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Edward Lear
- Biographical Essays
- Ship of Fools. All Aboard!
- Lear’s Diaries
- A Chronology of Lear’s Life
- EL. Landscape Painter and Poet
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On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- More Articles
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Tag Archives: Italy
Edward Lear, One Tall Agave, Varenna
Edward Lear, One Tall Agave, Varenna, Lake of Lecco (Bellagio). Illustration to Tennysaon’s “The Daisy.” Signed with the monogram and inscribed ‘Varenna’, further inscribed with the title under the mount and numbered ‘175’, grisaille 9.5cm x 14cm (3.75in x 5.5in) … Continue reading
Edward Lear, Desenzano
Edward Lear, Desenzano. Pen, ink and wash. 4 x 12.2cm. MutualArt.
Edward Lear, Mont Blanc (1863)
Edward Lear, Mont Blanc. Pencil, watercolour and bodycolour on blue paper. 6 ½ x 10 1⁄8 in. (16.5 x 25.9 cm.) MutualArt.
Edward Lear, Mont Blanc (1863)
Edward Lear, Mont Blanc. Signed with monogram and dated ‘1863’ (lower right). Ppencil, watercolour and bodycolour on blue paper. 6 ½ x 10 1⁄8 in. (16.5 x 25.9 cm.) Provenance Anonymous sale; Christie’s, London, 15 November 1983, lot 261. with … Continue reading
Edward Lear, Antrodoco (1843)
Edward Lear, Antrodoco, Italy. Inscribed and dated August 14 1843, pen and ink and watercolour. 31cm x 45cm (12in x 17.75in) Provenance David Galleries, New York. This watercolour relates to a lithograph in Lear’s Illustrated Excursions in Italy published in … Continue reading
Edward Lear, Bordighera (1864)
Edward Lear, Bordighera, Italy. Inscribed and dated 1864, extensively annotated, pen and ink and coloured wash. 22cm x 33cm (8.5in x 13in) Lear would have arrived in Bordighera, on the French-Italian border, in December 1864, returning from his walking tour … Continue reading
Edward Lear, Two Drawings
Edward Lear, A Moutainous Landscape with Figures Seated by a Shrine, & Sketch of a Tomb with Classical Frieze. Signed and dated E. Lear 15 March / 1848 lower right (i). Each pen and brown ink. Each 9.5 x 12cm; … Continue reading
Edward Lear, St John Lateran and the Claudian Aqueduct, Rome
Edward Lear, St John Lateran and the Claudian Aqueduct, Rome. Signed with monogram (lower right). Watercolour over traces of pencil, heightened with white. 10.4 x 20.3cm (4 1/8 x 8in). Provenance Collection of Lady Peyton. The Hon. Dorothy Gibbs and … Continue reading
Edward Lear, View of Florence (1861)
Edward Lear, View of Florence. Inscribed and dated ‘June 14/ (9)’ (lower left). Pen, ink and watercolour over pencil. 33.2 x 55cm (13 1/16 x 21 5/8in). Painted in 1861. Provenance With Thomas Agnew & Sons, Ltd., London where purchased … Continue reading
Edward Lear, Venice and Santa Maria della Salute (1865)
Edward Lear, Venice and Santa Maria della Salute. Inscribed, dated and numbered ‘Venice 11 Nov (2)’, pen and ink and watercolour. 11.5cm x 16.5cm (4.5in x 6.5in) Provenance Agnew’s, no. 29488 After a first visit to Venice in 1857, Lear … Continue reading