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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
- Bibliographies and Links
- The Edward Lear 2012 Celebrations
- Letters to the Caetani Family
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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- Edward Lear (1,289)
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- Gustave Verbeek (27)
- James Thurber (3)
- Lewis Carroll (68)
- Limerick (65)
- Nonsense Lyrics (29)
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Tag Archives: landscape
Edward Lear, Mdina (1866)
Edward Lear, Mdina or Citta Vecchia, Malta. Inscribed, dated and numbered ‘Citta Vecchia./Malta/January 28. 1866./ 11-12 AM./ (34)’ (lower right) and variously inscribed with colour notes. Pencil, pen and brown ink and watercolour on buff paper 13 x 20½ … Continue reading
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Tagged auctions, Edward Lear, landscape, Malta, travel, watercolours
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Edward Lear, Delvinë (1857)
Edward Lear, Delvinë or Delvino, Albania. Dated ‘3 April 1857/ 6. p.m.’ (lower left), and 3 Ap1. 1857. 6 p.m’ (lower left) and inscribed ‘Deilino’ (lower left) and further inscribed with colour notes. Pencil, pen and brown ink and … Continue reading
Posted in Edward Lear
Tagged Albania, auctions, Edward Lear, landscape, travel, watercolours
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Edward Lear, Ceriana (1870)
Edward Lear, ‘Ceriana’. Inscribed with title and dated ’13 Oct 1870 2PM’ (lower right), with collectors stamp (lower left) pen & ink drawing, unframed. 17.5 x 25.5cm (6 7/8 x 10 1/16in). Bonhams.
Edward Lear, Venice after Sunset (1865)
Edward Lear, Venice after sunset. Inscribed ‘Venice’ (lower left), inscribed again and dated ‘after sunset15 Nov 1865′ (lower right), signed, inscribed an dated again’ (Edward Lear/Venice/1865) on a fragment in the same frame. Pen, ink and watercolour. 8 x … Continue reading
Edward Lear, El Karnak (1854)
Edward Lear, El Karnak. Inscribed and dated ‘El Karnak/Febr.15.1854/ 5.P.M.’ (lower left) and annotated throughout. Pencil and watercolour. 15.5 x 50cm (6 1/8 x 19 3/4in). From the private collection of Sir Eric Maclagan, former director of the Victoria and … Continue reading
Edward Lear and Queen Victoria
In 1980, Marina Warner published an article on Queen Victoria’s art, which included a short examination of what Edward Lear taught her. Here is the relevant section: Under Albert’s bracing influence, Victoria wanted to improve, and as soon as the … Continue reading
Edward Lear, Wadi Tayibeh (1849)
Edward Lear, Wadi Tayibeh. Pen and brown ink and watercolour over traces of pencil; inscribed lower left: Wady [sic] Tayibeh / 1 – past 4 P.M.., dated three times lower right: January 20. 1849.., and further inscribed with artist’s notes. 140 … Continue reading
Edward Lear, View Near Monte Rotondo (1840)
Edward Lear, View Near Monte Rotondo, Italy. Pencil, heightened with stump and white on blue paper; signed lower right: Edward Lear del. and inscribed lower left: near Monte Rotondo. May 26.1840. 150 by 350 mm. This fine drawing was once owned … Continue reading
Edward Lear, The Dead Sea, Jordan
Edward Lear, The Dead Sea, Jordan. Watercolour and bodycolour, heightened with white; signed with the artist’s monogram lower right. 177 by 375 mm. Lear arrived in Jerusalem in March 1858, travelling on to Petra and then the Dead Sea, which he … Continue reading
Edward Lear, The Amphitheatre, Taormina (1842)
Edward Lear, The Amphitheatre, Taormina, Sicily. Pencil and grey wash, heightened with white, on grey paper; inscribed lower left: Taormina; signed lower right: Edward Lear del.1842. 165 by 250 mm. Lear spent ten weeks exploring Sicily in the spring of 1842. … Continue reading