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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Lewis Carroll (68)
- Limerick (64)
- Nonsense Lyrics (29)
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Tag Archives: travel
Edward Lear, Agia Paraskevi (1857)
Edward Lear, Agia Paraskevi. Watercolor over traces of pencil on paper. 13 3/4 x 19 1/2 in. (34.9 x 49.5 cm.) MutualArt.
Edward Lear, Amalfi (1844)
Edward Lear, Amalfi. Inscribed and dated ‘Amalfihi/8. June. 1844’ (lower right). Pen and ink over traces of pencil. 48 x 34.5cm (18 7/8 x 13 9/16in). Provenance Ex collection of art critic Nicolas Powell (1920-1986). Private collection, UK (thence by … Continue reading
Edward Lear, Cannes
Edward Lear, Cannes. Inscribed ‘the day/was sloping toward his western bower (Mariana) Cannes/France’ (on part of the original mount, affixed to the reverse). Grey wash over pencil. 10 x 15cm (3 15/16 x 5 7/8in). Provenance With Thomas Agnew & … Continue reading
Charles Knight / Edward Lear, Civita Castellana (1843)
Charles Knight / Edward Lear, Civita Castellana. Signed, inscribed and dated ‘Civita Castellana/Edward Lear del July.20.1843.’ (lower left); Signed and inscribed ‘C.Allanton Knight/from E Lear’ (lower right). Pen and ink with brown wash over traces of pencil, heightened with white. … Continue reading
Edward Lear, Bay of Samos, Cephalonia (1863)
Edward Lear, Bay of Samos, Cephalonia. Inscribed and dated ‘Bay of Samos/Cephalonia 2:30pm/3rd May 1863. 2.30pm/124’ (lower right). Watercolour and ink over traces of pencil. 11 x 27cm (4 5/16 x 10 5/8in).
Edward Lear, Erbalunga, Corsica
Edward Lear, Erbalunga, Corsica. Signed with monogram (lower left). Watercolour over traces of pencil. 27.5 x 45.5cm (10 13/16 x 17 15/16in). Provenance Anon. sale, Sotheby’s, London, 21 March 2001, lot 243. Private collection, UK.
Edward Lear, The Ear of Dionysus (1842)
Edward Lear, The Ear of Dionysus. Black chalk heightened with white on grey paper, 230×310 mm. On the recto, lower left, black chalk: “Edward Lear. del. 1842. June”; lower right, black chalk: “Ear of Dionysus. Syracusa” Pandolfini.
Edward Lear, Sacromonte, Varese (1879)
Edward Lear, Sacromonte di Varese. Black chalk, pen and brown ink, 275×495 mm. On the recto, lower left, pen and brown ink: “Sacromonte 8. Sept. 1879” Exhibited Edward Lear (1812 – 1888), Il viaggio come avventura estetica, vedute d’Italia, Milano, … Continue reading
Edward Lear, Suda Bay, Crete
Edward Lear, Suda Bay, Crete. Watercolour on paper. 17,5 x 36,8 cm. (6 7/8 x 14 1/2in.) MutualArt.
Edward Lear, Agia Paraskevi (1857)
Edward Lear, Agia Paraskevi, 1857. Pen and brown ink and watercolor over traces of pencil on paper. Inscribed lower left Agia Paraskevi / 13 April 1857 / 11 1/2 AM (lower left); further inscribed with Artist’s notes. 13 3/4 x … Continue reading