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Edward Lear
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
Twitter Updates
- Punch and “The Owl and the Pussy-cat” nonsenselit.com/2023/03/28/pun… 4 days ago
- John Parry’s Stray Leaves from “A Book of Nonsense” nonsenselit.com/2023/03/19/joh… 1 week ago
- Edward Lear, Near Mount Sinai (1849) nonsenselit.com/2023/03/16/edw… 2 weeks ago
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Tag Archives: landscape
Edward Lear, Nemertska from Kouzza, Albania (1857)
Edward Lear, Nemertska from Kouzza, Albania. Inscribed and dated ‘Nemertska from Kouzza/15 April 1857’ (lower left), variously annotated throughout. Pen, ink and watercolour. 32.5 x 52cm (12 13/16 x 20 1/2in). Provenance Lady Shaw. Thence by descent. Anon. sale, Bonhams, … Continue reading
Edward Lear’s “Sicilian Giro”
Giuliana Randazzo’s book contains a large collection of landscape pictures, often never before published, drawn by Edward Lear during his two Sicilian trips in 1842 and 1847. As far as I can see it is only available from amazon.it.
Edward Lear, View of the Castello Caetani and the hill-town of Sermoneta (1872)
Edward Lear, View of the Castello Caetani and the hill-town of Sermoneta, Lazio, Italy. Signed and dated ‘Edward Lear. del. 1872./(Feb 3. 1840)’ (lower left). Pencil, pen and brown ink and watercolour, heightened with touches of bodycolour. 6 1⁄2 x 10 … Continue reading
Edward Lear, Philae (1854)
Edward Lear, Philae, Egypt, 1854. Pen and brown ink and watercolour. 294 by 492 mm. Mutualart.
Edward Lear, Mt. Etna (1847)
Edward Lear, Mount Etna, Sicily. June 1847. Pen and brown ink and wash over pencil; 243 by 403 mm.
Edward Lear, On the Nile, opposite El Ouasta (1867)
Edward Lear, On the Nile, opposite El Ouasta, Egypt January 1867. Pen and brown ink and watercolour, heightened with white; 62 by 206 mm. Mutualart.
Edward Lear, Karnak (1854)
Edward Lear, Eygpt; ‘Karnak’. Pen, ink and watercolour. Signed, inscribed and dated, ‘Feb 15 1854’. 6×19.5 inches. Framed: 27.5×14.5 inches. Provenance Sir Eric Maclagan and by descent; A and H, 2013; a private collection. Abbott and Holder.
Edward Lear, Benares (1873)
Edward Lear, Benares. Signed with monogram l.l., watercolour over pencil heightened with bodycolour and gum arabic. 25.5 x 40 cm.; 10 x 15 ¾ inches. Date: 1873. Provenance Sir Sacheverell Sitwell, Bt. (1897-1988); Francis Sitwell (1935-2004); By descent at Weston Hall, … Continue reading
Edward Lear, The Nile at Kasr-Es-Saad
Edward Lear, The Nile at Kasr-Es-Saad, Egypt. Inscribed and numbered ’23/ Like the crag that fronts the evening’ (upper left) and further inscribed ‘Kasres.Saad. (Egypt.)’ (upper right). Pencil, pen and brown ink, brown and grey wash, lightly squared on paper … Continue reading
Posted in Edward Lear
Tagged Edward Lear, Egypt, landscape, Tennyson, travel, watercolours
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Edward Lear, Philae (1854)
Edward Lear, Philae, Egypt. Inscribed and dated ‘Philae. Jany 31. Feby. 4./ 1854.’ and numbered ‘156’ (lower right), and extensively inscribed with colour notes throughout. Pencil, pen and brown ink and watercolour. 12 1⁄4 x 19 1⁄2 in. (31.1 x … Continue reading
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