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Edward Lear
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
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Tag Archives: watercolours
Edward Lear, Lacca in Paxo (1863)
Edward Lear, Lacca in Paxo. Inscribed and dated 9 April 1867 [actually 1863, 2 P.M.], pen and sepia ink with colour washes and white, 35 x 52cm. The Saleroom.
Edward Lear, View of Cogoleto (1864)
Edward Lear, View of Cogoleto, Italy. Inscribed and dated High wind & cold/Cogoletto [sic]/3.30pm/24 Dec 1864 (lower left), numbered (82) (lower right), and further inscribed elsewhere with colour notes. Pen and brown ink, and watercolour. 36.7 x 54.6cm; 14½ x 21½in … Continue reading
Edward Lear, View of Porto Maurizio (1864)
Edward Lear, View of Porto Maurizio, Italy. Dated and inscribed Porto Maurizio/9 AM/29 December 1864 (lower left), numbered (114) (lower right) and further inscribed throughout with colour notes. Pen and ink, and watercolour, heightened with white. 32.9 x 49cm; 13 x … Continue reading
Edward Lear, Ravenna (1867)
Edward Lear, Ravenna. Watercolour sketch, ‘Ravenna 10.30 AM May 5 1867’, marked in pencil verso. 16.4cm x 24.9cm. Lear is known to have done another, almost from the same spot (different light), which was sold at Bonhams lot 71 on … Continue reading
Edward Lear, The Colossi of Memnon (1854)
Edward Lear, The Colossi of Memnon. Pen, coloured ink and coloured wash. Inscribed and dated ‘Thebes, 20 Feb 1854’ (lower right), colour notes throughout. 11 x 32.5cm (4¼ x 12¾ in.) Edward Lear travelled to Egypt in 1854, following the … Continue reading
Edward Lear, El Kab, Egypt (1854)
Edward Lear, El Kab, Egypt. Pen, ink, and watercolour, heightened with white. Inscribed with title and dated ’13 Feb 1854′ (lower left), colour notes throughout. 20 x 33.5cm (7¾ x 13 in.) Provenance Leger Galleries, London, November 1970 Edward Lear … Continue reading
Edward Lear, Èze, Southern France
Edward Lear, Èze, Southern France. Watercolor and bodycolor, heightened with white and gum arabic. 122 by 186 mm; 4⅞ by 7⅜ in. MutualArt.
Edward Lear, View of Mount Athos (1857)
Edward Lear, View of Mount Athos, Greece. Pencil and oil on artist’s board. Painting 11 7⁄8 x 18 ½ in. (30.1 x 47 cm.) Provenance The artist, by whom given to Canon C.M. Church. with Thomas Agnew & Sons, London, where purchased by … Continue reading
Edward Lear, Narkunda (1874)
Edward Lear, Narkunda, [India]. Watercolour study heightened in white – ‘Narkundo’, 29th April 1874, monogrammed lower right, 10cm x 17.5cm, mounted and framed under glass. The Saleroom.
Edward Lear, Tor de’ Schiavi, Campagna de Roma
Edward Lear, Tor de’Schiavi, Campagna di Roma. Signed with monogram (lower left). Pencil and watercolour, heightened with white and with scratching out. 7 x 14 ¾ in. (17.8 x 37.5 cm.) Provenance The artist, by whom given to Chichester Fortescue, … Continue reading