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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Limerick (64)
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Tag Archives: travel
Edward Lear, Orvieto
Edward Lear (after), A View of the cathedral in Orvieto. From volume II of The Ecclesiastical Architecture of Italy from the Time of Constantine to the Fifteenth Century. With an Introduction and Text by Henry Gally Knight Esq.r F.R.S F.S.A. … Continue reading
Edward Lear, Mount of Olives (1867)
Edward Lear, Mount of Olives. Inscribed and dated ‘Mount of Olives./4.30. PM. 10 April 1867.’ (lower left); numbered ‘(31)’ (lower right); annotated throughout. Pen, ink and watercolour over traces of pencil. 24 x 50cm (9 7/16 x 19 11/16in). Provenance Craddock & Barnard, London. … Continue reading
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Tagged Edward Lear, landscape, Palestine, travel, watercolours
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Edward Lear, Dendera (1867)
Edward Lear, Ruins at Dendera, Egypt. A pair, one inscribed and dated ‘Denderah/3.PM.Jany.15/9.30.AM.Jany16.}1867’ (lower left); numbered ‘(No 7) (170)’ (lower right) and the other inscribed and dated ‘Dendera 8.45 AM/16.Jany 1867′ (lower left)’ numbered ‘(175)’ (lower right); both also annotated throughout. … Continue reading
Edward Lear, Damascus (1858)
Edward Lear, Damascus. Inscribed, dated and numbered ‘Damascus. 28 May 1858. (217)’ (lower right); annotated throughout. Pen, ink and watercolour over traces of pencil. 19.4 x 55.2cm (7 5/8 x 21 3/4in). Provenance Craddock & Barnard, London. Private collection, UK. Having visited Jerusalem … Continue reading
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Tagged Edward Lear, landscape, Palestine, travel, watercolours
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Edward Lear, Near Sarténé, Corsica (1868)
Edward Lear, Near Sarténé, Corsica. Signed with monogram (lower left) and inscribed and dated ‘near Sateréné [sic] 5 1/2 PM. April 18./ 1868.’ (lower right). Pencil and watercolour heightened with bodycolour and with scratching out. 6 7/8 x 16 ½ … Continue reading
Edward Lear, The Esterelles, from near Antibes, France (1876)
Edward Lear, The Esterelles, from near Antibes, France. Signed with monogram and dated ‘1876’ (lower right) and inscribed and dated ‘The Esterelles/ from near Antibes./ Feby. 1865’ (lower left). Pencil and watercolour heightened with bodycolour. 10 3/8 x 16 in. … Continue reading
Edward Lear, Cervo, Imperia, Italy (1882)
Edward Lear, Cervo, Imperia, Italy. Signed with monogram and dated ‘1882’ (lower right) and inscribed and dated ‘Cérvo./ 27 Decbr. 1881′ (lower left). Pencil and watercolour heightened with bodycolour. 10 7/8 x 21 in. (27.7 x 53.4 cm.) Provenance Francis … Continue reading
Edward Lear, Lago di Nemi
Edward Lear, Lago di Nemi. Pencil. Inscribed with colour notes by the artist. Exhibited Agnews. Abbot and Holder.
Midsummer Readings
Jagger, Jasmine. “Lear’s Tears.” Victorian Poetry 57.1 (2019). 101-129. And: Jagger, Jasmine. “The Endlessness of Alice.” The Cambridge Quarterly 45.1 (2016). 91-97. Caniglia, Maria Rossana, and Maria Concetta Fiorillo. “Disegno e narrazione in alcune vedute calabresi di Edward Lear.” ArcHistoR EXTRA … Continue reading
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Tagged Edward Lear, essays, Italy, landscape, travel, watercolours
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Edward Lear, Plataea, Greece (1848)
Edward Lear, Plataea, Greece. Inscribed and dated ‘Platoea. [sic]/ 5. July. 1848’ (lower left), and numbered ‘123’ (lower right). Pencil, pen and brown ink and watercolour. 10⅛ x 16½ in. (25.8 x 41.9 cm.) Provenance Charles Church, a gift from … Continue reading