Reviews of the Ikon Exhibition: Edward Lear Moment by Moment
I’m starting a tour of Wales &c. today and will be away for a couple of weeks, but I want to recommend again the Ikon exhibition in Birmingham, and in particular the great catalogue, with essays by Matthew Bevis, Jenny … Continue reading
Posted in Edward Lear
Tagged Edward Lear, exhibitions, Ikon, landscape, travel, watercolours
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Edward Lear, Civita d’Antino (1844)
Edward Lear, Civita d’Antino Pencil, chalk and white heightening. Signed, inscribed and dated, 1844. 6.5×11.25 inches. Framed: 15.5×19 inches. Illustrated Edward Lear, ‘Excursions in Italy’, 1846, plate 20. Provenance John Scandrett Harford (1787-1866), who first met Lear in Italy in … Continue reading